This vintage real photo postcard features a lovely couple posing for their portrait at an unidentified studio. The couple are well dressed and wearing jewelry. This postcard is unusual because the man and woman are holding hands. Private postcards from this era (c 1910’s) seldom showed public displays of attention. I imagine that this couple was so in love that they couldn’t take their hands off each other. At the very least, the man and woman seen in this photo, were unconventional. This postcard is in of French origin. SOLD
This vintage real photo postcard features three indigenous Mexican little girls standing behind a large urn. The children are barefoot and likely quite poor. A caption printed on the postcard declares them as “Future Mexican Belles”. I am not particularly comfortable with that caption and by today’s standards, it would be considered “politically incorrect”. This postcard was published by H. H. Stratton. The company was located in Chattanooga, Tennessee, and operated between 1908 and 1915. Stratton published many international postcards and is known for a series of postcards showing scenes of the Great White Fleet visiting a number of ports around the world. They also published Tarjeta postcards from Cuba. It was common knowledge that Stratton stole many images from other publishers, retouched them, and then printed them under their own name. SOLD
This vintage real photo postcard features an adorable little girl, seated on a bench, and holding a little doll. The doll appears to be a kewpie doll. Kewpie is a brand of doll which was modeled after a comic strip character created by cartoonist Rose O’Neill in 1909. The doll had a similar appearance to cupid. In 1912 the first kewpie doll appeared and it was a bisque doll. Later, the dolls were made of composition (1920’s), celluloid (1930’s and 1940’s), and later plastic kewpies made their appearance. A person knowledgable about dolls, told me that the doll seen in this photograph is made of celluloid. The AZO stamp box on the reverse of this postcard indicates that the photograph was taken sometime between 1926 and the 1940’s. This photo postcard is in excellent condition (see scans). (SOLD)
This vintage photo postcard features two pretty young women sitting on a wooden sled. The women are flashing beautiful smiles. They are dressed for winter and fun in the snow. Note their high boots. Printed on the postcard is the Dutch phrase “Gelukkig Nieuwjaar”. The English translation is “Happy New Year”. The postcard has a Dutch stamp and is addressed to someone living in Liwwadden, Netherlands. Liwwadden is the capital of the States of Friesland and has been inhabited since the tenth century. This postcard was published circa 1930 and is in very good condition (see scans). (SOLD)
This vintage real photo postcard features a couple in uniform. I believe that the gentleman is a railroad worker and the woman is a nurse. The message on the reverse of the postcard indicates that the couple are named Harry and Grace. The pair look quite dour. This postcard is in excellent condition (see scans).
Buy this original Vintage Real Photo Postcard (includes shipping within the US) #2612
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Buy this original Vintage Real Photo Postcard (includes international shipping outside the US) #2612
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The top vintage real photo postcard features Dutch actress, Truus van Aalten (1910-1999). She appeared in many German films in the 1920’s and 1930’s. She is flashing a wonderful smile as she holds a cute little dog. Truus worked as a milliner after finishing school and then worked as a salesgirl in a clothing store in Amsterdam. What she really wanted to do, was to become a movie actress. Unfortunately, at the time, the movie industry was not producing many films in the Netherlands. In 1896, Truus entered a beauty contest sponsored by a Dutch magazine. The winner of this contest would be given the opportunity to audition for a film role. Truus was selected and joined about two hundred other women in Berlin to try out for the film part. She excelled on the screen test and won the role. The movie was being produced by Ufa, a German film company. The cast of the film included Betty Balfour and Willy Fritsch. Three photos of Miss Balfour can be found in the Cabinet Card Gallery by searching for “Balfour”. The name of Truus’s first movie was “A Sister of Six” (1926). Keep in mind, Truus had no training or experience as an actress. Even though Truu’s command of the German language was weak, Ufa offered her a contract and promised to train her and offer her opportunities in other films. The Ufa executives appreciated her sparkly and funny personality as well as her photogenic appearance. Truus’s father signed the contract and she moved to Berlin. The celebrated actress Olga Tschechowa took Truus under her wing and became her unofficial mentor and mother figure in the film industry. Olga nicknamed the young actress “Trulala”. Truus second film appearance was in “His Late Excellency” (1927). This movie included Willy Fritsch and Olga Tschechowa among it’s stars. Truus appeared in five movies that were released in 1928. She was certainly a busy actress. As Truus started to appear in more and more silent films, it became clear that she was talented; pretty, spunky, and funny. Truus’s greatest talent was seen in her comedic roles. She slowly became a fan favorite. She was the subject of interviews and photos in movie magazines. She also got work appearing in advertisements. Truus had “a look” of her own. She was described in one article as having a “mixture of boyish yet feminine energy”. Her bobbed hair and her uninhibited style was similar to actress Colleen Moore. Truus made a successful transition into “talkies”, despite her Dutch accent. By 1930, she was a very well known actress. Her photograph appeared in many postcards and tobacco cards. As Nazism rose in Germany, members of the film industry felt extremely vulnerable. Her film appearances became less frequent, partially because the parts written for females, during the Hitler era, were not particularly desirable to Truus. In 1934, she starred in her only film in Dutch and she