PORTRAITS OF EVELYN MILLARD: SHAKESPEARIAN STAGE ACTRESS (VINTAGE RPPC)

CABINET CARD 1 (SOLD)

POSTCARD 1  (SOLD)

millard 2

POSTCARD 2  (SOLD)

millard

POSTCARD 3  (SOLD)

MILLARD 4                                                                                                                                                                                                                               POSTCARD 4  (SOLD)

 Cabinet Card 1 was photographed by W & D Downy, located in London, England. This studio was well known and highly respected in England. They advertised themselves as photographers specially appointed to photograph the imperial and royal families of Europe.   SOLD

 Postcard 1 features  a portrait of English stage actress Evelyn Millard (1869-1941). She was well known for her acting in Shakespearian theater as well as for her beauty. She is also noted for creating the role of Cecily Cardewin in the premier of Oscar Wildes play “The Importance of Being Earnest” (1895). This postcard was produced by the Rotary Photo Company of London, England.  (SOLD)

    Postcard 2 is a portrait of Miss Millard taken by the Davidson Brothers studio in London, England. The postcard is part of a series (“Real Photographic Series” no. 2195). Davidson Brothers was located in both London and New York City. The firm operated between 1901 and 1911. Some of their theatrical postcard portraits have the same format as many of the Rotograph photo cards.  This postcard was postmarked in South Lambeth in 1907. Lambeth is a district in Central London. The writer of the message on this postcard starts the communication with “Dear Lizzie, I think this is one of your favorites”. Most likely the writer was stating that Evelyn Millard was one of the favorite actresses of the recipient of the postcard. Collecting postcard images of theatrical stars was certainly quite popular at the time this postcard was written. (SOLD)

The third postcard is color tinted and was produced by the Rotary Postcard Co. as part of the Rotary Photographic Series ( no. 191G). The photographer was T. C. Turner who operated studios in London and Hull, England. Thomas Charles Turner (1839-1896) operated his London studio between 1870 and 1900. Millard is clearly in costume for this portrait. Note her unusual pin. It looks like a multi-eyed horror movie insect. This vintage postcard is in very good condition (see scans).  (SOLD)

Postcard number four is rare. Miss Millard looks quite beautiful and is dressed in an exquisite gown. Note, that unlike most of her other portrait postcards, Evelyn has blonde hair. Most of her photo postcards show her with dark hair. It is very possible, even likely, that she is wearing a wig in this portrait. The photographer of this image was the Lafayette studio. The firm was founded in Dublin in 1880 by James Stack Lauder. His father, Edmund Lauder was a pioneering and successful photographer. The elder Lauder used the name “Lafayette’ to give the company a touch of Paris, which was a a city considered the center of the art and photography world. James was joined in business by his three photographer brothers. By the 1900, the company had studios in Glasgow, Manchester, London and Belfast. The studio also was invited to photograph Queen Victoria. The company still exists today. This postcard was published by J. Beagles & Co. of London, England. The postcard is part of a series (no. G 511.P). The “G” is an abbreviation for “glossy”. There was also a matte version of this postcard portrait. John Beagles (1844-1909) was born in England. At age 17 he was a “pupil teacher”. In the census of 1891, he is listed as a “photographic publisher” in Nottingham. Later he established J. Beagles & Co. in London. He and his successors produced a variety of postcards including an extensive catalog of celebrity (stage and screen) portrait postcards. The firm also published topographic and view cards, as well as a series called “Matrimonial Cats”. After Beagle’s death, the business continued as J. Beagles & Co. until it closed in 1939.  (SOLD)

                                                                   POSTCARD  1

millard 2 1

                                                                       POSTCARD 2

millard3                                                                   POSTCARD 3

                                                                                                MILLARD 4 2        POSTCARD 4

Cabinet Card 1

MOST BEAUTIFUL WOMEN OF FRANCE : LA LORRAINE PROVINCE : PHOTO BY GUILLAUME

This vintage real photo postcard is part of a series named “Les Plus Belles Femmes de France” (The Most Beautiful Women of France). This series is about the Provinces of France, and the model for this image represents La Lorraine. Note that the woman in this photograph is wearing a pretty smile. This postcard is no.18 in the series. There were a number of different series published. The Province series was one of the more popular series. The models in this series represent different French Provinces and wear traditional clothing from that particular area of the country. This postcard was published by well known photographer Alfred Noyer. The celebrated photographer supervised a large photo studio in Paris. The Noyer Studio operated from 1910 until the 1940’s.  Many of the postcards he produced of women were nudes or risque images The photographer of this postcard portrait is Guillaume. Although the 1900’s was the “golden age” of erotic photography, photographers who took such risque photos had to use discretion. In 1908, nudity in photographs was banned in France and photographers had to cover nude women images with strategically placed undergarments or other materials. Nude images had to circulate on the down low. They were sent in the mail inside of envelopes. SOLD

Published in: on February 10, 2024 at 12:00 pm  Leave a Comment  
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TROMBONE PLAYER : BAND UNIFORM : ABDULLA ADAMS : ALBANIA : JAMESTOWN, NY 1918

