YOUNG WELL DRESSED AFRICAN AMERICAN MAN IN COLUMBUS, OHIO

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A well dressed African American man poses for his portrait at the J. A. Pfeifer & Company gallery. He is wearing a dress jacket, a pin striped vest, winged collar and bow tie. This handsome young man is unidentified. The reverse of the cabinet card lists Pfeifer’s name but also the names Smith and Mulligan Brothers. Presumably these three names belong to photographers who were employed the the Pfeifer studio. The address of the gallery is also printed on the reverse of the card. The business was located at 262, 264, and 266 South High Street in Columbus, Ohio. According to the book “Artists in Ohio” (2000), the photographer of this image, John A. Pfeifer (1859-1932), was active in the Columbus area from 1882 to at least 1913. During much of that time, he was partners with George C. Urlin of  the “Mammoth Art Palace” on High Street. To view images by Urlin, click on the category “Photographer: Urlin”. The Oberlin Review (1888) noted that the Urlin & Pfeifer studio won the contract to be the class of 1888’s photographer. A competitor in the bidding was the Cleveland firm of Urlin & Becker. Urlin’s participation in the bidding under two different studios, caused the students to raise some ethical questions about the bidding process. Pfeifer proved to the students that he had the legal right to use Urlin’s name and the class “was convinced of his honesty and integrity” and retained him as class photographer. In 1891 Pfeifer and George D. Saas (1854-1924) founded Pfeifer & Saas Printers. In 1905 Pfeifer became the sole owner of the firm and renamed it the Pfeifer Show Print Company.

PORTRAIT OF A WOMAN IN GARDINER, MAINE (FEMALE PHOTOGRAPHER)

 

FEMALE PHOTOG_0002This cabinet card features a bust portrait of a young woman. This is likely an early image from the cabinet card era. The photographer of this image is “Mrs. Barker” of Gardiner, Maine. Research found very little information about this pioneer female photographer. The 1880 United Startes census reveals that Julia R. Barker lived in Gardiner, Maine and worked as a photographer. Her husband, Eugene Barker, was employed as a railroad engineer. Both were 35 years old at the time of the census.

Published in: on December 12, 2012 at 12:01 am  Comments (1)  
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FASHIONABLE AUSTRIAN MAN IN VIENNA

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A well dressed Austrian gentleman poses for this cabinet card portrait by photographer Karl Dubell. Dubell’s studio was located in Vienna, Austria. The subject in this image is accessorized with a cane, vest, bow tie and what appears to be a straw hat. What is this fine gentleman holding in the fingers of his right hand. Is that an extra long cigarette? To view other photographs by Dubell, click on the category “Photographer: Dubell”.

Published in: on December 11, 2012 at 12:01 am  Comments (3)  
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MAN WITH SPIKED HAIR IN GRAND RAPIDS, MICHIGAN

GRAND RAPIDS MANA young man with a “spiked” hairstyle poses for his portrait at the Schellhous studio in Grand Rapids, Michigan. The gentleman is wearing a checkered jacket with a pocket handkerchief, and  his watch chain shows under his jacket. The photograph is dated 1886. The photographer of this image, Loran Webster Schellhous is listed in the Grand Rapids business directory between at least 1884 through 1893. He also operated photography businesses at various times in Colon, Coldwater, and Coopersville, Michigan. The Ada Historical Society (Michigan) indicates that Schellhous’s wife, Martha Catherine Faxon (1831-1905) was also a photographer. She is recognized for her work photographing leaves of various plants.

