WOMAN MODELS REPTILIAN WEAR IN PENACOOK, NEW HAMPSHIRE

Most people don’t think of Penacook, New Hampshire as the center of turn of the century fashion. However, in 1890, a new fashion trend was born in tiny Penacook. Traditional fashion centers like Paris and New York City were blindsided by the innovative dress designs coming out of Penacook. Reptilian Wear was introduced in 1890 and was overwhelmingly the most well received of all these designs. Penacook area photographers quickly were called upon to sharpen their skills in fashion photography because their services were in high demand by the rapidly growing local clothing industry. This cabinet card was produced by the studio of M. S. Lamprey who began operating in Penacook in 1858. The woman in this image is wearing an excellent example of a Reptilian Wear dress. This particular dress was sold under the Iguana label. The model in this photograph was not identified. She is wearing a necklace from which hangs a cross. If you doubt the veracity of this story; you would be correct to do so. Here is some non fiction commentary about this cabinet card. The photographer is Maurice S. Lamprey (1835-1912). The 1860 census finds Lamprey living with his parents and siblings and working as a varnisher. He enlisted in the 10th New Hampshire Volunteer Infantry in 1862 as a private and was transferred to the Signal Corp which is where he remained throughout the war. The earliest city directory found that lists him as a photographer was from 1872. The 1900 US census reports that Lamprey was 64 years old, living alone, and working as a photographer in  Concord. The town of Penacook was named after the Penacook Native American tribe which lived in the area. The town was a village located within the city of  Concord. Penacook was involved in the textile industry. The town was located along the Contoocook River. This location attracted the hydro power industry and Penacook became a mill town.

A PROFESSIONAL LOOKING GENTLEMAN IN BINGHAMTON, NEW YORK

The man in this cabinet card photograph appears to be a professional gentleman. He is wearing an overcoat and a nicely trimmed beard. He is standing next to his derby hat and has a pocket watch. Perhaps the well dressed gentleman is an attorney. Maybe its not a coincidence that the Binghamton, New York based photographer, Singhi, was located on Court Street. The reverse of the photograph has an inscription which identifies the gentleman as “Adelbert Harroun”. Research reveals that Mr. Harroun was not a lawyer but instead, he was an accountant. The 1870 census notes that Thomas Adelbert Harroun (1851-?) was the 19 year-old son of  Thomas Harroun (1824-1907) and Salina King Harroun (1824-1903). His father’s occupation was listed as a “Presiding Elder”  and further research found that he was a Methodist clergyman. His mother was a homemaker. Adelbert lived with his parents and two siblings in Norwich, New York. Sister Flora (age 22) was a music teacher and brother Arthur (age 11) was a student. He married his wife, Mary Winton, in 1888. The couple had two children. The 1900 census finds the 47 year old Harroun living in Dunleith, Illinois. He was living with his wife, Mary, their son N. Winton (age 10), and daughter Anna Augusta (age 9). Harroun was working as a railroad yard clerk. Further investigation revealed that daughter Anna Augusta died in 1904 in Dubuque, Illinois. The 1920 census reports that the 67 year-old Harroun was widowed and living in Waukegan Lake, Illinois with his sister Flora. He was working as an accountant. The 1930 census locates Harroun in Prineville, Oregon and living as a boarder. At 79 years of his age, he was still working (bookkeeper). The photographer of this image is Will G. Singhi. He worked in Binghamton, New York between 1872 and 1886. His albumen print “A Winter Scene” is exhibited in the online “American Museum of Photography”. Singhi had taken a photograph that appeared to capture a snowball in mid flight heading toward a newsboy who was prepared to deflect it. The museum also has on display a funny cartoon self portrait caricature that Singhi used as an advertisement. The Photographic Times and American Photographer (1883) comments on Singhi’s wonderful sense of humor.

