These vintage real photo postcards feature a pretty young woman wearing either a bathing suit or lingerie. I can’t distinguish between the two types of clothing. Perhaps I need to enroll in a class at Victoria’s Secret University to enhance my knowledge about such things. These are risque images for their era. The postcards were published in France by PC Paris, as part of a series (no. 2122). The P. C. logo is an abbreviation for Papeteries de Levallois-Clichy. The firm published a variety of real photo postcard topics including portraits of women, nudes, views, and holiday cards. The company was active in the 1920’s. (POSTCARD 1 : SOLD) (POSTCARD 2 : SOLD)
This vintage real photo postcard features Australian silent film actress, Enid Bennett (1893-1969). She was mostly active in American films. She was born in Australia and attended an an acting and elocution school in Perth. In 1910 she joined a touring theatrical company. Two years later she joined the Fred Niblo – Josephine Cohan touring company. She understudied for Cohan and would consistently receive positive reviews. In 1915, Enid began to appear in Australian films. Also in 1915, Enid came to the United States and made her American theatrical debut in “Cock O’ The Walk” at the George M. Cohan theater on Broadway. She soon was appearing in important roles in American films. One of her more famous roles was playing Maid Marian in Robinhood (1922) with Douglas Fairbanks. By 1923, her career had slowed. However, she made the transition to sound, appearing in two Jackie Cooper films. She nearly comletely retired in 1933. Her final film role was in the Marx Brother’s “The Big Store” (1941). The IMDb reports that Enid had 52 film credits between 1916 and 1941. Bennett married Fred Niblo in 1918 and their marriage ended in 1948 upon Niblo’s death. In 1963, she married American film director, Sidney Franklin. Enid’s two sisters, Catherine and Marjorie Bennett, were also actresses. The card was published by Cinemagazine (Paris Edition). The postcard is part of a series (No.139) The portrait of Bennett is by Alfred Noyers studio in Paris. The postcard dates back to circa the 1920’s and is in very good condition (see scans).
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These vintage real photo postcards feature pretty American stage and silent film actress, Marguerite Clark (1883-1940). She was a very popular actress of her time; only second to Mary Pickford in popularity. The two shared a “little girl look”. Marguerite was tiny. She was 4’11” and weighed only 90 pounds. She was born in Cincinnati, Ohio. Her father was a haberdasherer. After finishing school, at the age of 17, Marguerite made her Broadway debut. During her stage career (1900-1913), she appeared in sixteen Broadway plays. Marguerite was also a prolific screen actress. Between 1914 and 1921, she appeared in 40 films. She is noted for her film role in “Snow White” (1916). In 1918, she married plantation owner and millionaire businessman, Harry Palmerston Williams. Marguerite retired at age 38 in order to live a more traditIonal life with her husband. He died in 1936 in an airplane crash. Both of these portrait postcards were published by Kraus Mfg. These postcard photograph was likely taken between 1910 and 1920. (BOTH SOLD)
This vintage undivided real photo postcard features Scottish music hall singer and dancer, Daisy Taylor (1894-1930). This 1912 postcard is remarkable because the reverse of the postcard has a written message from Miss Taylor to a Mrs. Boylan. Daisy tells Mrs. Boylan when she will be arriving in Chatham (England) and she asks if she can sleep in one of Boylan’s spare bedrooms. Perhaps Mrs Boylan managed or owned a boarding house. Daisy had a successful but brief performing career. Unfortunately, she died young. Her cause of death has been described as “a brief illness”. By the time 1913 arrived, Daisy had garnered much attention in London. Soon she was touring all over Great Britain and the United States. She toured South Africa in 1927. She made a number of cylinder recordings for Edison in London. You may hear some of her recordings by doing an internet search. Two of Daisy’s recordings that are easily accessible are “Archie! Archie!” and “Let’s Pretend We’re Married”. The latter title is a duet. You may wonder how I know that Daisy really wrote the message on the card. I can’t guarantee it, but the handwriting seen on the reverse of the postcard, closely matches the handwriting on other postcards that she autographed. (SOLD)
This vintage real photo postcard features Hungarian film actress, Ila Loth (1900?-1975). She had 27 film appearances between 1918 and 1922. Some sources report that she appeared in a few films decades later than 1922, in the sound era. This postcard’s photograph presents Miss Loth driving an antique car. Note her driving gloves. This uncommon postcard was published by “City”. (SOLD)
