This cabinet card portrait features pretty celebrated Italian ballerina, Carlotta Brianza (1867-c.1933). Note that the jewelry that is hanging from her necklace is shaped like a horse. It is also worth mention that this photograph is somewhat risque for the era. Brianza was born in Milan, Italy and was the prima ballerina at La Scala before going to Russia. She created a sensation in Luigi Manzotti’s ballet “Excelsior” as the Spirit of Light. She went to Russia in 1887 after completing a US tour. She was acclaimed for her work in “Sleeping Beauty” and “Esmerelda”. She returned to the west in 1891 when she became the prima ballerina for the Vienna Opera. She died in Paris under suspicious circumstances that suggest she committed suicide. This portrait was produced by celebrity photographer Benjamin J. Falk of New York City. To view other photographs by Falk, click on the category “Photographer: Falk”.
CARLOTTA BRIANZA: CELEBRATED ITALIAN BALLERINA (PORTRAIT BY FALK)
JENNIE JOYCE: TROUBLED STAGE STAR PHOTOGRAPHED BY FALK FOR NEWSBOY
This photograph, by celebrity photographer B. J. Falk, features stage star Jennie Joyce. She was photographed for the Newsboy tobacco company and the image was used as a premium to reward purchasers for buying Newsboy products. The image has a copyright date of 1891 and is number 307 in the Newsboy series. This photograph is risque for its era. Miss Joyce is showing much of her nearly bare legs and is exhibiting a sexually provocative pose. The New York Times (1892) published an article reporting that Jennie Joyce was sued by her husband for divorce. John E. Stanley’s request for a divorce was uncontested. The newspaper described Jennie Joyce as a variety actress and singer. An 1899 article in the same newspaper reported a story about problems in the marriage of Joyce and sportsman Phil Daly Jr.. Daly had told Joyce that he would be out all night but according to plan, returned home at two in the morning only to find his wife with another man (Phillip Wood). Daly fired a number of shots at Wood but missed. Daly’s parting shot was to file for divorce and end his five year marriage. The bad publicity caused by Joyce’s marital problems cause her to speculate in another 1899 Times article that she planned to leave the United States to perform pantomime in London until the fallout from her divorce had diminished. An additional conflict was in the news when the New York Times (1901) printed a story about Joyce successfully suing theatre manager, Alexander Hashim for unpaid salary. Jennie Joyce was clearly a gossip magnet for the press and she provided them with a lot of material. SOLD
RADIANT ACTRESS: CISSY FITZ GERALD (ONE OF THE GAIETY GIRLS)
B. J. Falk, the celebrity photographer from New York City, produced this cabinet card portrait of Cissy Fitz Gerald (1873-1941). Fitz Gerald was an English American vaudeville and film actress, dancer, and singer. She appeared in both silent and sound films. Her first movie was made in 1896 by Thomas Edison. In 1914 she signed with the Vitagraph company. The IMDb lists a filmography of seventy films spanning from 1914-1932. Her movies included a film series entitled “Cissy”. Her nickname was “girl with the wink”. She is described by the website of the Victoria and Albert Museum (London, England) as one of the original “Gaiety Girls” of the 1890’s. These actresses tended to appear in the choruses of productions. The web based museum exhibit describes the “Gaiety Girls” as “fashionable elegant young ladies and not at all like the corseted actresses from the burlesques”. The exhibit also declares that the “Gaiety Girls” were polite, beautifully dressed and well behaved young women, who were much sought after by the ‘stage door Johnnies’ of the 1890’s”. As apparent in the photograph; Ms Fitz Gerald was quite a beautiful woman and had a beautiful smile. She was, simply put, a radiant woman. This photograph was formerly owned by Culver Service, a company that commercially provided celebrity photos to different modes of media. The photographs reverse has a stamp indicating ownership by the Culver company. To view other photographs by B. J. Falk, click on the category “Photographer: Falk”.
