This vintage real photo postcard features American film and stage actress, model and vaudeville player, Lila Hyams (1905-1977). Her parents were vaudeville comedy performers and her mother was also a well thought of actress. Her parents also appeared together in a number of films. Leila began acting on stage as a child. In her teenage years, she worked as a model and became nationally known. She modelled for the first ad for Listerine. Leila’s film career was during the silent film and early talkie era and spanned from 1924 through 1936. Often playing leading lady roles, she appeared in more than fifty films. “Freaks” (1932) was one of best known movies. Leila married her talent agent in 1927 and they stayed together for 50 years. The New York Times wrote in her obituary that she was “an attractive blonde actress who was eminently successful at playing ingenues. This vintage postcard portrait is in very good condition (see scans). SOLD
ALMA TAYLOR :MAJOR SILENT FILM ACTRESS : HEPWORTH PICTURE PLAYER : RPPC
This vintage real photo postcard features British actress, Alma Taylor (1895-1974). She began her career as a child actress, making her screen debut in 1907. Taylor had brown hair, blue eyes, and a great deal of charm. She appeared in more than 150 film roles during her performing career. She was one of Britain’s major film stars during the 1910’s and early 1920’s. In 1915, she was voted the most popular British performer in a major magazine poll. Charlie Chaplin claimed second place. Most of her silent career was with producer, Cecil Hepworth. He refused to let her wear makeup in any of his films. After 1932, she acted only occasionally. The photograph on this postcard was taken while Taylor was under contract with Hepworth Pictures. (SOLD)
ANDREE MEGARD : FRENCH ACTRESS AND STAGE BEAUTY : PHOTO BY REUTLINGER : RPPC
This vintage real photo postcard features a portrait of French actress and stage beauty, Andree Megard (1869-1952). She was born in France. Her parents were “well-off peasents” . At some point, her parents sent her to an Aunt to work in the aunt’s dry goods store. At fifteen years of age, she ran away to Paris. At first, she worked as an artist model. From 1896 to 1925, she appeared on the Paris stage in such works as Shakespeare and plays directed by her husband, Firmin Gemier. In 1913, while playing in Rostand’s Cyrano de Bergerac, she had an affair with Rostand. In 1907, she starred in “Anna Karenina”. In 1909, she appeared in a silent film. Megard was viewed as representing the highest echelon of fashion and beauty. She was considered “tall, graceful, and distinguished looking”. The international public monitored her hairstyle, and her costumes very closely. She was the subject of many magazine and newspaper articles. The portrait of Miss Megard seen on this postcard was taken by Leopold Reutlinger’s studio in Paris, France. It is part of a series (no.2268). Reutlinger was a very popular celebrity photographer. This vintage postcard portrait is in good condition (see scans).

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MISS FANNY FIELDS : JEWISH AMERICAN SINGER, DANCER, AND COMEDIENNE (FIVE PHOTO POSTCARDS)
This vintage real photo postcard features American singer, dancer, and comic performer, Fanny Fields (1880-1961), who was a successful performer in British music halls and pantomimes in the early 1900s. During her career she was frequently billed as “Happy” Fanny Fields. She was born, Fanny Furman, in New York City, to a Jewish family. She first appeared in variety shows in NYC sometime around 1899. In her act, she sang and told stories. In 1902, she performed in London and had a very positive reception. One reviewer described her as “one big bubble of mirth and merriment”. She toured with Welsh harpist, Nansi Richards. She also performed “The Suffragette”. In an accompanying monologue, she encouraged woman to make a stand for their rights. In 1912, she performed in front of King George V. She also starred in a silent film short entitled “Happy Fanny Fields and the Four Little Dutchmen” (1913). She retired from the entertainment business in 1913. She returned to the United States and married Dr Abraham Rongy (1878-1949). He was a gynecologist and set up maternity hospitals. In 1933, he published one of the first books proposing the legalization of abortion. Fanny became an active fundraiser for Jewish medical organizations.
Postcard 1 features a close-up portrait of Fanny Fields. She looks pretty in this color tinted photo postcard. The postcard was published by Rotary Photo as part of a series (no.4007 C). The message on this postcard indicates that the sender sent the postcard for someone to add to their collection. This postcard has a postmark from 1906. (SOLD)
Postcard 2 is a vintage real photo postcard portrait of Miss Fields. The photograph is color tinted. The performer is just beaming for the photographer. Her hat is quite an extravaganza. This postcard was published by Philco (London) as part of a series (no.3213 D). The photographer was Lewis R. Protheroe. He operated a studio in Bristol, England. He was working as a photographer, at least between 1901 and 1917. His father, Thomas Protheroe founded the studio between approximately 1876 and 1900. The postcard has a 1906 postmark. (SOLD)
Postcard 3 is a vintage real photo postcard portrait of Miss Fields. The performer has an adorable smile. Note her long braids. This postcard was published by Rotary Photo as part of a series (no.4385 N). (SOLD)
Postcard 4 features Fanny Fields displaying a warm smile. Note her long braids. Lewis R. Protheroe who operated a studio in Bristol, England. He was working as a phototgrapher, at least between 1901 and 1917. Thomas Protheroe founded the studio between approximately 1876 and 1900 This postcard was published by Rotary Photo as part of a series (no.4007 G). The card is in very good condition (see scans). (SOLD)
Postcard 5 is a vintage real photo postcard portrait of Miss Fields. The performer is once again displaying her wonderful smile. Note her long braids. This photograph captures Fanny in costume, playing the role of Gretchen in “Aladdin”. (SOLD)

