This vintage real photo postcard provides an inside peek at Mr. Angelo Xidis and five of his “well trusted” assistants preparing vats of meat sauce for his restaurant’s famous spaghetti. In fact, the recipe is described as “almost as secret as the atom bomb”. Chef Xidis was Greek. Xidis’s specialty was spaghetti and meatballs. A sign on the roof stated “Foods – We Feed the People”. His restaurant was built with steel tiles and glass. The building had live oak trees growing through the roof. Hurricane Camille destroyed the restaurant in 1969. The restaurant was rebuilt and remained in business until 1985. The restaurant was located in Gulfport, Mississippi and faced the Gulf of Mexico. The postcard was published by the Gulfport Printing Co. and is part of a series (No.N36). Mention of the atomic bomb means that the postcard was published likely between 1945 and the early 1950’s. SOLD
This uncommon, color tinted vintage real photo postcard features a one-name performer named Bijoux. The card is risque for it’s era. Bijoux was a performer at the Casino de Paris and apparently, she was popular enough to merit her own postcard portrait, but not popular enough for me to find information about her online. Bijou was photographed by Lucien Walery. He was a celebrated Paris photographer known for his portraits of artists and cabaret dancers from the city’s music halls. He is very well known for his portraits of Mata Hari and Josephine Baker. Walery did a lot of work in the genre of nude/erotic photography. He photographed the beautiful women of Paris between the early 1900’s and the 1920’s. The postcard was published by a combined printing group in Nancy, France. SOLD
These vintage real photo postcards feature German actress, screenwriter, and producer; Lotte Neumann (1896-1977). She was active in the film industry between 1912 and 1958. Neumann was born in Berlin, Germany. At age 13, she took vocal training and acting lessons. She also studied dance and piano. Neumann also sang in two choirs. She originally desired to be a singer but after some advice from Max Mack, a German screenwriter, silent film producer and director; she chose to pursue a career in film. She made her debut in a short silent film, “Whims of Fate” (1912). Neumann became a popular actress in Germany. In 1917 she began acting in films which she produced herself. She established her own film company (Lotte-Neumann-Film-GmbH) which operated between 1916 and 1919. In 1919, she began working for UFA, a major German film producer and distributor that was active between 1917 through the end of World War II. In 1920 she starred in two films directed by Ernst Lubitsch. He was a German born American film director, producer, writer, and actor. It was prestigious for Neumann to appear in his productions. She remained popular through the 1920’s but her career declined with the advent of sound film. This was a dreaded fate suffered by many actors and actresses during the transition to talkies. Her final screen appearance was in 1931. After retiring from acting she continued to write screenplays and partnered with her her husband, Walter Wassermann, in creative endeavors. They worked together from 1935 until his death in 1944. The IMDb reports that Neumann appeared in 69 films, wrote 24 films, and produced 14 films. Neumann’s film career accomplishments are very impressive.
Postcard 1 was published by Film-Sterne as part of a series (no.194/1). The photographer of Miss Neumann’s photo was the Becker & Maass studio in Berlin. The message on the reverse of the postcard was written in 1918. The stamp box of this postcard has an interesting story. “NBC” (Neue Bromsilber Convention) was a price cartel established in 1909 that continued until the 1930’s. The purpose of the cartel was to ensure that the minimum price charged for postcards was kept at a sufficiently profitable level. A number of postcard publishing companies joined the cartel in an effort to stave off the effect of competition on the pricing of postcards. This postcard is in fair condition. Please note that there are two very thin creases located on the left and center bottom of the card. The photo postcard is priced accordingly.
Postcard 2 was published by Ross Verlag (Berlin) as part of a series (no.339/2). The photographer of Miss Neumann’s photo was the Becker & Maass studio in Berlin. Note the Maxim Film logo in the bottom right hand corner of the image. This postcard is in very good condition.
