This cabinet card features two young gentlemen and two young ladies posing for their portrait at Roswall’s Art Studio, in Macon, Missouri. The exact address of the studio was 21 & 23 Rollins Street. The young adults in this photograph may be from the same family, or may be just friends. These four individuals are very well dressed, leading one to believe that they likely come from families of means. It is interesting to note that the girl on the left appears somewhat separated from the other three subjects. The separation my reflect how she felt psychologically about her place in the foursome. However, her position in the photograph may be simply the result of the photographer not wanting to leave too much space on the left side of the image. The photographer, Lars J. A. Roswall, was reported by the Photographic Times (1884) to be a part of a group that held a patent relating to an apparatus for cleaning photographs. The bottom border of this photograph has been trimmed. The card has a slight curl. Overall, this cabinet card portrait is in good condition (see scans). (SOLD)
A DISTINGUISHED GENTLEMAN AND HIS LOVELY WIFE IN STEUBENVILLE, OHIO
An older couple poses for their portrait in the studio of Filson an Sons in Steubenville, Ohio. The senior partner in the Filson studio was Davison Filson (1829-1899). He was a plain and ornamental painter and photographer. He was born in Pennsylvania and was of Irish descent. He settled in Steubenville in 1851. He worked as a master painter and bookseller before taking up photography in about 1863. In 1867 and in 1881, he made visits to the Far West where he did much outdoor photography. He was renowned locally for an exhibit he presented which was a montage of portraits of 12,223 deceased local residents and distinguished visitors (1897). Filson’s son was Charles P. Filson (1860-?). He was a sculptor, photographer and a portrait, landscape, and still life artist. He used crayon, ink, watercolor, and oils. He joined his father’s studio as a photographer in about 1879. He moved to La Jolla, California in 1937. Among his better known portrait subjects were civil war notables, Edward Stanton and Colonel George McCook. Daavison Filter also had a daughter that was a noted artist. Anna Filson (1857-?) was an artist active in Steubenville. To view other photographs by Filson, click on the category “Photographer: Filson”. SOLD
HERE COMES THE BRIDE IN STILLWATER, MINNESOTA
A bride and groom pose for their wedding photograph at the studio of J. M. Kuhn in Stillwater, Minnesota. The groom looks as if he is in a state of shock on this momentous day. Perhaps he’s experiencing “cold feet syndrome”. His bride seems a bit happier and is wearing a very flowery veil. John M. Kuhn (1855-1910) operated photography studios in Stillwater between 1882 and 1897. Afterwards, he owned a studio in Saint Paul, Minnesota. At times, he was partners with his brother Louis Kuhn. Research reveals that John Kuhn took official photographs of guards and wardens at the Stillwater State Prison. SOLD
ATTRACTIVE COUPLE AT CROWDED SWIMMING POOL : BATHING SUITS : SNAPSHOT
This vintage snapshot photograph features an attractive couple in their bathing suits, standing in front of a crowded swimming pool. This photo was found in France.This scallop edged vintage photo measures about 3.50″ x 2.5″ and is in very good condition (see scans).

Buy this Vintage Snapshot (includes shipping within the US) #3858
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PORTRAIT OF AN ATTRACTIVE FASHONABLE COUPLE : WOMAN HOLDS CABINET CARD
This is an interesting cabinet because of the way that this couple is posing for their portrait. It is unusual to see a a woman sitting on the floor while posing for a cabinet card photograph. It is also not typical to see a woman sitting at the feet of a man in cabinet card images. The subjects of this photograph may be married, or perhaps, they are brother and sister. The couple is nicely dressed and the woman is holding a photograph of a man. The backdrop is high quality. There is no identifying information about the two individuals in the image or about the photographer. This cabinet card portrait is in excellent condition (see scans).

Buy this Cabinet Card (includes shipping within the US) #3841
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Buy this Cabinet Card Photograph (includes International shipping outside the US) 3841
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WEDDING COUPLE PORTRAIT : HALSTAD, MINNESOTA : O. E. FLATEN : CABINET CARD
This photographic portrait captures a lovely formally dressed couple. It is likely that this is a wedding photo. Both the man and the woman are dressed in formal clothing. In addition, the gentleman is wearing a boutonniere while the woman is wearing a corsage. Looks like wedding attire to me. The photographer is O. E. Flaten who at the time of the photograph, had studios in Moorehead and Halstad, Minnesota; as well as in Gardner, North Dakota. Research reveals that Ole E. Flaten (1854 or 1865- 1933) was born in Vanders, Norway and emigrated to the United States. He worked as a photographer from the 1870’s through the 1920’s, retiring in 1930. This cabinet card portrait has minor edge and cornerwear and is in very good condition (see scans).