FOUR PORTRAITS OF THE BEAUTIFUL GERMAN SILENT FILM ACTRESS: ALLY KOLBERG
Postcard 2 (#3319)
Postcard 3 (SOLD)
Postcard 4 (SOLD)
Postcard 1 features silent film actress, Ally Kolberg. She is quite beautiful and looks like she is in her teen years when photographed. The message on this card was written in 1915. The postcard was published by RotoPhot. The stamp box indicates that the company was part of the NBC price cartel. (SOLD)
This vintage real photo postcard (Postcard 2) features beautiful German silent film actress, Ally Kolberg. Her movie career was brief. She appeared in films between 1916 and 1923 and they included 16 German films and 1 Swedish production. She was often directed by female directors. During her career she was also credited as Ally Bing and Ally Kay Bing. Initial research revealed very little about the life of Miss Kolberg. More intensive investigation is required. This postcard was published by Rotophot, which began publishing “RPH” postcards sometime around 1916. This postcard is part of a series (no 4794/3). The production of film star postcards was continued by the Ross Verlag company who’s origins can be traced back to the earlier Rotophot postcard company. This postcard has a Bavarian stamp and is postmarked from Weilheim, Bavaria.
* The second postcard (Postcard 3) features a real photo portrait of Miss Kolberg. She is dressed in a more subdued fashion in this photograph than in the first postcard. She is wearing “every day” clothing compared to the high fashion, attention grabbing style seen in the first postcard. In this photo, Ally is posed clasping her hands and looking dreamingly toward heaven. The backdrop behind her could be viewed as sky. As in the first postcard, Miss Kolberg is quite beautiful. This postcard was also, like the first, published by Rotophot and has the “RPH” logo. The message on the reverse of the postcard dates the card to 1913. This date is a bit earlier than when some sources believe RPH began publishing postcards. The sources are close, but incorrect. This postcard was part of a series (no. 3697/5). (SOLD)
* Ally Kolberg is the subject of this third vintage real photo postcard (Postcard 4). Miss Kolberg’s beauty is apparent in this photograph. She is wearing a long translucent veil and an alluring smile. The stamp box of this postcard has an interesting story. “NBC” (Neue Bromsilber Convention) was a price cartel established in 1909 that continued until the 1930’s. The purpose of the cartel was to ensure that the minimum price charged for postcards was kept at a sufficiently profitable level. A number of postcard publishing companies joined the cartel in an effort to stave off the effect of competition on the pricing of postcards. This postcard is part of a series (no. 119/1). The logo for the motion picture company “Film Sterne” can be seen in the lower left hand corner of the postcard. The photo studio that took this photograph was Becker & Maas. The firm was located in Berlin, Germany. (SOLD)

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Postcard 2

Postcard 3
Postcard 4
LUCIENNE LEGRAND : PRETTY FRENCH SILENT FILM ACTRESS

The pretty actress seen in this vintage real photo postcard is Lucienne Legrand (1900-1987). She was French and was active in film between 1921 and 1929. Her work was in silent film and she often worked alongside her actor/director husband, Emile-Bernard Donatien. For clarity sake, note that there was another actress named Lucienne Legrande; but this actress was born in 1920. Lucienne Legrand, pictured on this postcard, has eighteen film credits listed by IMDb. The site states that she is most well known for La chevauchee blanche (1924), Simone (1926), and Le martyre de Sainte-Maxence (1928). This photo postcard was published by Cinemagazine (Paris Edition) as part of a series (no.98). The photograph of Miss Legrand was taken by Pierre Apers. He was a talented French photographer active in the early twentieth century. His studio was in Paris and he specialized in portraiture. The cabinet card gallery is building a nice collection of his photographs. This vintage photo postcard is in very good condition (see scans).

