This vintage real photo postcard features a portrait of an adorable little girl posing with her cute dog. The dog is captured by the photographer in a loving pose with the canine’s paws atop the little girl’s shoulders. The postcard was published in France but has a Belgian stamp and postmark (La Louviere). The postmark and the message from the sender indicates that the postcard was written and sent in 1913. .
This cabinet card photograph features a very handsome couple posing at the L. Lang Jeune studio in Montelimar, France. The image may be a wedding photo. The gentleman in this photograph strikes a dashing figure in his military dress uniform and boots. His wife appears delicate and pretty. She is bright eyed and displaying a nice smile. Advertising on the reverse of the cabinet card indicates that the studio that created this image was founded in 1869 and had won a medal at an exhibition in 1909, SOLD
Can a baby be poised? If so, than the baby in this photograph certainly seems poised. The child actually has a “stage presence”. He or she is a perfect candidate for doing television commercials. Unfortunately television is decades away from being invented, so this child must settle for still photography. The baby in this photograph is very well posed. The baby is adorable and the positioning and lighting is terrific. The skilled posing also helps this image get past the Corbie Cabinet Card Censoring Committee (otherwise known as the C.C.C.C.C).. The photographer of this image is the David studio in Corbie, France. Corbie is a town in the north of France. attentive baby
The previous owner of this photograph described the subjects in the image as World War I French Cavalry soldiers. The soldiers are wearing collar pins that identify their military unit as being the “29th”. They are drinking glasses of wine from a bottle on the table. The men have long swords and there are three helmets on the floor in front of the men. My uneducated guess is that these military men are part of a fencing team. There is a within the photograph which would provide more information but I can not decipher the script on the label. A stamp on the reverse of the photograph identifies the photographer as Moraux and the location of his studio as Provins, which is in north central France. Assistance is clearly needed from the cabinet card gallery’s vast and unpaid research department. The visitors to the cabinet card gallery have a history of contributing informed and thoughtful knowledge via their comments. Knowledge that helps us further our appreciation and understanding of the gallery’s images.
This cabinet card photograph captures a young woman holding a theater (carnival) mask. It is very likely that this smiling woman is an actress and that she is wearing a theater costume. Her dress is very unique and interesting. Hoperfully, some of the fashion informed visitors to the cabinet card gallery will leave commentary about the subject’s attire. The cabinet card gallery is fortunate to have so many visitors willing to leave interesting and educational comments. This photograph was produced by A. Regis who operated a gallery in Nice, France.
Photographer J. Marmand produced this cabinet card photograph of an intellectual family in Montluel, France. Montluel is in eastern France on the outskirts of Lyon. This appears to be an early cabinet card from the 1870’s. The father in this image is holding a newspaper or magazine with a headline that appears to say “La Decentralisation”. This refers to a system of government in which power is exercised by both the state and it’s communities or institutions. The mother in this portrait is displaying a “thinking pose”. The father has no need to pose; he naturally has the appearance of an intellectual. The couple’s son is well dressed and well groomed and looks very serious and mature. Note the pile of books and the bust on the table. These props add to the scholarly climate portrayed in this photograph.
This cabinet card photograph features a young girl posed to look like a cherub. This angelic child has wings and a whimsical expression. The photographer is Charles Reutlinger who operated a studio in Paris, France. Reutlinger was quite renowned, especially for the many wonderful portraits he produced featuring beautiful European actresses and dancers. To view other photographs by Reutlinger, click on the category “Photographer: Reutlinger”. I can not identify the “T” shaped band-aid looking object on the child’s right shoulder. Hopefully, a cabinet card gallery visitor will leave a comment explaining the mystery object.
Paola Marie was a well known and talented French opera star. She was the sister of opera star Irma Marie. The publication “Every Saturday” (1874) tells an interesting tale about the performer. She was appearing in Bordeaux, France when an oversight or practical joke occurred in the printing of a notice advertising that her engagement was about to come to an end. The sign said that “Mlle Paola Marie was expiring on “friday next”, and there would be only four more performances of “The Perichole”. The notice should have said that the performance of the opera was about to expire. Upon reading about the star’s impending death, her faithful fans came out in mass, carrying many bouquets of flowers, to pay their “last homage” to the popular actress. The photographer of this cabinet card, Mora, was a celebrity photographer located on Broadway, in New York City. To see other photographs by Mora, click on the category, “Photographer: Mora”.
Chavita is captured in this Cabinet Card by famed Paris Photographer, Reutlinger. This beautiful woman is wearing a mantilla and holding a spanish fan. She is wearing a Spanish lace dress and is clearly in a corset. She danced at the opera=comique and was known for her “spicy numbers”. More information will be added when research uncovers further biographical information on this star of the Paris stage. To view other photographs by Charles Reutlinger, click on the category “Photographer: Reutlinger”.
THE CABINET CARD GALLERY 