Published in: on December 10, 2012 at 12:01 am  Leave a Comment  
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RISQUE PORTRAIT OF BURLESQUE ACTRESS KATE EVERLEIGH BY WARREN’S PORTRAITS IN BOSTON, MASSACHUSETTS

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This cabinet card captures the beauty of actress Kate Everleigh. The image is risque for the cabinet card era. Preliminary research reveals no personal details of the life of Miss Everleigh. However, there are many articles citing her theatrical appearances.  In fact, her portrait appears on the front page of  “The Illustrated Sporting and Dramatic News” in both 1885 and 1886 editions. She is also referenced in the book “A History of the New York Stage” (1903) for appearing in Reese and Farnie’s burlesque production of  “Oxygen” and Lydia Thompson’s Company’s production of “Bluebird”. Everleigh also appeared in the original London cast of  “Erminie” (1885). The magazine “The Theatre” (1885) cites her appearances in “Nemesis” and “Family Ties”. Miss Everleigh also performed in the United States. She is mentioned as a performer in a burlesque show in San Francisco called “The Mother, The Maiden, and The Musicianer” (1880). This is a high quality photograph and not surprisingly, comes from a well respected studio in Boston, Massachusetts. The studio is Warren’s Portraits and it was located at 465 Washington Street. The photographer was George K. Warren. Warren’s Studios photographed many celebrities and notable people in Boston. To view other photographs by Warren, click on the category “Photographer: Warren”.

MINISTER WEARING RELIGIOUS GARB IN MEADVILLE, PENNSYLVANIA

A minister, wearing his clerical robes and holding a prayer book, poses for his portrait at the A. R. Fowler studio in Meadville, Pennsylvania. The clergyman displays quite a stern appearance in this image. His congregation must have heard some fire and brimstone sermons from this cleric. To view other photographs by A. R. Fowler, and to learn more about him, click on the category “Photographer Fowler (A. R.).

PORTRAIT OF ACTRESS BLANCH WARD IN NEW YORK CITY (RISQUE)

This cabinet card features a costumed young woman named Blanch Ward. This photograph shows “a lot of leg” and is rather risque for its era. Blanch Ward is likely either an actress, dancer, or singer, or some combination of the three. Research revealed no information about Miss Ward and it is likely she was not a major theatrical performer. The photographer of this image is Alfred S. Campbell of New York City. He is known for being a photographer who had a specialty in photographing theater stars. To view other photographs by Campbell and to learn more about his life, click on the category “Photographer: Campbell”.

Published in: on December 7, 2012 at 12:01 am  Leave a Comment  
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PENSIVE AND PRETTY GIRL WITH LONG HAIR IN LINCOLN, NEBRASKA

A pensive and pretty young girl with very long hair poses for her portrait at the LeGrande studio in Lincoln, Nebraska.  She is wearing a necklace,  a collar pin, and a dark dress. Resarch found information concerning the LeGrande Studio to be sparse. At one point in time, the studio was located at 1245 Twelfth Street in Lincoln and its proprietors were named Speake and Peirson. Jefferson Grant Speake (1863-?) was listed in the 1891 and 1893 Lincoln Business Directory. He was listed as a photographer and owned the LeGrande studio. He is noted in the 1900 US census, and both he and his wife of 13 years, Hattie E. Speake (1863-?) appear in the census as living in Omaha, Nebraska and both Jefferson and Hattie were reported to be photographers. The 1902 Omaha business directory also lists Jefferson Speake as a photographer. No information could be found about Mr. Peirson, Speake’s Lincoln business partner.

 

Published in: on December 6, 2012 at 12:01 am  Comments (1)  
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A BOY AND HIS DOG SHARE A COUCH IN ALMA, WISCONSIN

