MLLE. RHEA: INTERNATIONAL STAGE ACTRESS

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The top Cabinet card, by Jose Mora of New York, features actress Mlle. Rhea (1843-1899). Mlle Rhea was her stage name. She was actually Mlle Hortense-Berbe Loret and was born in Belgium to French parents. She began studying acting at age 20 upon the suggestion of an actor that she had met at a party. Her decision was also prompted by the death of her mother and financial reversals experienced by her father. She studied acting in Paris and in 1876 spent five years playing roles in Continental Europe. In 1881 she vacationed in England and  decided to appear in British theater. She quickly learned English and in one months time, performed in Much Ado About Nothing in London. Shortly after, she travelled to America where she spent the majority of her remaining life. Her obituary in the New York Times indicates that her english was “somewhat incomplete” and he always performed with a pronounced french accent. She appeared frequently on the New York stage but was a fan favorite in the “provinces”. This very popular actress died in Montmorency, France in 1899. The second cabinet card is a portrait of Mlle. Rhea that was probably taken some years after the first cabinet card. The actress appears somewhat older than in the first image. The second cabinet card was also produced by Mora.

Published in: on July 10, 2014 at 11:35 am  Comments (3)  
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LILLIAN GRUBB: STAGE ACTRESS DUPED BY BIGAMIST HUSBAND

 

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This cabinet card features pretty actress/singer, Lillian Grubb. The New York Times (1884) reported that the young Baltimore actress had applied to a local court to have her marriage annulled from George Steitmatter, alias, George Deberhard. She wanted her marriage declared null and void due to her husband’s misrepresentation about his marital and financial status. He claimed to be single and wealthy. While still Grubb’s fiance, Mr. Steitmatter claimed that the couple needed to marry quickly because he was about to embark on a trip to Germany. When Ms. Grubb agreed to tie the knot (sometime in 1883) , Steitmatter supposedly left for Germany. In reality, he had gone to New York, the home of his lawful wife. When Ms. Grubb learned that her new husband was already married and was actually in New York; she took the reported legal action. The top cabinet card was published by Newsboy as part of a series of actress photographs (#87). These photographs were used by the company as premiums for their tobacco products. The second cabinet card is a portrait produced by celebrity photographer Jose Mora. She is quite beautiful and appears very coy in this somewhat provocative photograph. Below is an example of one of the many cigarette cards that featured Miss Grubb. This premium was produced by Duke (#N140) as part of their “Yacht Club Colors Series” and was published in 1890.

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Published in: on July 5, 2014 at 12:01 pm  Comments (1)  
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PRETTY YOUNG STAGE ACTRESS GLADYS WALLIS (PHOTOGRAPH BY B J FALK)

gladys wallis_0003Gladys Wallis, theater star, is the subject of this portrait by celebrity photographer B. J. Falk. Miss Wallis appears to be very young when she posed for this cabinet card photograph. The image is numbered 16 in a series and has a copyright date of 1893. In fact, she was just eighteen years old when she sat for this portrait. Glady Wallis (1875-1953) lived an interesting life. The Florence Times (1932) tells some of her story in an article that is predominately about her husband Samuel Insull (1858-1938). The article was quite disparaging of  Insull and in the lead of the story the reporter writes “The keen brain of Samuel Insull built a 4,000,000,000 public utilities empire but he failed when he attempted to bring about his wife’s come-back as an actress after her 26 year absence from the stage”. The attempt cost him 200,00 dollars. Gladys Wallis’s was originally named Mary Bird. She was of Irish descent and upon becoming an actress was determined to be viewed as a respectable woman. She was anti alcohol and reportedly, anti sex. Insull had originally seen her as a “starry eyed and raven-haired young ingenue in an 1898 theater production in Chicago. She was just a teenager and he was 36 years-old starstruck admirer. They later met at a dinner party and two years later, they married. Gladys quickly retired from the stage and became a society lady. She had a number of estates and servants, was active in fund raising for charities, went to high society affairs and functions, and wore expensive clothing and jewelry. It is reported that she wasn’t an easy person to get along with and was not very well liked among the ladies of society. She and Insull reportedly had a tempestuous relationship and among their issues was her disinterest in sex. Insull supported her temperance beliefs. The couple had a son who eventually attended Yale University. In 1925,Wallis revealed her desire to return to the stage because of her desire for “self expression”. Her husband funded the theatrical endeavor and its proceeds were to be directed toward charity. Society turned out in mass for the opening night of what was to be a two week engagement where Mrs. Insull played the “coquettish role”of Lady Teazle. Attendees included Marshall Fields, the Armours, the Drakes, and the Pullmans. The success of this limited engagement spurred Wallis to return to Broadway. Wallis may have felt ready for Broadway but apparently Brodway wasn’t ready for Wallis and she returned to Chicago in 1927. She was not yet done with acting so she took a five year lease on a Chicago theater and established a performing company. This project failed and before long he company was operating at a loss of more than a thousand dollars a day. Things also did not go well for Mr. Insull. The depression severely impacted his business and eventually there were even charges filed against him. He fled to Europe with his wife where they entered “voluntary exile”. He was eventually deported from Europe but was well defended in a Chicago trial and found innocent of all charges. However, the Insulls had lost their fortune and at the time of his death, his estate was quite meager. There are a number of books available about Mr. Insull and they probably make quite interesting reading. This photograph was taken by B. J. Falk, New York City celebrity photographer. To learn more about this photographer and to see more of his images, click on the category “Photographer: Falk”.

