This vintage real photo postcard features performer, Miss Watt.. The title on the card indicates that Miss Watt performed at the La Scala in Paris, France. Miss Watt was photographed in costume. This photo portrait was taken by Walery at his Paris studio. He was a well known and talented celebrity photographer. (SOLD)
Buy this Vintage Real Photo Postcard (includes International shipping outside the US) 3488
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$32.89
Buy this Vintage Real Photo Postcard (includes International shipping outside the US) 3488
To purchase this item, click on the Pay with PayPal button below
$32.89
POSTCARD 2 (SOLD)
POSTCARD 2 (SOLD)
Buy this Vintage Real Photo Postcard (includes shipping within the US) #3883
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$15.75
Buy this Vintage Real Photo Postcard (includes International shipping outside the US) 3883
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$25.00
Anyone who collects vintage theatrical/film actress postcards, is very familiar with the subject of this real photo postcard. Gabrielle Robinne (1886-1980) is an actress that was widely photographed. The reason for the production of so many postcards featuring Miss Robinne is that she was very popular during her era. Certainly, one of the reasons for her popularity, was her great beauty. Robinne was born in France and was a student at the Paris Conservatory. In 1904 she joined the company of Sarah Bernhardt and later joined the Theatre Michel in St. Petersburg, Russia. Her career soared when she began performing at the Comedie-Francaise in 1907. She remained with the company until 1938. She made her film debut in the 1906 production of “Le troubadour”. Two years later she had her first huge success in “L’assassinat du Duc de Guise” (1908). She is considered by many to be the first French star of the silent film era. She charmed her audiences with her beauty and excellent acting. Gabrielle Robinne shared her time between stage and film. The IMDb reports that she appeared in nearly fifty films between 1906 and 1973.She was known for “Conquered Hate” (1913,) “Struggle for Life” (1914), and “La reine de Saba” (1913). Robinne was married to actor Rene Alexandre from 1912 until she was widowed in 1946. Her work in the theater and film was recognized by France when she was made an Officer of the Legion of Honor, the highest French order of Merit.
Postcard 1 was published by Societe Industrielle de Photograpie (SIP) of Rueil, France and was part of a series (no. 1342). The photographer of Robinne’s portrait seen on this postcard was Leopold Reutlinger (1863-1937). He was a leading photographer of his time and was, and is, renowned for his photographs of celebrities and beautiful women. This vintage postcard was postmarked in 1905, It has a French stamp. This postcard is in very good condition (see scans).
Postcard 2 was also published by Societe Industrielle de Photograpie (SIP) of Rueil, France and was part of a series (no. 1730). Once again, Leopold Reutlinger (1863-1937) was the photographer. (SOLD)
Postcard 3 has a portrait of Robinne photographed by Leopold Reutlinger (1863-1937). He was a leading photographer of his time and was, and is, renowned for his photographs of celebrities and beautiful women. This postcard is part of a series (no.1282). This postcard is in fair condition (see scans).
PHOTO 1 (SOLD)
PHOTO 2 (SOLD)
The same woman appears in each of these two photographs by the Baker Art Gallery of Columbus, Ohio. The woman is very pretty. She is wearing a black bow in her hair in both photographs and in the profile portrait she is wearing a hair comb. There is a lot of bare skin in these photographs which make them a bit risque, though tastefully done. The Cabinet Card Gallery is building a nice collection of photographs from the Baker Art Gallery. To view these images, click on the category “Photographer: Baker Art Gallery”.