was well received. Her next film wasn’t until 1939 and it turned out to be her final film appearance. In 1940, she returned to live in German occupied Netherlands. She was offered movie roles there, but refused them, because they were propaganda films. After the war, there was little activity in film production in Germany or Netherlands. Finding roles in English or American movies was unsuccessful. In 1954, Truus established a successful importing and exporting business in the Netherlands. The IMDb credits Truus with 28 film appearances from 1926 to 1939. The YouTube video below demonstrates just how cute and engaging Truus was as an actress. She was incredibly adorable. Postcard 1 was published by Ross Verlag. The postcard is part of a series (no. 4184/1). Miss van Aalten’s portrait was taken by photographer Alex Binder, who operated a studio in Berlin. He was one of Berlin’s premier photographers and photographed many stars of the stage and film. This postcard is in excellent condition (see scans). Postcard 2 was also published by Ross Verlag. The card is part of a series (no. 3884/1). The portrait was taken by photographer Hanni Schwarz of Berlin. Schwarz was a German female photographer and her work was praised in “American Photography” (1909). She was a well known professional photographer in Germany during the early 1900’s. Before becoming a photographer, she was a teacher at her father’s school in Basel. In 1904 , she and Anna Walter took over the photo studio of Johannes Hulsen in Berlin. In 1908, she and Wilhelm von Gloeden presented nude photographs at an exhibit in Berlin. Sometime around 1909 she ran her studio with photographer Marie Luise Schmidt. During the Brussels World’s Fair in 1910, Schwarz exhibited nudes In 1914, she began working with color photography. In 1919 the studio’s name only included Miss Schwarz, and she was reported to specialize in portrait and dance photography. The last known year of Schwarz’s work was 1930. This vintage postcard is in excellent condition (see scans).
Buy this original Vintage Real Photo Postcard (includes shipping within the US) #2610 (Postcard 1)
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$31.50
Buy this original Real Photo Postcard (includes international shipping outside the US) #2610 (Postcard 1)
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Buy this original Vintage Real Photo Postcard (includes shipping within the US) #2611 (Postcard 2)
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$28.00
Buy this original Vintage Real Photo Postcard (includes international shipping outside the US) #2611 (Postcard 2)
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This vintage real photo postcard can be described as sensual, or even, sexually charged. A pretty in woman in a short dress and dark stockings sits on the lap of a tuxedoed man, and the two stare intently into each others eyes. The photo begs the observer to question the relationship of this lovely couple. Are they lovers? Are they performers, perhaps dance partners? The man and woman in this photograph are beautifully dressed. However, there is one infraction that needs the attention of the fashion police. The gentleman’s light colored striped socks deserve a citation. Dark socks would be more appropriate. The photographer of this portrait postcard is Georg Schoppmeyer who operated a photography business in Leipzig-Schonefeld, Germany. This vintage postcard is in very good condition (see scans).
Buy this original Vintage Real Photo Postcard (include shipping within the US) #2607
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$33.50
Buy this original Vintage Real Photo Postcard (includes international shipping outside the US) #2608
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This vintage glossy real photo postcard features a a young girl and her puppy posing outside in a wooded area. The dog appears to be part beagle and is sitting on a wooden chair next to the girl. The child, with her hand on her hip, is looking confidently at the camera. The photographer, publisher, and subject, are all unidentified.
Hertha Feiler (1816-1970) was an Austrian actress. She was of Jewish descent. Feiler was married to comedian Heinz Ruhmann. The pair starred in several films together. The IMDb credits Feiler with appearing in 33 films between 1937 and 1968. Originally, Feiler wanted to be a pianist but a medical problem (inflamation in her arm) caused her to look for another artistic profession. She made her film debut at the age of 21. Over time, she became a popular actress. She often played “ladylike and cheerful roles with charm”. She fell in love with Ruhmann while he was directing her in “Louder Lies (translation)” (1938). The Nazis considered Feiler to be one fourth Jewish so there were limits placed on her acting opportunities. In the 1950’s she took on more mature roles. She tended to play women who were confident and cheerful but pragmatic. She retired from acting in 1968 due to illness (cancer). Feiler was known to be an excellent swimmer and equestrian. Miss Feiler is very pretty in this photograph. Her dog, possibly a wire haired terrier, is adorable. The postcard was published by Ross Verlag as part of a series (no. A 3077/2). The photographer was Ludke. There is a logo of a film studio in the lower right hand corner of the image. Look below to see a youtube video featuring Hertha Feiler and Heinz Ruhmann. (SOLD)
The young woman featured in this vintage real photo postcard is very pretty. She is wearing a beautiful lace dress. Her facial expression communicates apprehension and warning. Remember, these photo portraits are like a Rorschach card. Our interpretations sometimes speak more about ourselves rather than about the person we are observing. This postcard was published by the Rapid Photo Company. The company existed between 1901 and 1910. It was located in London, England. The company is best known for their portraits of actresses. The postcard is part of a series (Series S 1214/5). The postcard has a postmark from Buckeburg, Germany. Bückeburg is a town in Lower Saxony, Germany. The card is addressed to someone in the town of Bad Eilsen, also a town in Lower Saxony. The date of the postmark is 1907. (SOLD)