Postcard 3 was published by Ross Verlag (Berlin, Germany) as part of a series (No.338/1). A logo for Maxim Films can be seen in the lower right hand corner of the image. Neumann must have been under contract with Maxim when this portrait was taken. The photographer of Miss Neumann’s photo was the Becker & Maass studio in Berlin. This postcard was likely published circa 1918. The stamp box of this postcard has an interesting story. “NBC” (Neue Bromsilber Convention) was a price cartel established in 1909 that continued until the 1930’s. The purpose of the cartel was to ensure that the minimum price charged for postcards was kept at a sufficiently profitable level. A number of postcard publishing companies joined the cartel in an effort to stave off the effect of competition on the pricing of postcards. SOLD
Buy this Vintage Real Photo Postcard (includes shipping within the US) #6031
To purchase this item, click on the Pay with PayPal button below
$10.00
Buy this Vintage Real Photo Postcard (includes International shipping outside the US) #6031
To purchase this item, click on the Pay with PayPal button below
$22.00
Buy this Vintage Real Photo Postcard (includes shipping within the US) #5304
To purchase this item, click on the Pay with PayPal button below
$14.00
Buy this Vintage Real Photo Postcard (includes International shipping outside the US) #5304
To purchase this item, click on the Pay with PayPal button below
This original black-and-white press photograph was taken by noted Cleveland photographer Jimmy Baynes, whose stamp appears on the reverse. Baynes was a prolific photojournalist and chronicler of Cleveland’s African American community during the mid-20th century. His work documented civic events, political gatherings, cultural programs, and the everyday lives of African Americans in Cleveland. His images today stand as a vital record of local history and are increasingly valued by collectors of press photography and African American ephemera. The photograph depicts a group at the Associated Community Blood Banks booth (Cleveland, Ohio). The booth is labeled “54 Associated Community Blood Banks” on the backdrop. Five individuals are present. One of the individuals is a young woman wearing a white uniform and holding testing equipment. She is likely a nurse or a blood bank technician. The scene captures both the professionalism and community service focus of Cleveland’s blood bank efforts in the late 1960s or 1970s, with an emphasis on outreach, participation, and health education. The candid but posed composition reflects Baynes’s signature style of highlighting people within civic and cultural spaces. The photographer of this photograph, Jimmy Baynes was known for his ability to capture the essence of African American life, culture, and entertainment from the 1950s through the 1980s. Originallya postal worker, Baynes pursued photography as a passion, ultimately founding Baynes Foto Service. His work chronicled the vibrancy of mid-century African American social life, from intimate gatherings and beauty contests to the pulsating energy of live music performances and political events. Baynes photographed some of the most iconic figures in entertainment history, including Aretha Franklin, Louis Armstrong, Count Basie, Mahalia Jackson, Louis Jordan, Jerry Lee Lewis, the Platters, and the Drifters. His ability to capture both candid and staged moments gave his work a lasting impact, preserving the rich history of Cleveland’s African American community. His legacy is recognized today by institutions such as the Rock and Roll Hall of Fame and Museum Library and Archives in Cleveland, which houses a collection of his photographs, primarily focusing on music and entertainment. In 2010, shortly before his passing, his work was featured in the “Polaroid: Instant Joy” exhibition in Brooklyn, New York, reaffirming his role as a visual storyteller of African American life in the mid-20th century. (SOLD)
This vintage divided back real photo postcard features an adorable little boy. He is identified on the reverse of the card as William August Raichle. He was 1 year and 14 days at the time of this photograph. His story is a sad one. He appears in the 1920 US census as an 8 year-old. He was born in 1912 in Washburn, Wisconsin. In 1920 he and his family lived on Bryce Street in Webster, Wisconsin. He lived with his father, Carl A Raichle, mother (Lydia E.), and two sisters, Geneva P. (age 6), and Alvira E. (age 4). Carl worked in retail. Carl died in about 1927. By the time of the 1930 US census, William had an additional sister (Arlene). The year 1934 was a tragic year for the Raichle family. That was the year that William died in a car accident near Rochester, Minnesota. He was riding in a car with three other young adults that collided with a snow plow and overturned. The snow plow had no lights and the accident took place, according to a newspaper account, in a “treacherous sleet storm”. Although there were other injuries, William was the only fatality. William appears to have been an “All American” kid. He was an eagle scout and had worked as a State Park Guide. It is so unfortunate that William’s life ended so tragically. His funeral took place at the Zion Church in Galesville, Wisconsin. He was buried in Pine Cliff Cemetery in Galesville. This postcard has a Noko stamp box. This stamp box indicates that the postcard was published sometime between 1907 and 1929. This is consistent with the 1913 publication date of this postcard.(SOLD)
This vintage real photo postcard features a pretty Russian performer. The name in the postcards caption translates to “Kuskova”. Research is needed to learn more about her. This postcard was published by Richard (St. Petersburg} as part of a series (No.302). The photographer was “Peratorsky”. (SOLD)