This vintage real photo postcard features a studio portrait of a trombone player. He is wearing a band uniform and is holding the trombone on his lap. Writing on the reverse of the postcard indicates that his name Abdulla Adams and that he wrote the card from Jamestown, New York in 1918. Preliminary research reveals that there was an “Abdulla Adams” that lived in Jamestown. HIs draft card (1917) and the Jamestown City Directory (1922) provides some background information about this young man. Adams was born in Corytso, Albania in 1897. He was twenty-one years old when the photo on the card was taken. The city directory reveals that Adams was employed as a finisher in a furniture factory. The AZO stamp box on the reverse of this postcard indicates that the postcard was published between 1904 and 1918. SOLD

1st DOROTHY IN WIZARD OF OZ : ANNA LAUGHLIN :AMERICAN STAGE & SILENT FILM STAR

This vintage real photo postcard features American stage and silent film actress, Anna Laughlin (1885-1937). One of her major claims to fame is that she was the first actress to play Dorothy in the Wizard of Oz. She was born in California and began her stage career as a “child elocutionist” (public speaker). At age six, she started acting in vaudeville and later, in touring theater companies. When she was a young teenager, she began appearing on Broadway. In 1900, she was in the Belle of Bohemia and in 1903 she performed in the Wizard of Oz. According to the IBDb, Laughlin appeared in eight Broadway shows between 1900 and 1914. The IMDb reports that Laughlin acted in 14 silent films between 1913 and 1915. She is most well known for her roles in “Northern Lights” (1914), “The Greyhound” (1914), “The Amazing Mr. Fellman” (1915) and “What Happened to Father” (1915). She quit show business in 1915 to focus on raising her daughter. Laughlin was married in 1904 (age about 19) to a jeweler. She was widowed in 1925. Laughlin’s daughter became a noted singer. Anna Laughlin died by suicide in 1937. Her cause of death was gas poisoning. She turned the gas on in her apartment because she was very depressed about being estranged from her daughter. They had previously been very close. According to the IMDb, the following words were found in her three page suicide note. “This is good-bye. People are dreadful. I love my child. I have given all I have in the world to put her where she is now … Lucy is never coming back. I am so afraid. Where did I fail?” This postcard was published in Germany by NPG (Neue Photographische Gesellschaft) as part of a series (no.1098). A. G. Steglitz is also listed as a publisher. The postcard is an “Oranotypie” and was published in 1904. An oranotype is a trade name for a type of glossy real photo postcard published by NPG. The company was a leading bromide photo printing company for many years at the beginning of the 20th century. This card has a French stamp and was postmarked in 1907. SOLD

FAMILY PORTRAIT : ADORABLE CHILD : SIDDONSBURG, PENNSYLVANIA : RPPC 1909

This striking vintage real photo postcard features a family of three posing in front of a house. The parents are dressed in their finest clothes. The mother is wearing dark gloves. The father is wearing an unidentified pin on his lapel. This young couple’s child is adorable. This photograph was either taken at an unidentified studio or is homemade. The card was postmarked in Siddonsburg, Pennsylvania in 1909.  SOLD

Published in: on February 3, 2024 at 12:00 pm  Comments (1)  
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PRETTY YOUNG WOMAN SITTING AT A PIANO : RELAXED POSE : LEGGY : RISQUE

This vintage real photo postcard features a pretty young woman sitting at a piano. She is in a relaxed pose. This is also a leggy pose making this card risque for it’s era. Note the sheet music on the piano. This postcard portrait is hand tinted. SOLD

Published in: on January 31, 2024 at 12:00 pm  Leave a Comment  
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PRETTY ACTRESS : BEJEWELED AND WEARING CROWN : RPPC PHOTO BY LEOPOLD REUTLINGER

This vintage real photo postcard features a pretty unidentified actress wearing a crown covered with jewels. The card is hand colored.  The photograph on this postcard was taken by celebrated portrait photographer, Leopold Reutlinger. His studio was located in Paris, France. He photographed many theatrical stars and other celebrities. The postcard was published by NPG as part of a series (No.523/7). The postcard has a stamp from New Zealand.  SOLD

THE MOST BEAUTIFUL WOMEN OF FRANCE : FLOWER SERIES : LE MUGUET : NOYER : RPPC

This vintage real photo postcard features a profile view of a beautiful model. The postcard is part of a “Most Beautiful Women of France ” series (no. 5). The women in this series each represent different flowers. The model in this postcard represents “Le Muguet”, or “Morning Lillies”. This pretty women ws photographed by Alfred Noyer. His studio was located in Paris, France. This postcard portrait is unposted and in very good condition (see scans).

le-muguet_0001-1

Buy this Real Photo Vintage Postcard (includes shipping within the US) #5179

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le-muguet_0001-2

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FAMILY PORTRAIT : UNCLE ALFRED, AUNT WEALTHA, AND COUSIN MAIRA : RPPC (1904-1918)

This striking vintage real photo postcard features a portrait of a mother and father posing with their daughter. The family is well dressed. Dad has a serious expression while mom has a warm smile. She affecftionally rests one hand on the dads shoulder and the other hand on her daughter’s shoulder. The daughter’s expression indicates that she is not happy about being photographed. The AZO stampbox reveals that the card dates back to sometime between 1904-1918. Writing in the message section of the postcard informs us that the subjects of this photograph are Uncle Alfred, Aunt Wealtha, and cousin Maira. The postcard is in good condition (see scans).

