An attractive couple pose for their portrait in Falmouth, England. The couple are very well dressed and appear very comfortable in front of the camera. The photographer is W. M. Harrison. Harrison had studios in Falmouth, Helson, Truro and Redruth. William Marsden Harrison (1852-?) worked as a photographer in Scotland but worked in Falmouth beginning the early 1880’s. By 1900, Harrison had won over 30 medals for his photographs, many of them from international competitions (ie. France, Austria, Belgium, Holland). Judging by the back design, this cabinet card photograph is circa 1902. SOLD
The message on this vintage real photo postcard is as follows: “Edd & Susan, Here is a picture. looks like us but not good work at all. How are you? We are all well. My Dishes haven’t come yet… Bird”. I added the punctuation since “Bird” didn’t seem to have the time or interest. This photograph features a young man and woman sitting in their horse drawn buggy in front of a rural house and landscape. The previous owner of this image believed that that the couple are dressed in their wedding clothes. I certainly can not confirm that, but the pair are certainly dressed in their nicest clothing. “Bird”, perhaps short for “Birdie”, is not very pleased with this photograph. Personally, I believe the photographer did an excellent job in capturing this couple, their horse and buggy, and their homestead. The stamp box on the reverse of this RPPC indicates that it was produced on Cyko paper sometime between 1904 and the 1920’s. SOLD
This vintage photograph features a formally dressed older couple posing at the J. Paul Martin studio in Boone, Iowa. The gentleman has some sort of button on the lapel of his three piece suit. A pocket watch chain can be seen resting against his vest. He also has a wiry mustache and beard as well as a sparkle in his eyes. The woman in the photograph has embroidery on her dress as well as a lace collar. This is a classic couples pose used by photographers of the era that this photo was taken. SOLD
The Kosciuszko Photo Art Company of Chicago, Illinois, produced this photographic portrait of a lovely couple. Both the man and the woman are well dressed. She is wearing a pin, necklace, and earrings. He is wearing a vest and his jacket has a lapel pin. The couple are identified by an inscription on the reverse of the photograph. Meet Mr and Mrs Ned Kitterer. No further information could be learned about the Kitterers or the Kosciuszko Photo Art Company. SOLD
This vintage photograph features an attractive and well dressed young couple. Perhaps this photo is a wedding picture. The couple are wearing formal clothing and the woman is flashing a ring on the ring finger of her left hand. The gentleman is wearing a wide collar as well as cuff links. The woman has what appears to be a tied loose cord hanging loosely from her waist. I wonder what the purpose is of the cord. Is it just for fashion sake? The woman is also wearing a pince nez, a style of glasses popular in the late 19th and early 20th centuries. The glasses stay on the wearers face by pinching the bridge of their nose. The glasses have no earpieces. An inscription, lightly written in pencil on the reverse of the photograph provides us with some information about the photograph. The photo was taken in 1903 or 1904. The studio was located in West Point, Mississippi. It is situated in the Northeast section of the state. In 1909, President William Taft visited West Point, Mississippi and made some remarks as he stood on the platform of the last train car. SOLD
This cabinet card poses an interesting question. My first impression upon looking at the photograph was that it was an example of a “Tom Thumb Wedding Portrait”. What is a “Tom Thumb Wedding” ? The answer offers an interesting social commentary. A “Tom Thumb Wedding” is a wedding pageant in which the major wedding roles are played by children; usually under ten years old. Not only are the bride and groom portrayed, but so are the best man, maid of honor, groomsmen, bridesmaids and the clergyman. Some of these weddings involved more then twenty children playing costumed parts. Often times, the weddings were fund raising events for charitable causes. These faux weddings became popular after the wedding of General Tom Thumb (Charles Stratton) to Lavinia Warren in 1863. Tom Thumb’s wedding was very publicized by the media in America and received the attention across the county. Not having any royal families, Americans had to find celebrities to obsess over. Tom Thumb had a great promoter keeping him in the public’s eye. P. T. Barnum, the circus entrepreneur managed Tom Thumbs career. The previous owner of this cabinet card contends that this image is actually a portrait of a boy and a girl portraying George and Martha Washington. I have to give the last owner’s theory credibility because over the years I have been collecting these photographs, I have seen a number of portraits of children portraying George and Martha. Sometimes the images present them together and sometimes separately. In conclusion, there is no conclusion. What do you think, “Tom Thumb Wedding” or “Portrayal of George and Martha Washington”. The photographer of this image is R. B. Lewis of Hudson, Massachusetts. He is cited in the Photographic Journal of America (1893) for an excellent photograph of a football team. Lewis is also listed in the Hudson city directory as a photographer between at least 1872 and 1909. This cabinet card portrait has gold beveled edges and is in excellent condition (see scans).
