This vintage real photo postcard features a view of a man and a mule at work in a coal mine near Trinidad, Colorado. The mule is pulling a small rail car along a narrow gauge track. The miner is wearing a hard hat equipped with a light and miner’s clothing. SOLD
This vintage postcard features a street scene in Northport, Long Island, New York. The postcard captures a residential street (Highland Avenue). Northport is a historic maritime village in the town of Huntington. The village is in Suffolk County on the North Shore of Long Island, New York. This postcard was published by C. E. Robertson. This card was postmarked in Northport in 1912. SOLD
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This vintage real photo postcard features the St. Vincent’s College Rugby Team. The players are dressed in their uniforms. The boys are beautifully posed for their team photo. St. Vincent College is a private Benedictine college in Latrobe, Pennsylvania. The school was founded in 1846, In regard to sports, one of the college’s claims to fame is that since 1966, the campus has served as the training camp host for the Pittsburgh Steelers. The AZO stamp box on the reverse of this postcard indicates that the card was published sometime between 1904 and 1918. SOLD
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Postcard 1 is a hand tinted vintage real photo postcard that features Madge Bellamy (1899-1990), an American stage and film actress. She was a popular leading lady in films of the 1920’s and 1930’s. The sound era put the brakes on her career and a romantic scandal in the 1940’s brought it to a total stop. Madge was a Texan. She was born in Hillsboro and was raised in San Antonio and Brownwood. Her father was an English professor at Texas A&M University. As a young child she took dancing lessons but soon, she was interested in becoming an actress. At age 9, she made her stage debut in “Aida”. She and her family moved to Denver, Colorado. She met Carlos Bellamy there and the two married. When Madge decided to leave the state to pursue acting, her marriage ended. Madge went to New York City and worked on Broadway as a dancer. In 1919, she replaced Helen Hayes in Broadway’s “Dear Brutus”, opposite actor, William Gillette. Her career took off thereafter. In 1920, Madge appeared in her first film as a supporting actress to Geraldine Farrar. She then signed a contract with the Triangle Film Corporation. Her “breakout role” was as the title character in Lorna Doone (1922). In 1924 she signed a film contract with Fox Film Corporation. She stayed there five years and during that time she appeared in two films for film director, John Ford. In 1925, she began to have difficulties with fox executives. In 1928, she appeared in Fox’s first talking film, “Mother Knows Best”. In 1928, she married for a second time. The marriage lasted 3 days before she and her husband separated. By 1929, Bellamy’s career entered a tail-spin. She had made poor choices out of her unbridled anger. Fan magazines gave her the nickname of “Miss Firecracker” due to her temperament. In 1929, she also quit her contract with Fox, right after they bought the rights to make a film out of Broadway play. The vehicle was bought with a plan to have Madge be it’s star. Bellamy later admitted she quit over money and added “I got too big for my britches”. She didn’t work again until 1932. She accepted roles in “Poverty Row” (B-movies) films. One of these films was “White Zombie” (1932) in which she appeared opposite Bela Lugosi. Her performance received many poor reviews from film critics. By 1940, Madge basically had no film career. However, she wasn’t done with drama. She was arrested after firing three shots from a .32 caliber revolver at her former lover of five years. The incident was premeditated. She was angry at her intended victim because he married a model shortly after ending their affair. Fortunately, her aim was poor and she missed. The only casualty was her ex boyfriend’s car which took a couple of shots into it’s body. Bellamy pleaded guilty to a lesser charge (violating gun laws), and received a suspended six month sentence and probation. Madge Bellamy’s IMDb filmography reports 61 credits between 1920 and 1945. This vintage postcard is provocative. This postcard is risque for it’s era. She is showing a lot of bare skin. The postcard was published while Madge was under contract with Fox. Therefore, the postcard is from before 1929. The card was published by J. Beagles and is part of the “Famous Cinema Star Series” (No.210P). (SOLD)
Postcard 2 offers another risque view of Madge Bellamy. Her alluring pose and short skirt qualifies this postcard to be considered provocative. This card was produced while Madge was under contract with Fox Films, sometime before 1929. This postcard was published by Ross Verlag as part of a series (No.3907/2). The postcard is in very good condition (see scans).
