This cabinet card features a young woman dressed in a gypsy costume and waving a tambourine. Note her spectacles. The photographer and the studio’s location is unidentified. Close examination reveals slight scruffing on her dress just below her waist. (SOLD)
This vintage provocative real photo postcard features a pretty young woman sitting on a loveseat, and beckoning for the attention of someone outside the range of the camera. She is offering that person a bouquet of dark flowers. The woman is dressed in a risque fashion. Her attire is not exactly everyday wear. One wonders if she is wearing a costume portraying a gypsy, or is perhaps, a flapper. The pictured woman is showing more bare skin than would normally be expected from a woman of this era. Note her unusual and interesting head covering. The AZO stamp box on this postcard reveals that it was produced sometime between 1918 and 1930. The postcard is in very good condition (see scans).
Buy this Vintage Real Photo Postcard (includes shipping within the US) #3398
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Buy this Vintage Real Photo Postcard (includes International shipping outside the US) 3398
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This vintage real photo postcard features a studio portrait of a young woman dressed in a gypsy costume. She is wearing two necklaces and a number of bracelets. Note her head scarf and fabric belt. The stamp box on this postcard reveals that it was produced by K Ltd. which operated between 1918 and 1936. There is a dated inscription on the reverse of the card. This postcard is dated 1922. (SOLD)
This vintage real photo postcard features a pretty young girl who is dressed like a gypsy. I would guess that she is in her teenage years. The girl is leaning on, and looking over a wooden fence. She is wearing a lot of jewelry including a bracelet, beads, and a thin chain with a heart shaped charm. I am unsure, but it appears that she is wearing a long necklace with cherries hanging from it. It is also possible the “cherries” are actually pins on her dress. The young lady is very fashionable. Note the fabric sash around her waist. This image was photographed by the Wilson Studio in Astoria, Oregon. Note the imprint on the front of the card with the Wilson Studio credit. The postcard has an Astoria postmark stamped in 1922. The Swedish Finn Historical Society’s website includes a 2016 publication with an article about photographer, Fred C. Wilson. He was born in Astoria in 1888. His parents immigrated from Finland and they settled in Astoria in 1881. Fred became a successful photographer and won many honors. As a young man he was involved in sports, including baseball, football, and golf. He also played in community bands. In 1909 Wilson bought the Carter Photographic Studio. He had previously worked with photographer A. A. Saari. In 1913 he married Agnes Karinen. Fred died in 1943.
SOLD
This cabinet card photograph of actress, Blanch Walsh, was published by Newsboy and was given as a premium to buyers of the company’s tobacco products. The photograph was number 12 of a series of celebrity photographic portraits. This particular photograph is particularly provocative and risque. Miss Walsh is exhibiting a great deal of exposed skin. Her pose and expression add to the subliminal sexuality. Miss Walsh is costumed as if to portray a gypsy. Note her jewelry. She is wearing a chain around her neck and multiple bracelets on her left arm. To view other theatrical images by Newsboy, click on category “Photographer: Newsboy”. Blanch Walsh (1873-1915) was a highly regarded American stage actress. She also appeared in one film, “Resurrection” (1912). She was born in New York City and educated in the public schools. Her father was T. P. Fatty Walsh, a Tammany politician and prison warden (The Tombs). Her stage debut was in 1888. She worked in the Charles Frohman Company as well as the William Gillette Company. She looked like a younger version of stage star Fanny Davenport. When Miss Davenport was ill for some time before dying in 1898, Blanch Walsh was given a number of her emotional roles. To view photographs of Miss Davenport, write Fanny Davenport in cabinet card gallery’s search box. Walsh’s most sensational role was as Maslova in Tolstoy’s “Resurrection” (1903). She also received much acclaim for her performance in “The Woman in the Case” (1905). The New York Times printed an article about Walsh upon her post surgical death. She was viewed as a major actress who likely would have risen to greater heights in the theater world if her life had not been cut short by her unfortunate early demise.
R. F. Snyder of Elmira, New York produced this cabinet card photograph of a young gypsy woman. One can not be certain whether this image displays a young gypsy woman, or a young woman dressed to appear as a gypsy. She is wearing the appropriate ethnic clothing and is holding cymbals. The reverse of the photograph has a copyright date of 1889. This cabinet card does not represent good quality posing skills on the part of the photographer. The subject was photographed at too great a distance and she is consumed by the large blank expanse of the floor beneath her and the wall behind her. Ralph F. Snyder was born about 1852 in Berwick, Pennsylvania. His father, John Snyder, was a photographer. Ralph Snyder began his photography career at age 18 and soon had a studio in Scranton, Pennsylvania (1873). He also worked in Philadelphia before coming to Elmira, New York to open his gallery. His studio in Elmira was located at 116 Baldwin (1891).
This cabinet card appears to be an image of a group of girls who are members of a cast of a school play. The girls are dressed in ethnic costumes. The girl sitting closest to the photographer is dressed beautifully in gypsy garb. Two individuals in this image appear to be adults and one may surmise that they are the teachers who are directing the show. Two of the girls are holding flowered hoops. A sign made up of leaves or vines indicate that this photograph was taken in 1883. Next to the date, two letters are hanging. The letters are either “MC” or “HC”, which may be an abbreviation of the school or group that is putting on the production. The name and location of the photographer is unknown since a prior owner of this cabinet card trimmed the edges to fit into an album or frame.
This cabinet card captures a gypsy woman with her tambourine held above her head. She is wearing multiple bracelets and necklaces, as well as linked chains. She is wearing what appears to be a head scarf, stockings, and a very interesting cloth belt. She may be an actual gypsy, or perhaps an actress in costume. The photographer is H. M. Finley of Canandagua, New York. Canandaigua is located in the Finger Lakes region of New York. Horace M. Finley (1839-?) was born in Canandaigua and educated in local schools. After completing school he worked for his father’s photographic studio. His father, Marshall Finley, was a co author of one of the first American photography books (1849). Horace Finley worked as a photographer for many years; he was listed as an artist, or photographer, in the census’s of 1860 through 1900. To view other photographs by Finley, click on category “Photographer: Finley”.
This Cabinet Card features two sweet girls dancing and playing tambourines. They appear to be gypsies and are wearing traditional ethnic clothing. The photographer is Olga and the studio is located in Oravicza, Romania.
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