This is a vintage real photo postcard (RPPC) portrait of a young African American woman standing in front of a porch in front of a house. She holds a vase of flowers in one hand, and with the other she lightly rests on a wooden chair beside her, on which her hat lies. Along the porch railing (behind her) are potted plants that add a charming domestic detail to the setting. She’s dressed in a light-colored, modest dress with three-quarter sleeves. Around her neck is a pendant necklace suspended from a fine chain. The pendant appears to be a small oval or medallion (hard to see the exact motif, but visible in closeups). Her hair is styled simply (likely bobbed or softly waved), and her expression is calm, with a slight, poised gaze toward the camera. The photo was taken outdoors (natural light) in front of a porch, likely in a residential neighborhood. The background includes lattice or railings, and potted plants suggest someone cared for the space. The chair beside her provides a prop that complements the composition. On the reverse, the card bears an AZO stamp box, with two triangles at the top pointing upward and two triangles at the bottom pointing downward. That is a known style used in ASO / AZO postcard backs, and those two-up/two-down triangles typically date a postcard to the ~1918 to 1930 period. Also, the reverse has the handwritten name and address. The name is Hattie Gilmore and the address is in Los Angeles. Presumably, the woman in the photo is Hattie. (SOLD)
This vintage real photo postcard features the High View Hotel, located in Chesapeake Beach, Maryland. The wooden hotel has three porches, two elevated. Guests are posing for the photo at all three levels. Chesapeake Beach is and was a resort community. It golden days were in the early 1900’s. Steamer ships from Baltimore and trains from Washington D.C. would fill the town with tourists on the weekends. There was a lot to do in the town including swimming, strolling a long boardwalk with amusements, bowling, theater, music, dancing, drinking and gambling. This postcard was published by William H. Tutty (Chesapeake Beach). SOLD
This vintage real photo postcard features British silent film actress, Lilian Hall-Davis (1898-1933). She had much success in silent films but struggled with the transition from silent to sound films. This frustration and disappointment likely led to her experiencing mental health problems and eventually to her suicide at the age of 35. She was one of Britain’s leading actresses in the 1920’s, appearing in numerous films that showcased her charm, talent and on-screen presence. She worked with some of the most respected directors of her time and was a recognized talented actress in both British and International films. She starred in both romantic and dramatic roles. She is best remembered for her performances in two of Alfred Hitchcock’s films, “The Ring” (1927) and “The Farmer’s Wife” (1928). Other notable performances were in “The Passionate Adventure” (1924), “The Ghost Train” (1927), and “The Guns of Loos” (1928). Her popularity is reflected by the number of collectible postcards (such as this one) and photographs that were published during her era. This postcard shows Miss Hall-Davis with short wavy styled dark hair. understated make-up and large expressive eyes. Her gaze is slightly off-camera, conveying a reflective, almost wistful mood. She is wearing an elegant sleeveless dress adorned with embellishments along the shoulder strap. A delicate pearl necklace adds to her refined and classic look. The photographer of Miss Hall-Davis’s portrait was Schneider, a Berlin based photographer, The postcard was published by Ross Verlag (Berlin). Ernst Schneider was one of the most celebrated studio photographers in Berlin during three decades (1900’s, 1910’s, 1920’s). He photographed many celebrities from the world of theater, opera, circuses, and film. He was also one of the most prominent fashion photographers in Berlin. In addition, he was well known for his nude photography and he published books showcasing his work in this domain. Sometime around 1908 Schneider began working with postcard publishers “Rotophot” and “Neue Photographische Gesellschaft” (NPG). In 1919 he began working with Ross Verlag. SOLD
Postcard 1 features German actress, Brigitte Helm (1908-1996). The postcard captures Miss Helm taking a photograph with a camera on a tripod. Photographs of photographers in action are quite collectible. Now, back to Brigitte Helm. She is best known for her dual role in Fritz Lang’s 1927 silent film, Metropolis. After “Metropolis” she played in a long string of movies where she typically had the starring role. Helm was typecast as a Vamp or a femme fatale. She was born in Berlin. Her father was a Prussian Army officer. She was interested in acting at an early age and by age 12, was taking lead parts in school plays. At the age of 17, she acted in “Metropolis”. In 1925 she signed a ten year contract with UFA. She performed in both silent films and talkies. Beside “Metopolis” (1927), Helm was best known for “A Daughter of Destiny” (1928), “L’Argent” (1928), and “Alraune” (1929). Helm had an eventful personal life. Helm was involved in several traffic accidents. In fact, she was briefly placed in prison for manslaughter charges. She married industrialist, Dr Hugo Kunheim. The Nazis were not very pleased with her choice in men because Kunheim was Jewish. In 1935, Helm retired and moved with her husband to Switzerland where they started a family. Helm explained her retirement was because of disgust about the Nazi’s taking over the German film industry. This postcard was published by Ross Verlag as part of a series (No.8486/1). The card has the UFA logo which reveals it was published between 1925 and 1935. (SOLD)
Postcard 2captures Miss Helm in a beautiful dress that illustrates her nice figure.This postcard was published by Ross Verlag as part of a series (No.8486/1). The card has the UFA logo which reveals it was published between 1925 and 1935.(SOLD)
This vintage real photo postcard provides an inside peek at Mr. Angelo Xidis and five of his “well trusted” assistants preparing vats of meat sauce for his restaurant’s famous spaghetti. In fact, the recipe is described as “almost as secret as the atom bomb”. Chef Xidis was Greek. Xidis’s specialty was spaghetti and meatballs. A sign on the roof stated “Foods – We Feed the People”. His restaurant was built with steel tiles and glass. The building had live oak trees growing through the roof. Hurricane Camille destroyed the restaurant in 1969. The restaurant was rebuilt and remained in business until 1985. The restaurant was located in Gulfport, Mississippi and faced the Gulf of Mexico. The postcard was published by the Gulfport Printing Co. and is part of a series (No.N36). Mention of the atomic bomb means that the postcard was published likely between 1945 and the early 1950’s. SOLD
THE CABINET CARD GALLERY 