TURN OF THE CENTURY HANDSOME MAN WITH SLICKED BACK HAIR

This cabinet card features a portrait of a handsome young man with slicked back hair. He is dressed beautifully and well groomed. The photographer is named Smith but the location of his studio is not listed on the front or the reverse of the photograph. The initials on the front of the card indicate that the photographers full name is C. R. Smith. There was a photographer named C. R. Smith located in Clearwater, Minnesota. He was listed in Camera Craft (1908) and also in The Photographic Journal of America (1917). It is not confirmed that this C. R. Smith is the photographer of this cabinet card. It is interesting to note that the Cabinet Card Gallery has a number of photographs by the photographer who photographed this gentleman. All of the photographs share the same logo containing the photographer’s initials. To view these photographs, click on the category “Photographer: Smith CR”

Published in: on May 21, 2012 at 12:01 am  Comments (6)  
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YOUNG MAN WEARING SALVATION ARMY UNIFORM IN MARSHALLTOWN, IOWA

A young man wearing a Salvation Army uniform poses for his portrait at the Cottage Gallery in Marshalltown, Iowa. The photographer is named Beverage. The uniform is well decorated with Salvation Army identification. He is wearing a badge on his jacket, S’s on his collars,a badge on his hat, and lettering stating Salvation Army on a band around his hat. An inscription on the reverse of the cabinet card states that the subject’s name is “Charlie Phillips” and that he is the brother of the writer’s mother, “Uncle Charlie”. The 1890 Iowa census reveals that a Charlie Phillips, born in Marshalltown, was living in Lake Creek, Iowa. This eighteen year old young man, may be the subject of this photograph. The 1900 United States census reports that Maurice C. Beverage was born in 1841 in the state of Maine and was living with his 20 year old daughter in Marshalltown. He was of Scottish and French Canadian descent. The census listed his occupation as a photographer. Beverage began his photography career in Oconto, Wisconsin. In 1871 he was married to Hattie Crum and they had four children. The Oconto shop was at the corner of Maine and Section Streets. He worked in Oconto between 1869 and 1876. he then moved to Marshalltown where he opened the Beverage Cottage Gallery. He had partnerships there with Benjamin Jarvis and S. E. Jessup. In 1931, Beverage’s obituary appeared in the Times Republican, a Marshalltown newspaper. The obituary states that Beverage lived in Canada from infancy to age 15, when he went to Michigan, and then Oconto where he learned photography. He ran the Cottage Gallery from 1876 until 1912. His son Herbert Morris Beveridge was a photographer in Butte, Montana in 1900. The Cabinet Card Gallery has a large collection of Salvation Army  cabinet cards. To view these photographs, click on the category “Salvation Army”.  SOLD

ATTRACTIVE YOUNG COUPLE IN EUGENE, OREGON

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An attractive young couple pose for their portrait at the Winter studio in Eugene, Oregon. The gentleman is wearing a jacket and bow tie. The woman is wearing a dress with a high collar and has a flower pinned rather low on the front of her outfit. The photographer, John A. Winter was born in Ohio sometime around 1831. He was active in the photography business in Eugene between 1864 and 1869, and again between 1873 and 1900. During his career he also operated photography businesses in Albany, Brownsville, and Jefferson; all towns in Oregon.In 1864 he advertised that he intended to “devote his whole time to making pictures”. In 1865 he began his career operating photographic studios. A number of times during his career he was plagued with poor health. At one point he owned a sheep ranch in addition to a photography studio. Winter employed the bartering system in his business. One of his ads promises to trade portrait taking for firewood. From 1888 to 1900, Winter was the photographer of Oregon State University. Winter’s son, Clarence L. Winter was a photographer in Eugene between 1891 and 1906. However, a letter from C. L. Winter appears in the Photographic Times (1887) indicating that he likely began working in Eugene earlier than the aforementioned date. It is not clear whether John A. Winter or Clarence L. Winter is the photographer who produced the picture of this lovely couple. To view other photographs by Winter, click on the category “Photographer: Winter”.   (SOLD)

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ELISE DE VERE: PORTRAIT OF A BEAUTIFUL SOUBRETTE BY REUTLINGER

Elise De Vere was indeed a very pretty woman and her pose in this image can be described as risque. She poses in this cabinet card photograph for famed celebrity photographer, Charles Reutlinger. Reutlinger’s studio was located at 21 Boulevard in Paris, France. The photograph was published in 1899.  Small print located at the bottom of the reverse of the card states R. Dechavannes. He may be in fact the actual photographer of the portrait. Perhaps the photograph was published by Reutlinger but not actually photographed by him. The facts concerning the role of Reutlinger and Dechavannes are not clear. To view other photographs by Dechavannes, click on the category “Photographer: Dechavannes”. To view other photographs by Reutlinger, click on the category “Photographer: Reutlinger”. Elise De Vere was an English actress/singer who performed in music halls and operas around 1900. The previous year she had won second place in a beauty contest at the Paris Olympia Theatre. She was described at the contest as a “Chanteuse Excentrique”  (Eccentric Singer). Around 1900 she was a stage diva in Europe and America. In 1903-1904 she performed in the Flo Ziegfeld Broadway opera “Red Feather” which played at the Lyrical Theatre and then the Grand Opera Theatre. In announcing De Vere’s arrival in America to play in “Red Feather”,  The New York Times (1903) writes that although she was a Parisienne, she spoke excellent English (shouldn’t have been a surprise, she was English). The article added that De Vere had recently learned to sing in German. In a later article, the New York Times (1903) labelled De Vere as a “Soubrette” in the “Red Feather”. A soubrette is a stock character in opera or theatre. A soubrette is frequently a comedic character who is often portrayed as vain, girlish, mischievous, gossipy and light hearted.  SOLD

