This striking 19th-century cabinet card features The Honorable Carl Schurz (1829-1906), a distinguished Civil War general, U.S. Senator, and reform-minded statesman. The photograph was taken at Warren’s Portraits, a prestigious Boston studio located at 465 Washington Street and renowned for its elegant images of notable figures during the late 1800s. In this formal portrait, Schurz is captured in a three-quarter view, seated in a dark, double-breasted coat with a subtle bow tie at his collar. His thick, well-kept beard and wavy hair give him a scholarly yet commanding presence. He gazes slightly to his left, a monocle suspended at his eye—projecting a look of intellectual rigor and seriousness. The background is a simple studio gradient, helping focus all attention on Schurz’s intense expression and refined appearance. On the reverse, the card is elegantly marked with the Warren’s Portraits logo. In pencil is written: “Hon. Carl Schurz,” affirming the identity of the sitter. Carl Schurz was born in Liblar, Prussia (modern-day Germany) in 1829. A revolutionary in his youth, he fought in the 1848 German uprisings, which ultimately failed, forcing him to flee Europe. He emigrated to the United States in 1852, where he quickly became involved in politics and the anti-slavery movement. During the American Civil War, Schurz was appointed brigadier general of Union volunteers by President Lincoln in 1862. He eventually rose to the rank of major general. Though courageous and respected, his battlefield performance received mixed reviews. He fought in key engagements including: the Second Battle of Bull Run (1862), the Battle of Chancellorsville (1863), and the Battle of Gettysburg (1863), where his XI Corps was flanked on the first day. While he was not a professional military man, Schurz’s service was notable for his efforts to advocate for German-American troops and his commitment to the Union cause. He did not have prior military experience in Europe before serving in the U.S. Army. After the war, Schurz enjoyed a long and prominent career in politics. He served as a U.S. Senator from Missouri (1869–1875) and later as Secretary of the Interior under President Rutherford B. Hayes (1877–1881). A staunch advocate of civil service reform and anti-corruption measures, he became one of the leading voices of the Liberal Republican movement. This cabinet card was produced by Warren’s Portraits, one of Boston’s most prominent photography studios in the 19th century. Operated by William Shaw Warren, the studio specialized in elegant, high-quality portraits and was especially known for photographing celebrities, politicians, military figures, and distinguished members of Boston society. Warren’s operated primarily during the 1860s through the 1890s. Warren’s images often feature clean studio backdrops, strong lighting, and detailed retouching, emphasizing refinement and dignity—qualities clearly present in this cabinet card of Carl Schurz. (SOLD)
LA BELLE ALEXIA : ACTRESS & DANCER : RISQUE : MAURICE MANES : PARIS : RPPC
This vintage real photo postcard features pretty performer, La Belle Alexia. She was a dancer and was also likely an actress. Preliminary research found no biographical information. This photograph of Alexia is risque due to her low cut dress. She is wearing a lot of jewelry around her neck. Alexia is flashing a lovely smile. This postcard was published by EPJ (Maurice P Manes, Paris) as part of a series (no.579). SOLD

FRENCH AFRICAN WOMAN : PHOTO BY CHARLES REUTLINGER : UNCOMMON : CABINET CARD
This cabinet card features a portrait of a young woman who appears to be French African. She is well dressed and her hair is well coiffed. She is wearing a beaded necklace and a bow at her collar. Her figure is enhanced by a corset. The photographer who took this portrait of this lovely woman was the celebrated photographer, Charles Reutlinger (1816-1881). Charles Reutlinger was part of a prominent and talented family. Charles Reutlinger was of German descent and founded the Reutlinger Photography Studio in Paris in 1850. The studio took photographs of many of the city’s rich and famous residents and visitors until 1937. The British Journal of Photography (1867) provides a wonderful description of Reutlinger’s studio. Charles’s brother Emile took over the studio in 1880 and he ran it until 1890. Emile’s son, Leopold took over in 1890 and among his accomplishments was that he developed the company’s esteemed and economically successful postcard business. The studio became known for it’s unusual art nouveau style of postcard designs. These were very notable in it’s portraits of actresses. Leopold also introduced risque/erotic postcards. He operated the business until losing an eye in an accident with a champagne cork in 1930. He died seven years later. SOLD
TWO PRETTY FASHIONABLE AND WELL ACCESSORIZED WOMEN : CARTE de VISITE
This carte de visite photograph features two pretty and fashionable women posing for their portrait at the Smale & Fowler studio. During his career, Smale operated studios in both Ottumwa and Des Moines, Iowa. Webster B. Smale (1858-1928) is listed in the Des Moines Business directory from at least 1889 through 1903. The women seen in this image are very well accessorized. Note their hats and the belt worn by the woman who is standing. Be sure to also note the hypnotizing pattern of the sitting woman’s skirt. SOLD
WOODWARD STOCK CO : ACTOR PORTRAIT : BY JAMES MATZEN : OMAHA, NEB : CABINET CARD