MISS FLORENCE ST. JOHN: ENGLISH ACTRESS AND SINGER POSES FOR HER PORTRAIT IN LONDON, ENGLAND

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Miss Florence St. John (1855-1912) is the subject of this portrait by the London Stereoscopic Company. She was a very well known English singer and actress. She was famous for her roles in operetta, musical burlesque, music hall, opera and comic plays. She began her career in her teenage years and received much acclaim for her 1879 role in “Madame Favart”. Her light opera soprano roles included Ollivette (1880), Nel Gwynne (1884) and Erminie (1885). She joined the Gaiety Theater company in 1888. She toured a number of times in America. In 1900 she appeared in her last musical and thereafter appeared in straight theater. Florence St. John was a very busy actress, appearing in a large number of productions. Perhaps it was her busyness that interfered with her marriages. By the time she was 42 years of age, she was entering her fourth marriage. This portrait shows Miss St. John’s beauty and captures her lovely smile. The London Stereoscopic Company was located, not surprisingly, in London, England. The gallery billed itself as “Photographers’ to the Queen, the Prince of Wales and the Royal Family”. The company won many prizes and international exhibitions. To view other photographs by this gallery (including photographs of other actresses), click on the cabinet card gallery’s category “Photographer: London Stereographic Company”.  SOLD

JENNIE COSTELLO: FIRST STAGE ACTRESS IN THE FEDERAL WITNESS PROTECTION PROGRAM


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I couldn’t find any details about the life of actress, Jennie Costello. I was able to locate another cabinet card image of Miss Costello but nothing else. I guess she was in the witness protection program and all information pertaining to her life has been erased. The actual explanation is probably that she was not a major stage star and my search for information lacked enough depth to shed light on her career. This portrait was produced by the Hartley studio in Chicago, Illinois. Edward Hartley printed a drawing of his studio’s storefront on the reverse of this cabinet card (see the image below). He was a rabid self promoter which will be evident after you examine more of his photographs and read their descriptions. You can accomplish this feat by clicking the category “Photographer: Hartley”.

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Published in: on May 15, 2014 at 10:05 pm  Comments (3)  
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JENNIE CALEF: PORTRAIT OF A BEAUTIFUL THEATER ACTRESS

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This cabinet card portrait features stage actress Jennie Calef. Variety (1917) offers a brief obituary for the actress. She was described as a noted soubrette who became a melodrama star in her later years. There are many articles about Jennie Calef in the newspaper archives. Most are brief and are concerned with announcing her appearances and providing reviews. Many of the articles mention Calef’s beauty. The Cornell Daily Sun (1883) hawks her appearance in M’liss at the Wilgus Opera House in Ithaca, New York. The newspaper quotes a review from the Richmond Sentinel, “Jennie Calef secures the enthusiasm of her audience from her first appearance, and retains it to the end. She is a charming actress”.  A negative review can be found in The Daily Gazette– Fort Wayne Indiana (1885). The newspaper reports that “Jennie Calef, the actress who afflicted the people here in a bad play called Little Muffets is (now) devastating the Ohio towns.” It further reports that finances were becoming a problem for the theater company and that one of the “ham fat” actors of the company had taken legal action, attaching the shows baggage for his salary due. Another story concerning the actress is reported by Ohio’s Newark Daily Advocate (1886). The newspaper states that Jennie hurt one of her “beautiful limbs” while rushing onto a Sandusky, Ohio stage. The injury appears to have been to her knee. The article also asserts that she was confined to a Dayton, Ohio hotel room for two months in order to recover. She and a lawyer spoke to a judge about filing suit but the judge advised her not to pursue a law suit against the theater. An unconfirmed story was that the accident occurred when she slipped on some flowers that were given to her by her manager. Further articles indicate that she eventually did file a ten thousand dollar suit against the theater. The Sporting Life (1890) reports Calef’s marriage to Andrew Waldron who was her manager and an actor. Preliminary research failed to uncover details about the latter years of  Jennie Calef’s life. This cabinet card portrait was produced by the studio of Gilbert & Bacon. To read more about the Philadelphia studio and it’s history, click on the category “Photographer: Gilbert & Bacon”.