Buy this Cabinet Card (includes shipping within the US) #3834
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Buy this Cabinet Card Photograph (includes International shipping outside the US) 3834
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WEDDING PORTRAIT : HANDSOME ELEGANT COUPLE : WHITE GLOVES : RPPC
This vintage real photo postcard features a handsome and elegant wedding couple. The bride has a lovely smile. The couple are well dressed. The bride is wearing a pretty hair ornament and one white glove. The groom is holding the second glove. This portrait postcard is in good condition (see scans).

Buy this Vintage Real Photo Postcard (includes shipping within the US) #3798
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Buy this Vintage Real Photo Postcard (includes International shipping outside the US) 3798
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ATTRACTIVE YOUNG COUPLE IN MADISON, SOUTH DAKOTA
This image was photographed by J. M. Munson of Madison, South Dakota. The photograph was taken after 1889, the date of South Dakota Statehood. Photographs before 1889 would print the location as “Dakota Territory”. The couple in this image are an attractive pair. The woman subject is wearing a pretty dress, a ring, a collar pin and a bow in her hair. The gentleman is well groomed and dressed in a fancy suit. The photographer of this portrait is John M. Munson. He and his family appear in the U. S. Census of 1900. He was working as a photographer and living with his wife and daughter in Madison. He was 50 years old, his wife (Ada) was 41 years old, and his daughter Josephine was 6 years old. He and his wife had been married in 1882. The census indicated that Munson was born in 1849 in Ohio. A 1909 South Dakota business directory lists his Madison photography studio. The 1910 census confirms that he still worked as a proprietor of a photography business and lived with his family. The 1920 census finds Munson unemployed, or retired, and still living with his wife and daughter. (SOLD)
SMILING COUPLE POSE IN A FAUX GARDEN: WHY IS THIS WOMAN HOLDING A WHIP? (RPPC)
This vintage real photo postcard (RPPC) features a smiling couple posing in a photographic studio’s faux garden. Note the leaves affixed to the wall behind them. This couple seems very happy together but they apparently didn’t maintain their marital harmony because they ultimately got divorced. One hopes that the whip that the woman is holding had nothing to do with their marital discord. The woman’s name in this photograph is Grace McBurney. Her name is written on the reverse of the postcard, undoubtedly by one of her relatives. Research reveals that Grace R. McBurney (1893-1969) was born in Oregon and married at the age of 19 to William H. McBurney who worked as a “typewriter representative”, which I assume means he sold typewriters. The couple had at least five children: Virginia D.(born around 1914), Marguerite F. (1919-1999), Wilma (born around 1920), William (1923-1981), and Carl Morton (1928-2007). Perusal of US census data reveals that the couple were divorced sometime between 1930 and 1940. It appears that Grace lived her entire adult life in Portland, Oregon. She is buried in Lincoln Memorial Park in Portland. Preliminary research yielded little information about her husband. This photo postcard was produced by the Mazrograph Studio in Portland. Mazrograph was the process Calvert used to produce the photo postcards quickly. The studio’s stamp can be seen on the reverse of the postcard. The stamp also mentions that the photo production process took only ten minutes.The postcard paper was produced by Cyko sometime between 1906 and 1915. Charles E. (Cal) Calvert operated his studio at Sixth and Ankeny from 1906 through 1930. In 1907, with the opening of Council Crest Amusement Park, he operated a studio and postcard stand on it’s grounds. He also ran a studio at the Washington Street entrance to Portland’s City Park in 1910. Cal was known for his use of rustic props and for his creativity. One of his sets involved subjects appearing as if they were flying an airplane over the city of Portland. A postcard employing this setting is part of a collection at the Portland Art Museum. This RPPC was taken in a “10 Minute Photo Gallery”. The reverse of the card advertises “Cal Calvert, Postcard Man”. As a side note, there was also a Calvert’s Studio across from Oregon City’s Southern Pacific Depot but it was run by Harry Calvert and his wife Alvilda. Harry was not related to Cal Calvert. Harry’s studio operated from 1915 through 1925. This vintage real photo postcard is in very good condition (see scans).

Buy this Vintage Real Photo Postcard (includes shipping within the US) #3559
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$31.48

Buy this Vintage Real Photo Postcard (includes International shipping outside the US) 3559
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