Buy this Real Photo Vintage Postcard (includes shipping within the US) #5178

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$19.95

Buy this Vintage Real Photo Postcard (includes International shipping outside the US) #5178

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$29.95

Published in: on January 19, 2024 at 12:00 pm  Leave a Comment  
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DAISY JEROME : SCANDALOUS STAGE ACTRESS WHO WAS VIEWED AS RAUCOUS, VULGAR, AND “AN ACQUIRED TASTE”

POSTCARD 1 (SOLD)

POSTCARD 2

This rare vintage real photo postcard features the red headed actress that electrified the Australian stage. She was noted for her famous wicked wink. The life and times of Daisy Jerome can best be described as scandalous. She arrived in Australia in 1913 for a three year stage tour.  Feminism was rising in the western world. Suffragettes were marching for the right to vote. Women were smoking, driving, wearing less conservative fashion, and even dancing the tango with it’s sexual overtones. She arrived in Adelaide adorned with an excess of jewelry. She was born in America but raised in England. Her place of birth was New York and she was born Daisy Witkowski in 1886. Daisy reported that she was raised in a multilingual household that had been visited by Presidents Lincoln, McKinley, and Roosevelt. After experiencing financial problems, her father moved the family to England. Money was needed and Daisy followed her sister onto the stage. She played the Palace and toured with companies that gave her a chance to do comedic singing and pantomime. Her performances were considered to be amusing and irreverent. She was a comedienne. Her humor has been described as “vibrant” and “wicked”. Daisy was described as “feisty”, “cunning”, and “independent”. She was small and dainty and had compelling eyes and an expressive face. Her performances had a risque tone and she had a hoarse, sensual voice. She could toe dance and wooden shoe dance, but was most known as a mimic and comnic singer. After a year of marriage, she deserted her first husband to live with another man. In 1910, she took a journalist to court for libel. The reporter had accused her of performing encores when audiences had not requested them. She claimed that her professional reputation had been damaged. The court case was a circus. The defense ridiculed one of her songs which caused her to break into tears in the witness chair. She won the case but was barely compensated. When she began her tour of Australia, she was recognized as raucous, vulgar and “an acquired taste”. She quickly charmed those that were hesitant to appreciate her and she soon received a warm welcome and a complimentary nickname, “The Electric Spark”. Her carrot red hair became the subject of much debate. She claimed it was her natural color but most people were not believers of her claim. One day, an Australian comedian told her that a gentleman had taken offence to her hair. The comedian said that the offended man would visit her that night. The comedian then informed the local fire chief that there was great risk of fire during Daisy’s time on stage. The worried fireman came to the theatre and when he saw Daisy’s red hair, he realized he had been a victim of a joke. He kept the joke going when he said that he agreed there was risk of fire and he ordered the scenery to be fireproofed immediately. During Daisy Jerome’s era, there was a bias against redheads. They were considered to be hot tempered and sexually wild and uninhibited. Her theater/music hall background only magnified some people’s negative view of Daisy. After completing her touring contract in Australia, she signed another one. This time she performed on a vaudeville stage which allowed her to showcase her bawdy songs. In 1914 she sang a feminist style song called “The Press, the Pulpit, and the Petticoat”. This song argued that women were more powerful and influential than the media and the church. Daisy was a woman who had unconventional ideas. She would not restrained by political correctness. She stated in a 1914 interview that “I refuse to regulate my acts to accepted rules of conduct”. Despite her views, she remained popular with Australian audiences. She left Australia in 1916 and returned in 1922 for another successful tour. Later, she was involved in another court case which this time involved her suing her maid over missing jewels. With the arrival and subsequent popularity of films, Daisy Jerome faded out of the public’s focus. Two photo portraits of Daisy Jerome can be found in England’s National Portrait Gallery.
 
Postcard 1 was published by J. Beagles & Co. of London, England as part of a series (No. 109 A). The company was started by John Beagles (1844-1909). The company produced a variety of postcards including an extensive catalog of celebrity (stage and screen) portrait postcards. After Beagle’s death, the business continued under it’s original name until it closed in 1939.Miss Jerome’s portrait was taken by the Hutchinson & Svendsen studio. The National Portrait Gallery asserts that this pair of photographers were active in London between 1905 and 1906. This vintage photo postcard is in excellent condition (see scans). This postcard portrait of Daisy Jerome is absolutely beautiful and very uncommon.  (SOLD)                                     
Postcard 2 was published by Rotary Photo (England) as part of a series (No. 1786 C). This vintage photo postcard is in good condition (see scans). 
5172_0001-1

Buy this Vintage Real Photo Postcard (includes International shipping outside the US) #5172

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$22.00

5172_0001-2

Buy this Vintage Real Photo Postcard (includes International shipping outside the US) #5172

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$32.00

POSTCARD 1

POSTCARD 2