This is an original cabinet card photograph issued as a compliment of the Woodward Stock Company, New Auditorium, Omaha, Nebraska, and photographed by James Matzen of Omaha. The image features a young actor posed in a casual, reclining position across a wooden bench. He wears a light-colored ribbed turtleneck sweater, checked trousers, dark socks, laced boots, and a checkered flat cap. His gaze is directed confidently toward the camera, with a subtle, knowing smile that suggests both charm and theatrical poise. The relaxed pose contrasts with the formal studio background, giving the portrait a sense of personality and individuality. The photograph is well composed, with strong detail in the face and costume. His expression conveys ease and charisma—qualities likely intended to resonate with audiences of the Woodward Stock Company’s theatrical productions. The Woodward Stock Company was a leading theatrical troupe based in Omaha, Nebraska, during the late 19th and early 20th centuries. They performed at the New Auditorium, also known as the Omaha Auditorium, which opened in 1898 and became a center for local and traveling productions. The Woodward troupe featured a rotating cast of actors who appeared in a wide range of plays and dramas, and cabinet card portraits such as this were distributed as souvenirs and promotional pieces. The photographer, James Matzen, was a prominent Omaha studio photographer who produced cabinet cards and theatrical portraits. This cabinet card has light edge wear and age toning; back shows surface wear; and the image is clear with strong detail. (SOLD)
DO DO WATTS : BRITISH STAGE AND FILM ACTRESS : CAREER WOMAN
This vintage real photo postcard features British stage and film actress, Dodo Watts (1910-1990), She had one appearance on Broadway in “The Middle Watch” (1929).When she retired from acting, she became a career woman. She owned a successful millinery firm in London. She also worked as a casting director for three films. She cast Diana Rigg in her role in “The Avegers” television series. Watts also worked as a theatrical agent. The IMDb credits her with19 film credits between 1925 and 1953. This card was published by Picturegoer as part of a series (no.537). The photograph seen on this card was taken by George Mannell. His firm was located in London, England. SOLD
PORTRAIT OF TWO ADORABLE LITTLE GIRLS : FANCY HATS : PC PARIS : RPPC

This vintage real photo postcard captures two very adorable and beautifully dressed little girls. They have magnificent smiles and sparkling eyes. This postcard was produced by PC Parisas part of a series (No.1510). The P.C logo is an abbreviation for Papeteries d Levallois-Clichy. The firm published a variety of real photo postcard topics including portraits of pretty models, nudes, views, and holiday cards. The company was active in the 1920’s. SOLD

CARNIVAL GOERS : COSTUMED GROUP : CHILD IN TOP HAT : VINTAGE FRENCH RPPC

This striking real photo postcard captures a costumed group of three women and one child, posed in a studio setting. The scene has a theatrical, almost carnivalesque quality. Standing proudly atop a small round table, the young child wears a bold striped clown suit with a wide ruffled collar. A tall top hat, much too large for their small stature, dominates the composition and draws the viewer’s attention. The child’s calm, self-possessed gaze truly upstages the surrounding adults. Two women wear exotic turbans adorned with feathers and strings of beads, evoking an “Orientalist” fantasy style popular in the early 20th century. One woman (seated) wears a ribboned dress and jeweled headband, giving her a regal presence. Despite their elaborate costumes and serious expressions, they are visually overshadowed by the whimsical, confident child. The atmospheric painted studio backdrop suggests a cloudy sky, enhancing the theatrical tone of the composition. On the reverse, the postcard is printed with the words “Fabriqué en Angleterre” (Made in England). Along the left edge appear addresses of French distributors. A small star is in the center of the stamp box. The card is unused and unposted. This unusual postcard reflects the playful spirit of costume photography. (SOLD)

WWI SOLDIERS : PATRIOTIC : U.S. FLAG BACKDROP : RPPC 1904-1918
This original real photo postcard captures two World War I-era American soldiers posed proudly in front of a large U.S. flag backdrop. Both men wear their service uniforms complete with campaign hats, buttoned shirts, and breeches tucked into puttees or leggings. The soldier on the left is seated with legs crossed, hands resting naturally, and gazes directly at the camera. The standing soldier rests his hand casually on his comrade’s shoulder, creating a sense of camaraderie. The flag’s stars and stripes fill the background, adding a strong patriotic tone to the image. The reverse of this postcard has an AZO stamp box indicating that it dates back to between 1904 and 1918. The card’s style and subject matter suggest that the postcard likely dates to the World War I period (circa 1917–1919). SOLD

THREE ATTRACTIVE COUPLES IN INTIMATE POSE : SPORTY WOMEN HATS : (1918-1930)
This vintage real photo postcard features three attractive couples posing at an unidentified photography studio. The six men and women in this photograph are chock full of personality. Five of the six are flashing wonderful smiles. The women, in particular, appear to be having fun. All six subjects are fashionably dressed. The women are wearing sporty hats. This is an intimate portrait. The three couples seem to be very relaxed and appear to be good friends. This postcard has an AZO stamp box which indicates that the photo was taken sometime between 1918 and 1930. SOLD

