Buy this Cabinet Card Photograph (includes shipping within the US) #5843
To purchase this item, click on the Pay with PayPal button below
$148.00
Buy this Vintage Original Cabinet Card (includes International shipping outside the US) #5843
To purchase this item, click on the Pay with PayPal button below
This cabinet card features two young gentlemen and two young ladies posing for their portrait at Roswall’s Art Studio, in Macon, Missouri. The exact address of the studio was 21 & 23 Rollins Street. The young adults in this photograph may be from the same family, or may be just friends. These four individuals are very well dressed, leading one to believe that they likely come from families of means. It is interesting to note that the girl on the left appears somewhat separated from the other three subjects. The separation my reflect how she felt psychologically about her place in the foursome. However, her position in the photograph may be simply the result of the photographer not wanting to leave too much space on the left side of the image. The photographer, Lars J. A. Roswall, was reported by the Photographic Times (1884) to be a part of a group that held a patent relating to an apparatus for cleaning photographs. The bottom border of this photograph has been trimmed. The card has a slight curl. Overall, this cabinet card portrait is in good condition (see scans). (SOLD)
An older couple poses for their portrait in the studio of Filson an Sons in Steubenville, Ohio. The senior partner in the Filson studio was Davison Filson (1829-1899). He was a plain and ornamental painter and photographer. He was born in Pennsylvania and was of Irish descent. He settled in Steubenville in 1851. He worked as a master painter and bookseller before taking up photography in about 1863. In 1867 and in 1881, he made visits to the Far West where he did much outdoor photography. He was renowned locally for an exhibit he presented which was a montage of portraits of 12,223 deceased local residents and distinguished visitors (1897). Filson’s son was Charles P. Filson (1860-?). He was a sculptor, photographer and a portrait, landscape, and still life artist. He used crayon, ink, watercolor, and oils. He joined his father’s studio as a photographer in about 1879. He moved to La Jolla, California in 1937. Among his better known portrait subjects were civil war notables, Edward Stanton and Colonel George McCook. Daavison Filter also had a daughter that was a noted artist. Anna Filson (1857-?) was an artist active in Steubenville. To view other photographs by Filson, click on the category “Photographer: Filson”. SOLD
A bride and groom pose for their wedding photograph at the studio of J. M. Kuhn in Stillwater, Minnesota. The groom looks as if he is in a state of shock on this momentous day. Perhaps he’s experiencing “cold feet syndrome”. His bride seems a bit happier and is wearing a very flowery veil. John M. Kuhn (1855-1910) operated photography studios in Stillwater between 1882 and 1897. Afterwards, he owned a studio in Saint Paul, Minnesota. At times, he was partners with his brother Louis Kuhn. Research reveals that John Kuhn took official photographs of guards and wardens at the Stillwater State Prison. SOLD
This vintage snapshot photograph features an attractive couple in their bathing suits, standing in front of a crowded swimming pool. This photo was found in France.This scallop edged vintage photo measures about 3.50″ x 2.5″ and is in very good condition (see scans).
Buy this Vintage Snapshot (includes shipping within the US) #3858
To purchase this item, click on the Pay with PayPal button below
$15.74
Buy this Vintage Snapshot (includes international shipping outside the US) #3858
To purchase this item, click on the Pay with PayPal button below