THE CHAMPIONSHIP SEASON: HILLSBORO WISCONSIN HIGH SCHOOL BASKETBALL TEAM (1900-1901)

This photograph features the Hillsboro High School  basketball team. The team proudly poses with a trophy basketball marking their championship season of 1900-1901. The name “Bob” is written above the second boy to the left in the back row. Could any of these boy been future Wisconsin Badger basketball players? It is certainly a possibility that one of these guys may have played college basketball with the Badgers. The Wisconsin Badger basketball program played their first game in 1899. In 1906-1907 season they won their first share of a Big Ten championship.The likely photographer of this image is Earle D. Akin. The town of Hillsboro was named for early settler Valentia Hill and his brothers. They arrived in the area beginning  in 1850. Many of the earliest settlers were of German descent. They were followed by many Czech settlers and in fact, Hillsboro was known as the “Czech Capital of Wisconsin”. When the town was settled, it did not take much time for a saw mill to arrive, followed by stores , a blacksmith, a hotel, and a school, as well as a grist mill established  along the Barabee River. In the 1880’s dairy farms and a creamery began business in Hillsboro.

Published in: on April 23, 2012 at 12:01 am  Leave a Comment  
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ATTRACTIVE FAMILY IN PRAGUE, CZECHOSLOVAKIA (PORTRAIT BY LANGHANS)

This cabinet card features an attractive family posing for their portrait at the studio of J. F. Langhans in Prague, Czechlosvakia. Mother, father, and their two sons are all beautifully dressed. Father appears to be small of stature and looks quite austere with his hands folded across his chest and his stern facial expression. The children in this photograph seem significantly more relaxed than their parents. Take note of the style of father’s eye glasses Jan Langhans (1851-1926) is the best known figure in Czech photography and his gallery is still in existence. There is a wealth of information about Langhans online at the  “Langhans Archive”. The site provides biographical and historical information as well as the “Gallery of Personalities”. The gallery has photographs of many prominent Czech citizens as well as well known visitors to Czechoslovakia.. These portraits date from 1890 through 1948. The studio was founded by Jan Langhans, who was a food chemist by training but developed a passion for photography. He opened his first studio in 1876 and was the preeminent portrait photographer of the region. He opened a number of branch studios throughout Czechoslovakia. He photographed many celebrities and aristocrats. After World War I the gallery possessed over a million negatives. He gave the studio to his daughter Marie and her husband Viktor Meisner.  After World War II, his grandson Viktor Meisner took over the studio. In 1948, soon after the Communist take-over, the studio was nationalized and most of the negatives were destroyed. Fortunately, more negatives were discovered and they comprise the Gallery’s current collection. To view other photographs by Langhans, click on the category “Photographer: Langhans”.

Published in: on April 22, 2012 at 12:01 am  Comments (1)  
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A KID, A GOAT, AND A GOAT CART

This photograph was taken outside and features a kid, a goat, and a goat cart. The child is dressed for cold weather as he sits in the cart holding a whip. The cart is more of a wagon than a cart. Note the large thin wheels. The goat is wearing a harness. The identity of the child and photographer are unknown. The location where the photograph was taken is also unknown. To view other images of goats, click on the category “Goats”.

Published in: on April 18, 2012 at 12:01 am  Leave a Comment  
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FIREMAN IN READING, PENNSYLVANIA

Photographer John D. Strunk photographed this young fireman at his studio in Reading, Pennsylvania. The subject is wearing a dress uniform with buttons with the letters F. D. (Fire Department). He has a ribbon and medal pinned to his chest. He is handsome and has a terrific mustache. To view other firemen, click on the category “Firemen and Policemen”. Other photographs by Strunk can be viewed by clicking on the category “Photographer: Strunk”.