PORTRAIT OF “LITTLE OLLIE”: A GIRL AND HER MANDOLIN

LITTLE OLLIE_0002This cabinet card portrait features “Little Ollie” and her mandolin. At least I think her instrument is a mandolin. Confirmation from a cabinet card gallery visitor would be appreciated. This little girl performer is adorable. She is wearing a cute hat and her jewelry includes a necklace and bracelet. The reverse of the photograph has an inscription stating “From Little Ollie Herself”. Benjamin J. Falk (1853-1925), a noted celebrity photographer, produced this photograph. His studio was located on Broadway in New York City. The image is numbered on the bottom right hand corner.To view more photographs by this photographer, click on the category “Photographer: Falk”. Research revealed not further information about “Little Ollie”. However, a different photograph of her, also by Falk, is in the collection of the Library of Congress.

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Published in: on April 17, 2014 at 10:22 am  Comments (3)  
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STAGE PERFORMER IN EFFEMINATE COSTUME (IS THIS A YOUNG MAN OR A YOUNG WOMAN?)

BURK_0005This cabinet card portrait, photographed by A. D. Burk and Co. presents a gender mystery. A stage performer wearing an effeminate stage costume by today’s standards, is the subject of this portrait. Note the subjects frilly shirt and jacket, and the feathered hat. Also take note of the subjects long curly hair and hanging curls. Are we looking at a handsome actor or a pretty actress? My guess is actress. The photographer, Alcynus D. Burk worked in Cleveland from 1889, when he partnered with David Bailey until 1900 or later.

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Published in: on March 28, 2014 at 12:21 pm  Comments (9)  
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PORTRAIT OF STAGE ACTRESS VILLA KNOX IN ROLE OF DAISY BLOSSOM (PHOTOGRAPH BY JACOB SCHLOSS)

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This cabinet card has a lot to say. First, the photograph features an actress named Villa Knox. She appeared in productions in the United States, England, and probably a number of other places. She acted in at least two Broadway shows. She appeared in the musical comedy “Boccaccio” (1898) and in “Apollo, or, The Oracle of Delphi” (1891). Second, the photographer of this image is the well known celebrity photographer, Jacob Schloss. At the time that this photograph was taken, the Schloss studio was located at 467 and 469 Fifth Avenue, between 40th and 41st Streets in New York City.. To view more of his photographs click on the category “Photographer: Schloss”. A third aspect of this photograph is that it has the pencilled name “Daisy Blossom” on the front of the card. Thanks to a little luck in my research, I learned that “Daisy Blossom” is a character in a play called “London Day by Day” (1893) which was reviewed by The Sydney Mail. This portrait likely captures Miss Knox in costume for that roleThe fourth interesting fact about this image is the stamp appearing on the front of the card that states “Vignettes All Around For Segar Label”. It appears that this photograph was used as a vignette photograph for a cigar box label. The last feature I will mention concerning this image is that it has all the signs of once residing in someones photograph album. The cabinet card truly tells a number of stories and is in good condition.   SOLD

 

Published in: on March 20, 2014 at 12:56 pm  Comments (1)  
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PORTRAIT OF THEATER ACTRESS LILLIE THORNE

thorne fThe attractive woman in this photographic portrait is named Lillie Harris Thorne. Her name is printed on the reverse of the image. There was a theater actress named “Lillie Thorne” who performed during the cabinet card era and the subject of this portrait is likely the same Lillie Thorne.  The Golder & Robinson studio was located on Broadway in New York City and was known for it’s celebrity photographs. Unfortunately, preliminary research yielded little information about Lillian Thorne.

Published in: on March 14, 2014 at 12:35 pm  Leave a Comment  
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