THE CABINET CARD GALLERY

VIEWING HISTORY, CULTURE AND PERSONALITIES THROUGH CABINET CARD IMAGES

BLANCHE WALSH : PRETTY STAGE AND FILM ACTRESS IN NEW YORK CITY

This vintage real photo postcard features stage and film actress, Blanche Walsh (1873-1915). Walsh was born in the lower east side of New York City. Walsh’s father was a Tammany Hall (New York City) politician and prison warden. His name was Thomas Power “Fatty” Walsh. Miss Walsh was an active actress between 1888 and 1915. Blanche Walsh made her stage debut at 15 years of age in 1888. She joined Charles Frohman’s stock company. She was a supporting actress for the likes of Marie Wainwright and William Gillette. She toured Australia with actor Nat Goodwin in 1896. Walsh became popular playing “emotional” roles and succeeded Fanny Davenport when she became too ill to perform in such roles. In fact, many fans believed that Walsh closely resembled Davenport in appearance.  Walsh than began being tasked in more challenging roles such as in her performances in “The Woman in the Case” (1905) and in Tolstoy’s “The Kreutzer Sonata” (1904). Walsh appeared in ten Broadway productions between 1895 and 1907. A reviewer in “Variety” (1918) wrote that Walsh ” was not only a great actress, but an artist enough to subordinate whatever personal charms she might have had to a proper characterization of a role”. Blanche Walsh only appeared in one film. She was a well respected American actress. Her only film was Resurrection (1912). The film was based on one of Leo Tolstoy’s novels. The film helped Adolph Zukor launch his movie company, Famous Players Studio. It later became Paramount. She was one of the first stage stars to appear in a long feature film (over 50 minutes). Miss Walsh had two marriages. Her first husband, Alfred Hickman (1873-1931) was an English actor who appeared in thirty-five films. Walsh had no children. She was one of the original advocates of an American National Theater where people could see major plays at a low price. Walsh had significant health problems during her career. She had several hospitalizations. She died at 42 years of age from kidney problems. This vintage postcard was published by the Rotograph Company as part of the “Rotograph Series” (No. B 506)  The photographer was Jacob Schloss (1856-1938) and his studio was located in New York City.   Schloss received his education at the Cooper Union in New York City. He graduated in 1872 as an etcher. He joined Benjamin J. Falk’s photography studio and worked there in the mid 1870’s. He left Falk’s employ to open his own studio (54 West 23rd Street) where like Falk, he specialized in theatrical photography. He tended to favor photographing actresses in costume in front of generic studio furnishings. He produced many cabinet card photographs but also was active in the production of magazine images. By the 1890’s he was particularly known for his photographs of beautiful women, much like photographer Jose Maria Mora. Schloss also was an activist for photographers rights. He was very involved in the movement to copyright images. He sued those who used his photographs without crediting or paying him. He was very involved in national photographer associations and was an active photographer until the 1910’s.   SOLD

 

 

 

 

 

 

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Published in:
  • actress
  • Actresses
  • Real Photo Postcard (RPPC)
  • Rotograph Company
on November 13, 2019 at 12:01 pm  Comments (2)  
Tags: Adoopl Zukor, American National Theater, Blanche Walsh, Fanny Davenport, Jacob Schloss, Leo Tolstoy, Resurrection, William Gillette

LORRAINE DREUX: PRETTY STAGE ACTRESS DIES YOUNG AND TRAGICALLY

CABINET CARD 1   (SOLD)

dreux

CABINET CARD 2  (SOLD)

dreux 1

CABINET CARD 2 (CLOSE-UP)  (SOLD)