A young woman poses wearing her bonnet at the studio of Holgenson, in Chicago, Illinois. The photograph raises the question of whether the bonnet is simply meant to be fashionable, or does the bonnet indicate that she is a member of a certain ethnic or religious groups. Please leave a comment with any hypotheses about this question. (SOLD)
This real photo postcard features British actor and theater manager, Lewis Waller (1860-1915). The photo shows Waller in costume for the production of “Robinhood”. After performing with a few theater companies, Waller entered the late 1880’s as an actor who played romantic leads in both Shakespeare and popular dramatic stage productions. He was a hit with the ladies and had a large vocal fan club. He managed theaters and theater tours from the 1885 through after the turn of the century. Waller achieved success in playing title roles in Booth Tarkington’s “Monsieur Beaucaire” and Arthur Conan Doyle’s “Brigadier Gerard”. However, Waller preferred acting in plays by Shakespeare. Waller was born in Spain but educated in London. He studied languages in Europe and for four years worked as a clerk in a London firm. In 1882 he married Florenc Isabella Brandon who became an actress under the name of Florence West. Waller acted in amateur productions and by 1883 began workeing as a professional actor. During 1911 and 1912. Waller toured and performed in the United States, Canada, and Australia. During his career he made recordings for the Gramophone Company and acted in three films. This vintage photo postcard was published by Rotary Photo as part of a series (no.4222G). Waller’s portrait photograph was taken by the Foulsham and Banfield Studio. The message on this postcard indicates that it was written in 1908. (SOLD)
This vintage real photo postcard features a portrait of a Tin Type Studio in Dearborn, Michigan. The studio is housed in a small white building and the door is open. A sign above the door reads Tin Type Studio. The door is open. Adjacent to the door is a display case which exhibits multiple photographs from the gallery. A pile of wood lies next to the house. The wood was presumably used to supply heat. This postcard was published by Artcraft Photo Company. The firm was located in East Rutherford, New Jersey. The card has a postmark from Greenfield, New Jersey and the postmark is dated 1935. (SOLD)
This vintage real photo postcard features a pretty woman applying lipstick in front of a large mirror. The woman is wearing a negligee. It is uncertain whether she is getting ready to go to bed with a lover, or if she is just getting dressed and applying make-up upon rising. This risque photograph was taken by Julian Mandel (1872-1935). He was one of the most famous photographers of female nudes during the early twentieth century. He worked in Paris, France and his photographs became well known in the 1910’s through the 1930’s. His images were published by such firms as Alfred Noyer, Les Studios, P-C Paris, and the Neue Photographische Gesellschaft (NPG). Mandel produced many erotic postcards. He photographed his models indoors as well as outdoors. He often posed his models in classical poses and he was a master at utilizing toning and soft lighting. It is reported that Mandel participated in the German avant-garde (new age outdoor) movement. Mandel, as well as other photographers of nude models, produced photographs that were postcard sized, but never meant to be sent through the mail. In fact, it was illegal to post these nude images. These nude photographs tended to be privately collected. Although Mandel listed his name on his nude photographs, most photographers chose to remain anonymous. Experts compare Mandel’s work to that of photographer Julian Walery, another avant-garde artist who was known for his deco style nudes produced in the 1920’s. A photograph of Mandel can be seen below. This postcard was published by well known photographer Alfred Noyer. The celebrated photographer supervised a large photo studio in Paris. The Noyer Studio operated from 1910 until the 1940’s. Many of the postcards he produced of women were nudes or risque images. Some of his postcards list his name, while others are simply marked “AN”. (SOLD)
This cabinet card photograph features a portrait of a very pretty young nurse, or maid. She clearly is clearly is wearing a uniform. She seems very serious as she poses for her photograph at the Louis H. Rudolph studio in Chicago, Illinois. She has a wide-eyed expression and seems very attentive to the photographer. A drawing of the photographer’s studio (street view) can be seen on the reverse of the photograph. A sign in the window of the drawn building indicates that, at the time, cabinet cards sold for two dollar per dozen photographs. A listing of Chicago’s early photographers reports that Rudolph operated a studio between 1892 and 1900. He was born in 1871 and married Henrietta S. C. Ziehn in 1895. (SOLD)
This cabinet card portrait focuses on four young woman posing at Mulligan Brothers studio in Columbus, Ohio. The four women are likely sisters. They are conservatively or even plainly dressed with the exception of the seated women on the right side of the image. She also appears to be the youngest among the siblings. All of the young ladies are wearing jewelry at or near their collar. The woman standing on the right is wearing a cross. The Cabinet Card Gallery exhibits another cabinet card from the Mulligan studio. To view that photograph, put the name “Mulligan” in the Cabinet Card Gallery’s search box. At one point in their careers, the Mulligan Brothers were in partnership with another photographer. Terry and Patrick Mulligan were in business with John Pfeifer and an 1894 image of their Columbus studio can be seen below. Anthony’s Photographic Bulletin (1894) cited the studio for their fine work that was seen at a photography exhibition. (SOLD)
POSTCARD 3
Buy this Vintage Real Photo Postcard (includes shipping within the US) #3738
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$12.18
Buy this Vintage Real Photo Postcard (includes International shipping outside the US) 3738
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$21.18
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