emilanddogThe Gesell studio of Alma, Wisconsin, produced this wonderful portrait of a boy and his dog. The boy’s love for his dog is apparent by his expression as well as by his resting his wrist and hand on the pooch’s neck. The dog appears quite tired in this photograph which certainly makes the photographer’s job easier. Photographing dogs required special talent and the photographer of this image certainly possessed that talent. The lad pictured in this photograph is identified on the reverse of the image as being named “Emil Bardil”.  Emil Bardil (or Bardill) was born in 1893 in Alma, Wisconsin. His father was John Bardill and his mother was Katie Roffler. His parents were of Swiss extraction. The 1900 census finds seven year-old Emil living with a Katherine Bardill (age 54) and his two brothers John (age 11) and Eddie (age 9). The 1910 census reveals that Emil was a boarder in an Alma home and worked as an apprentice printer. The 1920 census discloses that Emil is living in Chico, California with his wife Alice, and working as a printer. The 1930 census indicates that Emil and his wife had taken a boarder into their Chico home and the boarder was employed as a school teacher. The 1940 census shows that Emil had become a foreman at a print shop and worked as a lineotype operator. Census data indicates in 1940, he remained in Chico. Two years later he registered for the draft. He lived a long life and died in California in 1985. The photographer of this portrait was Gerhard Gesell. He was an important figure in Wisconsin history and the Wisconsin Historical Society presents much biographical information about Mr Gesell.  Gesell was born in Germany. He came to the United States and in 1863 he enlisted in the Army and served with “Brackett’s Battalion” of the Minnesota Cavalry on the western front. He entered the military as a private and was discharged as a saddler. After the war he returned to Reads Landing, Minnesota and worked as a saloon keeper until he entered the field of photography. He began his photography career in Reads Landing in 1873. In 1876 he relocated to Alma and opened a studio at 401 South Main Street. He operated his photography business in Alma for 30 years (he died in1906). Gesell is noted for his work of documenting the town, its people and culture, and its relationship to the Mississippi River. He took many photographs outside his studio capturing the Alma citizens in many of their activities. In 1879 he married Christine Giesen and they had five children. The couples oldest son, Arnold, became a pediatrician and well known psychologist. Arnold’s son also made a name for himself. Gerhard Gesell (named after his photographer grandfather) was a noted federal judge in Washington D.C. and he presided over many important cases including the  Iran Contra Affair, the release of the Pentagon Papers., and the Watergate Scandal.  How did this blog entry go from focusing on a little boy and his dog to the Watergate Scandal? Here is an answer to that question. Part of the beauty of cabinet card photography is that each image tells a story. When we look at a photograph, we use conjecture to create a story about the photograph. These created stories are based on our knowledge, as well as our psyche. A second story is created when we research the photographers, the subjects, the activities, and the times reflected in the photographs. That is the beauty of these photographs, we never know where viewing these turn of the century images will take us.

TWO YOUNG WOMAN WITH PAINED EXPRESSIONS IN HOOPESTON, ILLINOIS

Two pretty young woman pose for their portrait in this scalloped cabinet card produced by the Hall studio in Hoopeston, Illinois. The women do not seem very enthusiastic about having their photograph taken. Each of the subjects have baskets of flowers on their laps and are wearing fingerless gloves. The woman seated on the right in the image is holding what appears to be an umbrella. Both of these ladies have very thin waists. They are probably wearing corsets. Perhaps those corsets are a little too tight and that would explain the pained expressions they display in the photograph.  The photographer, Ervin S. Hall, appears in the 1880 US census. Hall was 25 years old and married (1877) to Violetta Hall (age 27). Hall’s parents were born in Maine but he and his wife were Illinois natives. The couple lived in Hoopeston and Hall worked as a photographer. The 1900 US census found Hall and his wife living in Grant, Illinois with their two children, Ellis (age 17) and Ethel (age 15). Ervin was still working as a photographer. The 1910 US census lists Hall and his wife living in Urbana, Illinois and Ervin still employed as a photographer. The 1920 US census reveals that the couple was living in Kissimmee, Florida and Ervin was working as a hardware salesman. The 1930 US census indicates that Ervin was retired and he and his wife remained in Kissimmee. Research uncovers the story of Hoopeston, Illinois. The town was created in 1871 and named for Thomas Hoopes who had offered his land to be the site of the crossing of two railroads. The business and manufacturing that developed in Hoopeston centered around agriculture. The Illinois Canning Company (1875) and the Hoppeston Canning Company (1878) were established there. Greer College (1890) was also established in Hoopeston.

Published in: on December 4, 2012 at 12:01 am  Comments (1)  
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