CHARLES J. FOLGER: SECRETARY OF THE TREASURY UNDER PRESIDENT CHESTER ARTHUR
UThis cabinet card features Charles James Folger (1818-1884) who was an American lawyer and politician. He served as Secretary of the Treasury under President Chester Arthur. Folger was born in Nantucket, Massachusetts but lived most of his life in Geneva, New York. He attended Hobart College. His political career includes judgeships and some terms in the New York State Senate (1862-1869). While in the state senate, he served four years as President Pro Tempore. In 1869 he left state government after being appointed by President Ulysses Grant as the Assistant U.S. Treasurer. In 1870, he became a judge of the New York Court of Appeals and eventually became the Chief Judge. H eft the judgeship in 1881 to serve as Secretary of the Treasury, and during that tenure, he ran for Governor in New York against future U.S. President, Grover Cleveland. Folger had many accomplishments and he has just added a new honor to his legacy. Folger’s wonderful muttonchops, qualifies him to join the facial hair elite in the category of “Beards (Only the Best)”. Click on the category to view unusual styles of facial hair. This portrait was photographed by Falk, a well known New York City, celebrity photographer. To view other photographs by Falk, click on the category “Photographer: Falk”. A stamp on the reverse of this cabinet card reveals that it was formerly owned by Culver Pictures of New York City, New York. Culver Pictures has been collecting photographs and illustrations from the 19th and first half of the 20th century, since 1926. These pictures are used in books, films, and other forms of media. At the time that this cabinet card was stamped by the company, Culver Pictures was located in New York City.
UNIDENTIFIED ACTRESS PHOTOGRAPHED BY FALK IN NEW YORK CITY (BELLE ARCHER?)
This cabinet card features an unidentified flower adorned actress. She is photographed by Falk, a well known celebrity photographer in New York City. The photograph is dated 1886. To view other photographs by Falk, click on the category “Photographer: Falk”. ADDENDUM: An informed visitor to the cabinet card gallery has identified this actress as Belle Archer (see comment below).
PORTRAIT OF AN UNIDENTIFIED ACTRESS
This pretty woman sat for this cabinet card portrait in the New York City studio of celebrity photographer, B. J. Falk. The photograph is a bit risque for its time. The young woman is showing her bare arms and her shoulder is also exposed. To increase the sexual tension in this photograph, the actress is projecting a “come hither look”. To view other photographs by Falk, click on the category “Photographer: Falk”.
MINNIE DUPREE: AMERICAN STAGE AND FILM ACTRESS
Photograph 1
Photograph 1 is a cabinet card portrait of Minnie Dupree (1873-1943). She was an American stage and film actress. She was born in La Crosse, Wisconsin. She made her acting debut in a touring company in 1887. In 1888, she was a sensation in a small role in William Gillette’s New York play. “Held by the Enemy”. This role propelled her into a number of supporting roles with the some of the leading actors of the day. She finally got a starring role in the 1900 production of “Women and Wine”. Many other leading roles followed as well as a number of notable successes. However, critics agreed that her later career was less successful than her early and middle career. Dupree also made a small number of films including “The Young in Heart” (1938). Costars in this film included Janet Gaynor, Douglas Fairbanks Jr., Billie Burke, and Paulette Goddard. This cabinet card photograph captures Miss Dupree holding her had and looking dreamily away from the camera. The photograph was taken by celebrity photographer, B. J. Falk. Falk’s address is listed as 949 Broadway, New York City. However, there is a light stamp over the Broadway address indicating that the studio had “removed” to 13 & 15 West 34th Street, New York City. To see other photographs by Falk, click on the category “Photographer: Falk”.
Photograph 2 is a vintage real photo postcard featuring Miss Dupree. The image provides a wonderful close-up view of the actress. She is wearing a fancy dress that is low-cut. Note her pearl necklace. Her hair is styled perfectly, providing a very fresh and clean look. The photographer credited with this fine portrait is celebrity photographer, Jacob Schloss (1856-1938). His studio was located in New York City (Manhattan). He received his education at the Cooper Union in New York City. He graduated in 1872 as an etcher. He joined Benjamin J. Falk’s photography studio and worked there in the mid 1870’s. He left Falk’s employ to open his own studio (54 West 23rd Street) where like Falk, he specialized in theatrical photography. He tended to favor photographing actresses in costume in front of generic studio furnishings. He produced many cabinet card photographs but also was active in the production of magazine images. By the 1890’s he was particularly known for his photographs of beautiful women, much like photographer Jose Maria Mora. Schloss also was an activist for photographers rights. He was very involved in the movement to copyright images. He sued those who used his photographs without crediting or paying him. He was an active participant in national photographer associations and was an worked as a photographer until the 1910’s. The photograph was published by the Rotograph Company as part of the “Rotograph Series” (no.B1844). The postcard has a stamp stating “From Robert S. Simmons”, whom I believe, but can not confirm, was a well known collector of photographs. (SOLD)