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FERN ANDRA : SILENT FILM ACTRESS POSES WITH HER BORZOI

This vintage real photo postcard features American silent film actress, Fern Andra (1893-1974). Andra was one of Germany’s most popular actresses in German silent film. She also worked as a film director, script writer, and producer. The pretty smiling Miss Andra poses with a Borzoi dog. She was born in Watseka, Illinois. Her father died when she was five years-old and her mother remarried. Fern’s step-dad was a vaudeville actor, circus performer and tight-rope walker. By age four, Fern was part of a tight-rope act. She later trained in dance and singing. In 1899, at age six, she made her first film, a version of “Uncle Tom’s Cabin”. She continued to perform with the circus and toured the United States, Canado, and Europe. She was a member of a famous troupe of wire artists. In Berlin, she took acting lessons from Max Reinhardt, prominent film and theater director. She appeared in several of his plays and films. In 1913, she acted in her first German film. In 1915, she was in her first Austrian film. Some believe Andra was an Allied spy in World War I. To deal with these rumors, she married a Prussian Baron. At some point, she stated that she actually was spying for the allies. This was her first marriage. He was killed in the war. Her second marriage was to a professional boxer. Her appearance in the film “Genuine” (1920) caused a great stir. In this horror film, she wore a costume that was simply, her painted body. She continued to make films in Europe but by the mid 1920’s, her popularity waned in Germany. In 1922, she was widely reported as being killed in a plane crash. In fact, she, and her companion, director Geog Bluen, survived the crash but according to one article, died the next day. However, the pilot, a former World War I fighter pilot and brother of the “Red Baron”, was killed. By 1928, Andra was working in the United Kingdom and the United States. She also expanded her acting to radio and television. Andra was married four times. She was widowed two times and divorced two times. Her fourth marriage, to a General, lasted about 35 years. She had no children. The IMDb gives Andra 51 acting credits between 1913 and 1930. She is also credited as a writer, producer, and director. An interesting side note is that when she was working as a producer, she interacted with a young German playwright named Josef Goebbels. Interestingly, she did propaganda broadcasts into Germany for the allies during World War II. Fern Andra died at age 80, in South Carolina. The stamp box of this postcard has an interesting story. “NBC” (Neue Bromsilber Convention) was a price cartel established in 1909 that continued until the 1930’s. The purpose of the cartel was to ensure that the minimum price charged for postcards was kept at a sufficiently profitable level. A number of postcard publishing companies joined the cartel in an effort to stave off the effect of competition on the pricing of postcards. This postcard is part of a series (no.131/1). The logo for the motion picture company, “Film Sterne” ,can be seen in the lower left hand corner of the image. SOLD

EDDA CROY : BURST INTO, AND OUT OF SILENT FILMS IN 1927


This vintage real photo postcard features silent film actress, Edda Croy. Edda has “the girl next door” look. Preliminary research uncovered little about her. Edda had a very short career. She played in three German silent films, all release in the same year (1927). One of these films was directed by Robert Wiene. He is well known for directing the silent film “The Cabinet of Dr. Caligari” (1920) and other expressionist films. Popular actor, Harry Liedtke, appeared in all three of her films. Actress Erna Morena, who’s photograph can be seen elsewhere in the Cabinet Card Gallery, apppeared in one of Edda’s films. This postcard was published by Ross Verlag (Berlin). It is part of a series (no.1923/1). Miss Croy’s photograph was taken by photographer Hans Natge. Natge was very involved in German film production. He played roles in the realm of cameras, directing and assistant directing. He was born in Berlin in 1893. His filmography on IMDb reports that he has 28 film credits between 1924 and 1949. Nineteen of these credits were for his role as the film’s “still photographer”. It is likely safe to assume that he took this photograph of Miss Croy in 1927. This vintage portrait postcard is rare and in very good condition (see scans).

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BETTY COMPSON : PROLIFIC AND PRETTY AMERICAN FILM ACTRESS : SITS IN SPORTS CAR