This cabinet card is a portrait of theatre actress, Lorraine Dreux. The  image is part of the Newsboy Series (#385) and was published in New York City. The Newsboy series was used for advertising purposes by the Newsboy Tobacco Company. Celebrity photographs were given away as premiums upon the sale of tobacco products.To view other Newsboy photographs, click on the category “Newsboy”. Ms. Dreux looks like she ran through the woods in order to arrive at the photography studio in a timely fashion. She has twigs and leaves on her head and even is wearing a necklace of branches around her shoulders. It seems she is modeling “the natural” look. Her eyes are looking upward, as if to say, “Am I really wearing sticks and leaves?”. Who was Lorraine Dreux? The Illustrated America (1893) describes her as “young and pretty, with soft dark eyes, a tremulous little mouth, and a dazzling complexion”. She was born in Marquette, Michigan, of well to do parents. Her father did a great deal of business in the East and she spent much time on the banks of the Hudson River in New York. She was educated at home by a governess supervised by Dreux’s beautiful mother. She decided that she wanted to be an actress while in her early teens. Her parents reluctantly gave her permission and her first experience acting occurred while she was in London, England, with her mother. She was engaged by Mr Charles Wyndham to play comedy parts in London stage shows. She next joined the London Globe Theatre Stock Company playing sentimental roles. She then joined an English traveling theatre company. She soon returned to America and appeared in a number of plays, including “Ninety Days” with William Gillette. The article closes with the prediction that Dreux would be a successful actress in America because she possessed both beauty and talent. The New York Times (1894) reported on Dreaux’s appearance in “Lem Kettle” at the Bijou theatre. She also appeared in “Rush City” (1894) which was staged in Brooklyn (New York), and also in “Nance Oldfield” (1896) in New York. The latter show starred Rose Coghlan and her portrait can be seen in the Cabinet Card Gallery by placing her name in the “search box”. Dreux appeared in one Broadway production, “The Spectator” (1896). The New York Dramatic Mirror (1908) reported the tragic death of Lorraine Dreux. She was described as a well known and capable leading women of many stock companies outside of New York City. She died in New York’s Bellvue Hospital at age 35. The article reports that she “had fallen on evil days” and was “too proud to let her friends know of her plight”. She let an illness go till it turned  into acute pneumonia which led to her death. Her last two engagements were in Worcester, Massachusetts and Rochester, New York. She received excellent reviews for her acting in both productions. However, her wardrobe was stolen and she was criticized for the way she dressed for her part in Rochester. She returned home “down hearted and discouraged” and sick, penniless and homeless. She met an old friend on the streets of New York who took her home to be fed and cared for but her condition worsened. A collection was made from other actors and actresses and the money was used to admit her to Bellvue Hospital where she died. Aid from the Actors Fund paid for her funeral and burial at Evergreen Cemetery.                                                                                                                                                                                                                                                                 The second cabinet card portrait above, features Lorraine Dreux and her “Bette Davis eyes”. In this photograph, Miss Dreux has remarkable striking eyes. She is gazing directly at the camera. Many cabinet card portraits of actresses captures them with averted gaze. For example, the majority of cabinet card images of Sarah Bernhardt, that I have seen, has the celebrated actress staring away from the camera.  Modern neuroscience has demonstrated that people find attractive faces with direct gaze are “more rewarding” than faces with averted gaze. This particular cabinet card is a bit risque as a result of Dreux’s relatively plunging neckline. This portrait was taken by Benjamin Falk, the celebrated New York celebrity photographer.  (SOLD)

dreux 2

CABINET CARD 2

Published in:
  • Actresses
  • Photographer: Newsboy
on March 17, 2018 at 12:01 am  Leave a Comment  
Tags: Actors Fund, Bellvue, Bellvue Hospital, Bijou Theatre, Broadway, Charles Wyndham, Evergreen Cemetery, Lem Kettle, London, London Globe Theatre, Lorraine Dreux, Marquette, New York City, Newsboy, Ninety Days, Rochester, The Spectator, William Gillette, Worcester

BLANCH WALSH: STAGE ACTRESS IN PROVOCATIVE POSE (PUBLISHED BY NEWSBOY)