“A BRILLIANT FUTURE SACRIFICED FOR A LIFE OF EXCITEMENT” (1894): STAGE STAR MARION MANOLA
Marion Manola (1865-1914) is the subject of this cabinet card photograph by celebrity photographer, Benjamin Falk. Manola was born in Cleveland, Ohio. She was a popular comic opera star during the late 1880’s and 1890’s. The New York Times (1894) featured a headline stating “A Brilliant Future Sacrificed for a Life of Excitement” referring to Ms. Manola. The newspaper reported that the theatrical community was upset by the actress’s “insanity”. She was described as one of the more popular singer/actresses on American stage. She was known to be a bit eccentric but she was “heartily liked by everybody”. She was described as light hearted, having a joyous nature, and as vivacious. She was discovered by Colonel John A. McCaull, who cast her in a comic opera company. She aggressively pursued her career and had “late suppers”, “early rehearsals”, and worked hard. The stress of her theatrical life caused her to become irritable, fretful and difficult to manage. When her theatre company dissolved, she joined De Wolff Hopper’s company where she became the prima donna. After about a year she lost her job because of difficulty with a manager. She then went to Europe where she played the role of Maid Marion in “Robin Hood”. While in Europe she met her soon to be second husband, John Mason. Mason had his own personal problems including a great deal of debt. They joined a comic opera company in Boston but they quickly lost their jobs due to problems getting along with management. They organized their own company but it went bust. Manola’s mind began to fail and it became known that she had a opium habit. The press had a field day covering Ms. Manola’s psychiatric and substance abuse difficulties, as well as her entry into a rehab facility. Does any of this sound familiar? Think about the press coverage of Lindsay Lohan or a number of other celebrities of today who experience emotional or addiction problems. Manola also made her mark in the courts. In fact, Judge Louis Brandeis, one of America’s great Justices, was involved in an interesting and important case Manola brought to the legal system. The actress brought suit against a theatre manager and a photographer because she was photographed on the stage, without permission, while wearing an outfit (tights) she felt were too immodest to be photographed in. After being photographed, she ran off the stage in distress. The court supported Ms Manola’s suit and forbid the photographs from being distributed. The court took the position of there being a need for morality in the press. Some skeptics felt that the actresses real issue with the photographs had more to do with her not getting financially compensated for the photographs, rather than her claims that her privacy was violated. To view other photographs by Benjamin Falk, click on the category “Photographer: Falk”.
CATHOLIC CLERGYMAN PORTRAIT (BROOKLYN CATHOLIC PHOTO COMPANY)
Sarony, Falk and Mora were photographers known to specialize in photographing famous theatre personalities. Eisenmann is a photographer associated with portraits of circus and sideshow performers. A. & G. Taylor was on of several British photographers known as “Photographers to the Queen”. This cabinet card represents the work of a photographic studio that claimed “Clergymen’s Photographs a Specialty”. The reverse of this cabinet card has an elaborate back stamp of the “Brooklyn Catholic Photo. Co.”. The front of the cabinet card indicates the photographer was Robert McElligott and that his studio was in New York City, New York. The relationship between McElligott and the Brooklyn Catholic Photo Company is unknown, and research has not yet been fruitful in obtaining additional information. Hopefully, the vast unpaid research department of the Cabinet Card Gallery knows, or can locate relevant illuminating information about the studio and photo company listed on this cabinet card. This cabinet card image presents a portrait featuring a priest in his religious garb. Perhaps the subject is not a priest but instead someone who holds another type of religious role in the church?
FRANCIS WILSON: EARLY AMERICAN THEATRE STAR, PLAYWRIGHT, AND AUTHOR
Francis Wilson (1854-1935) was an American actor born in Philadelphia, Pennsylvania. He began his career in minstrel shows but by the time he was 24 year-old he was playing in Philadelphia’s Chestnut Theatre. He worked several years in regular comedy and later took up opera, most successfully in “Eminie” (1886). He later starred in “The Oolah” (1889), The Lion Tamer (1891), The Little Corporal (1898), and then in a play that he authored, “The Bachelor’s Baby (1909). Wilson authored additional plays as well as books. He wrote books about fellow actors Joseph Jefferson and John Wilkes Booth. He also penned an autobiography. The photographer of this cabinet card portrait of the handsome Wilson, is Falk, a photographer known for his celebrity portraits. To view other images by Falk, click on this site’s category “Photographer: Falk”. To see other cabinet card images of actors, click on the category “Actors”.
THE CABINET CARD GALLERY 