This vintage real photo postcard features American actress and film producer, Betty Compson (1897-1974). She was nicknamed “the prettiest girl in pictures”. Compson was born in a mining camp in Beaver, Utah. Her father was a mining engineer, a gold prospector, and grocery store owner. Her mother was a maid in hotels and private homes. Betty graduated from Salt Lake High School. She was hired as a violinist at age 16 in a theater in Salt Lake City. She then played in vaudeville touring companies and it was during this stint she was discovered by a film producer (Al Christie) who signed her to a contract. She began her career during Hollywoods’s silent film era. Her debut film was “Wanted, a Leading Lady” (1915). After this film, her career rocketed. She appeared in 25 film in 1916. All but one, were shorts. In 1918 she was offered a contract by studio head Mack Sennett. She rejected the offer because the salary was too low. She continued to make numerous short films until the middle of 1918. She was frequently paired with Roscoe “Fatty” Arbuckle. She started making only feature films. She became a rising star after appearing opposite Lon Chaney in “The Miracle Man” (1919). Paramount became interested in her and signed her to a five year contract. In 1921, Compson established her own production company in order to have creative control over screenplays and financing. The first movie she produced was “Prisoners of Love” (1921). After she completed acting in “The Woman With Four Faces” (1923), Paramount refused to give her a raise. She wanted an increase in her $2500 per week salary. Compson was angry enough at Paramount, to leave the company, and sign with a British film company. She made four films in England, two of them were films penned by Alfred Hitchcock. Paramount lured her back to Hollywood from England by offering her a top dollar contract. She then appeared in a movie by director, James Cruze. The pair married in 1924, but divorced four years later. The divorce from Cruze nearly ruined her financially because of debt accrued by Cruze. After Paramount did not offer her a contract renewal, she began freelancing in lower budget films. In 1928 she appeared in a “part talkie” called “The Barker”. She played a manipulative carnival girl. She was nominated for a “Best Actress” for this role by the Academy Awards. In 1929, she gained much recognition for her role in “The Docks of New York”. She played a suicidal prostitute. These two films resulted in her popularity returning to it’s previous high level. She appeared in many “talkie” films. Unlike a lot of silent film stars, Compson made a successful transition into sound films. In fact, she even appeared in a number of early musicals. When she played singing parts, her voice was dubbed. Her career flourished. In 1930, she appeared in 9 films. Her last “hit’ was in “The Spoilers”. Her costar was Gary Cooper. Her popularity waned and she only got roles in low budget, less successful studios. Her last film was in 1948. After retiring from her movie career, she started a cosmetic line and assisted her husband in a business named “Ashtrays Unlimited”. In total Compson was married three times. Her second marriage, to agent/producer Irving Weinberg ended in divorce after four years. Her third marriage was to a professional boxer. The marriage lasted 18 years and ended upon his death in 1962. She had no children. She died in 1974 after suffering a heart attack. She had much impact on the early movie industry. The IMDb reports 209 film credits between 1915 and 1948. This vintage postcard is in excellent condition (see scans). Take a look at the YouTube video below. The video features Betty Compson appearing in the silent film, “The Docks of New York” (1928). The music accompanying this video is obviously modern, but, in my opinion, it is excellent. Compson demonstrates incredible acting ability. Her facial expression and her eyes speak for her. SOLD
Music: “Marry Me” By Dave Pagett and Viv Jones (Sax)

JUNE CAPRICE : SILENT FILM STAR : FOX’S PICK TO COMPETE WITH MARY PICKFORD

June Caprice started life named Helen Elizabeth Lawson. She was born in 1895 in Arlington, Massachusetts. June was a silent film actress. She attended school in Boston. Her acting career began on the stage. In 1916, she signed with the Fox Film Corporation to make films. William Fox had been searching for an actress to compete with Mary Pickford. Caprice had won a Boston Mary Pickford look-a-like contest. When he discovered Caprice, he boldly predicted that she would become the best known female on the screen within the upcoming six months. A press release introducing her to film fandom, stated that she was seventeen years of age. In fact, she was about twenty years old at the time. Caprice made her screen debut in a move entitled “Caprice of the Mountains” (1916). A film critic, writing in the New York Times described her as “young, pretty, graceful, petite, with an eloquence of gesture that augurs a bright future in the movies”. Her first film provided her with her stage name, “June Caprice”. June became quite popular. She received a lot of attention from fan magazines and was one of Fox’s most profitable stars toward the end of the 1910’s. She made sixteen films while with Fox. Her director for half of the movies was Harry F. Millarde. The pair began a relationship and eventually married. Caprice also worked at one time for Pathe studios. She left the film industry to begin a family and in 1922 she gave birth to a daughter. Caprice’s career took a downturn after World War I. The sweet, pure and innocent look lost popularity and was replaced by the jazz age flapper look. She later returned to working on stage and modelling. In 1931, her husband died at the young age of 46. Five years later, Caprice had a fatal heart attack while in Los Angeles. At the time, she also was suffering with cancer. She was just 40 years old at the time of her death. Caprice’s daughter was only aged 14 when she was orphaned. She was raised by her grandparents on Long Island, New York. She became a “cover girl” and actress. She used the name Toni Seven. Her photo and brief biography can be found elsewhere in the Cabinet Card Gallery. Seven inherited three million dollars from her family. The IMDb credits June Caprice with 22 film appearances between 1916 and 1921. This vintage real photo postcard was published by Pictures Ltd which was located in London, England. It was published with the perimission of the Fox Film Co. The card is part of a series (no.12) labeled “Pictures” Portrait Gallery. (SOLD)
