BLANCH WALSH_0008This cabinet card photograph of actress, Blanch Walsh, was published by Newsboy and was given as a premium to buyers of  the company’s tobacco products. The photograph was number 12 of a series of celebrity photographic portraits. This particular photograph is particularly provocative and risque. Miss Walsh is exhibiting a great deal of exposed skin. Her pose and expression add to the subliminal sexuality. Miss Walsh is costumed as if to portray a gypsy. Note her jewelry. She is wearing a chain around her neck and multiple bracelets on her left arm. To view other theatrical images by Newsboy, click on category “Photographer: Newsboy”. Blanch Walsh (1873-1915) was a highly regarded American stage actress. She also appeared in one film, “Resurrection” (1912). She was born in New York City and educated in the public schools. Her father was T. P. Fatty Walsh, a Tammany politician and prison warden (The Tombs). Her stage debut was in 1888. She worked in the Charles Frohman Company as well as the William Gillette Company. She looked like a younger version of stage star Fanny Davenport. When Miss Davenport was ill for some time before dying in 1898, Blanch Walsh was given a number of her emotional roles. To view photographs of Miss Davenport, write Fanny Davenport in cabinet card gallery’s search box. Walsh’s most sensational role was as Maslova in Tolstoy’s “Resurrection” (1903). She also received much acclaim for her performance in “The Woman in the Case” (1905). The New York Times printed an article about Walsh upon her post surgical death. She was viewed as a major actress who likely would have risen to greater heights in the theater world if her life had not been cut short by her unfortunate early demise.

Published in:
  • Actresses
  • Gypsies
  • Photographer: Newsboy
on February 2, 2013 at 12:01 am  Comments (1)  
Tags: Blanch Walsh, Charles Frohman, Fanny Davenport, Fatty Walsh, Gypsy, Maslova, Newsboy, Resurrection, Tammany Hall, Tolstoy, William Gillette

MINNIE DUPREE: AMERICAN STAGE AND FILM ACTRESS

                                                      Photograph 1
PHOTOGRAPH 2 (SOLD)

Photograph 1 is a cabinet card portrait of Minnie Dupree (1873-1943). She was an American stage and film actress. She was born in La Crosse, Wisconsin. She made her acting debut in a touring company in 1887. In 1888, she was a sensation in a small role in William Gillette’s New York play. “Held by the Enemy”. This role propelled her into a number  of supporting roles with the some of the leading actors of the day. She finally got a starring role in the 1900 production of “Women and Wine”. Many other leading roles followed as well as a number of notable successes. However, critics agreed that her later career was less successful than her early and middle career. Dupree also made a small number of films including “The Young in Heart” (1938). Costars in this film included Janet Gaynor, Douglas Fairbanks Jr., Billie Burke, and Paulette Goddard. This cabinet card photograph captures Miss Dupree holding her had and looking dreamily away from the camera. The photograph was taken by celebrity photographer, B. J. Falk. Falk’s address is listed as 949 Broadway, New York City. However, there is a light stamp over the Broadway address indicating that the studio had “removed” to 13 & 15 West 34th Street, New York City.  To see other photographs by Falk, click on the category “Photographer: Falk”.

Photograph 2 is a vintage real photo postcard featuring Miss Dupree. The image provides a wonderful close-up view of the actress. She is wearing a fancy dress that is low-cut. Note her pearl necklace. Her hair is styled perfectly, providing a very fresh and clean look. The photographer credited with this fine portrait is celebrity photographer, Jacob Schloss (1856-1938). His studio was located in New York City (Manhattan). He received his education at the Cooper Union in New York City. He graduated in 1872 as an etcher. He joined Benjamin J. Falk’s photography studio and worked there in the mid 1870’s. He left Falk’s employ to open his own studio (54 West 23rd Street) where like Falk, he specialized in theatrical photography. He tended to favor photographing actresses in costume in front of generic studio furnishings. He produced many cabinet card photographs but also was active in the production of magazine images. By the 1890’s he was particularly known for his photographs of beautiful women, much like photographer Jose Maria Mora. Schloss also was an activist for photographers rights. He was very involved in the movement to copyright images. He sued those who used his photographs without crediting or paying him. He was an active participant in national photographer associations and was an worked as a photographer until the 1910’s. The photograph was published by the Rotograph Company as part of the “Rotograph Series” (no.B1844). The postcard has a stamp stating “From Robert S. Simmons”, whom I believe, but can not confirm, was a well known collector of photographs. (SOLD)

POSTCARD 2 (REVERSE) (SOLD)

Published in:
  • actress
  • Actresses
  • Photographer: Falk
  • Photographer: Schloss
  • Real Photo Postcard (RPPC)
  • Rotograph Company
on July 31, 2011 at 12:01 am  Comments (2)  
Tags: Billie Burke, Douglas Fairbanks, Dupree, Falk, Jacob Schloss, Janet Gaynor, La Crosse, Minnie Dupree, Paulette Goddard, Rotograph, William Gillette, Wisconsin
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