Postcard 3 is quite provocative. There are shades of Lady Godiva in this photograph. Miss Bellamy is pretty and scantily dressed. This postcard is risque for it’s era. The postcard was published while Madge was under contract with Fox. Therefore, the postcard is from before 1929. The card was published by Alfred Noyer and is part of the “Les Vedettes de Cinema” (The Stars of Film) series (No.200). This postcard is uncommon. (SOLD)
Buy this original Vintage Real Photo Postcard (includes shipping within the US) #7386
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Buy this original Vintage Real Photo Postcard (includes International shipping outside the US) #7386
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POSTCARD 1
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POSTCARD 3
This hand tinted vintage real photo postcard features a pretty performer named Garnett Aulas. This obscure actress/dancer has a dearth of biographical information on the internet. The caption in the card’s top right corner provides Happy New Years greetings (Bonne Annee). This portrait of Miss Aulas was taken by Leopold Reutlinger’s studio in Paris, France. This postcard was published by
Societe Industrielle de Photograpie (SIP) of Rueil, France. It is part of a series (no.1429). Reutlinger was a very popular celebrity photographer. SOLD
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These vintage real photo postcards feature a sweet, pure, and innocent looking English actress named Dorothy Ward (1890-1987). Her specialty was pantomime and she often performed with her husband, Shaun Glenville. She made her stage debut in Birmingham in 1905 in the production of “Blue Beard”. She was an overnight success and went on to a successful career in theater. In fact, she was considered a mainstay of of British Music Hall and Variety for many decades. She was described by music historian, W. Macqueen-Pope, as a “handsome and striking woman, with auburn hair, wonderful carriage and fine figure…Tights become her, they are second nature to her and she understands pantomime and its topsy turviness”.
The photo portrait used for Postcard 1 was taken by Dobson Studios which was located in Liverpool, England. This postcard was published by Thomas Illingworth & Co. (T.I.C.). The company was a paper manufacturer founded about 1904. They produced the “Horse Shoe Brand” photographic paper in London England. In 1919 they were bought by British Photographic Supplies company, Ilford. An internet source states that the company produced postcards with horseshoe stamp boxes between 1919 and 1930. (SOLD)
In Postcard 2, Miss Ward’s expression, and her act of biting the strand of pearls, appears more flirtatious than innocent. The photo portrait used for this postcard was taken by Dobson Studios which was located in Liverpool, England. This postcard was likely published by Rotary Photo. I hold this hypotheses because the printing on the reverse of the card matches the design of many Rotary Photo postcards. (SOLD)
This vintage real photo postcard features a young boy and girl riding a donkey. Pardon my lack of equine knowledge; perhaps the donkey is actually a mule or burro. Both children are smiling and apparently having a good time. It is likely that the pair are siblings. The sister is riding side-saddle. I believe the donkey is actually a late donkey. It was not unusual to have subjects pose with a taxidermied animal for their studio photograph. The AZO stamp box on the reverse of this postcard indicates that it was published between 1910 and 1930. SOLD
This real photo postcard is quite intriguing. Who is this pretty young woman behind the sheer veil and wearing this middle eastern type dress. Is she a native of the Middle East? Is she an actress? Is she a fashionista that is wearing the latest style? I tend to rule out the possibility of her being from the Middle East. I do so because her clothing appears more fashionable than functional and her stylish shoes seem to be very not Middle Eastern. This photographic portrait was taken at the Baldomar studio in Paris, France. SOLD
This vintage real postcard features a little girl posing in her best Sunday clothing. She is a cutie pie. Note her wide brimmed hat. The young girl is identified by an inscription on the reverse of the postcard (“Grace B. Shapley”). At the time of the photograph she was six years of age. Research reveals that Grace B. Shapley (1902-1989) spent all or much of her life in Binghamton, New York. Her father was William Shapley (1850-1923) and her mother was Sara Mary Thorne Shapley (1867-1919). Her father either owned or worked in boiler factory. Grace appears in Binghamton directories through 1936. Further research is required to find out where her life took her after that time. I don’t know where life took her, but I know where she ended up. She is buried in Spring Forest Cemetery in Binghamton. This postcard was printed on a postcard by Artura sometime between 1908 and 1924 SOLD
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