This vintage divided back real photo postcard features a sweet little girl hugging a large clock. The clock is striking midnight and this card may actually be a New Years card. The card was published by Photochemie as part of a series (No.4107-5). The firm was located in Berlin, Germany. The postcard has an Italian stamp and was postmarked in 1908.(SOLD)
This vintage real photo postcard features Italian silent film actress, Andreina Rossi. She looks beautiful in her lovely hat. She appeared in “The Veil of Guilt” (1923). In 1960 she appeared in two films including “Daughter of Cleopatra”. The photographer of Miss Rossi’s portrait seen on this card is the Vettori studio in Bologna, Italy. (SOLD)
Vintage real photo postcard 1 and 2 features actress Helene Verdes. At least I think that she is a stage actress. Perhaps a cabinet card gallery visitor knows something about her and will leave some biographical information in the form of a comment. I tried to research her but drew blanks. The photographs of Miss Verdes are by Lucien Walery and he certainly is known for his postcard portraits of theatre performers. Miss Verdes apparently didn’t receive much fame from her theatrical endeavors despite her great beauty. Lucien Walery was a celebrated Paris photographer known for his portraits of artists and cabaret dancers from the city’s music halls. He is very well known for his portraits of Mata Hari and Josephine Baker. Walery did a lot of work in the genre of nude/erotic photography. He photographed the beautiful women of Paris between the early 1900’s and the 1920’s. Apparently there is considerable debate about Walery’s actual identity. Some contend that he was actually Stanislaw Julian Ignacy Count Ostrorog, a British photographer of Polish ancestry who may have moved to Paris in about 1900. These postcards date back to the early 1900’s and were published by Marqus Etoile of Paris and are part of a series (no. 310).
This uncommon vintage real photo postcard features actress Mona Maris (1903-1991). The postcard was published by Ross Verlag (No.3887/1). The photograph is from the Hanni Schwarz studio. Schwarz was a German female photographer and her work was praised in “American Photography” (1909). She was a well known professional photographer in Germany during the early 1900’s. She is thought to have worked until the 1930’s. The subject of this photo, Mona Maris was born in Argentina. Her mother was Spanish Basque and her father was French Catalan. At the early age of four, Mona was orphaned. She grew up with her grandmother in France where she was educated in a convent as well as in Germany and England. At age 19, she spoke four languages. It was during World War I that Mona decided to be an actress. While she was in school in France, she and her classmates wrote, directed and acted in plays to entertain nearby troops. Upon graduation, she went to England to live, where she stayed two and a half years. She was introduced to the President of the United Film Association by the Argentinian ambassador to Germany. She was signed to a five year contract by Germany’s Universum Film AG productions. She began her film career in either 1924 or 1925. After just four films in Germany, she began a Hollywood career in United Artists “The Apache” (1925). Despite knowing multiple languages, the onset of sound films created a problem. Her English was described as “almost unintelligible”. Between 1931 and 1941, she starred in 19 Spanish language versions of successful American films. The movies were produced by Fox Films. She has been described as “sultry” and “sleepy eyed”. The IMDb credits her with 53 film roles between 1925 and 1984. Mona was married twice and had no children. She died and was buried in Buenos Aires, Argentina. This vintage postcard features Mona Maris posing with an adorable smoll dog. Maris is very pretty. Note her eyes. They have been compared to Bette Davis’s eyes. (SOLD)
This close-up cabinet card portrait features a pretty woman wearing a lace dress. She is posing at the Otto Sarony Company studio and it a good guess that she was an actress considering Sarony’s history of photographing stage personalities. Perhaps the cabinet card gallery’s vast unpaid research department (it’s amazingly informed and helpful visitors) will be able to identify the subject of this photograph. To view other photographs by the Sarony studio, click on the category (Photographer: Sarony). Otto Sarony was the son of celebrated photographer Napoleon Sarony. (SOLD)
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