PORTRAIT OF FIVE UNIFORMED POLICE OFFICERS IN SOMERSWORTH, NEW HAMPSHIRE

This vintage photograph features five uniformed police officers posing for their portrait in Somersworth, New Hampshire. These lawmen appear very serious judging by their expressions. Mustaches must have been in vogue considering that only one of the five men is without one. The photographer of this image was Burton Etter. He was born in 1863 in Nova Scotia, Canada. He became a naturalized US citizen in 1881. He married Helen M Mason in 1892. It was his second marriage. His first marriage (1885-1891) ended in divorce. In an 1886 business directory he is listed as an employee in a boot factory. At least by 1892 he was working as a photographer in Dover, New Hampshire. His name appears in Dover directories as a proprietor of a photography studio through 1909. After that time, he moved to San Francisco where he worked as a photographer at least until 1930. He was still alive at the time of the 1940 US census. Photographer guides indicate that Etter had other studios besides the ones in Dover and Somersworth. This is a terrific occupational/police photograph.  (SOLD)

Published in: on October 11, 2017 at 12:00 pm  Leave a Comment  
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YOUNG CHILD WEARING FANCY ATTIRE IN PORTSMOUTH, NEW HAMPSHIRE

This cabinet card features a portrait of a young child wearing fancy clothing. Note the large bow tie and the sash with tassels that serves as a belt. The photographer of this photograph is E. C. Nickerson. His studio was located in Portsmouth, New Hampshire. He is no stranger to the Cabinet Card Gallery. You may view more of his photographs by clicking on the category “Photographer: Nickerson”. Among his photographs are portraits of firemen. Nickerson’s name is listed in a number of Portsmouth directories from 1888 through 1892.   (SOLD)

Published in: on June 2, 2017 at 12:00 pm  Comments (1)  
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AMOS RHEAUME AND FAMILY POSE FOR PORTRAIT IN KEENE, NEW HAMPSHIRE

keane familyAmos Rheaume and his family pose for their portrait at the studio of W. G. Freeman in Keene, New Hampshire. Amos and his wife and three children comprise an attractive family. W. G. Freeman was a photographer in Keene between 1901 and 1905. At some point he moved his business to Bellow Falls, Vermont where he appears in city directories from at least 1910 through 1918.  (SOLD)

 

Published in: on December 29, 2014 at 12:34 pm  Comments (1)  
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PORTRAIT OF A PRETTY WOMAN IN DOVER, NEW HAMPSHIRE

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A pretty and nicely dressed woman poses for her portrait at the Drew studio in Dover, New Hampshire. The subject of this image enjoys her jewelry as can be seen by her ring and the bracelets on both of her wrists. To learn more about A. P. Drew and to view more of his photographs, click on the category “Photographer: Drew”.

Published in: on February 19, 2014 at 12:17 pm  Leave a Comment  
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ATTRACTIVE AND FASHIONABLE COUPLE IN LOWELL, MASSACHUSETTS (FEMALE PHOTOGRAPHER WITH PHOTOGRAPHIC GENES)

An attractive and fashionable couple stand in front of the camera in this portrait by Duclos. The gallery was located in Lowell, Massachusetts. The couple in this photograph are very well dressed and likely affluent. The couple are unidentified. This is a lovely image but there was an error made in setting up the couple’s pose. Take a close look and see if you can find the photographer’s mistake. I will describe the error in the second-to-last sentence of this paragraph. There is only sketchy information about the photographer of this image. However, the information is pretty amazing. An article in the Nashua Telegraph (1909) is entitled “DUCLOS FAMILY OF PHOTOGRAPHERS: THREE GENERATIONS OF PICTURE TAKERS”. The story reveals that the family of Mr and Mrs Alphonse Duclos of Lowell,was a family of photographers. Both father and mother were photographers and each of their six children “have charge” of photography studios. Each of the married children were married to photographers and the one and only grandchild (age 12) was considered a prodigy photographer. The article reports where each of the members of the Duclos family worked as photographers. Sadie Duclos is the family member who operated studios (2) in Lowell. When setting up the pose and while photographing this image, Sadie did not notice one of the woman’s shoes sticking out from under her dress. To view the work of other female photographers, click on the category “Female Photographers”.

Published in: on August 8, 2012 at 12:01 am  Comments (4)  
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ANGELIC LITTLE GIRL IN ARTISTIC POSE IN DOVER, NEW HAMPSHIRE

An angelic looking young girl dressed in white, poses in an artistic portrait at the Drew Studio in Dover, New Hampshire. The little girl does not appear very happy about the process of being photographed. She has corkscrew curls and is wearing hair ribbons. She is sitting cross legged in a white wicker chair. The photographer of this large format image is A. P. Drew. The Dover Enquirer (1896) has an article which mentions Alfred Palmer Drew. In 1896 a “deluge” and subsequent fire destroyed a business block and three bridges in Dover. The flooding sent the stores on the block down the Cocheco River. The photography studio Drew and Boomer was among the stores washed away. The Bulletin of Photography (1917) contains the obituary of A. P. Drew. He died at the age of 81. He had been born in Dover and had worked as a photographer there for more than 50 years. He retired in about 1914. During the civil war he had been a member of the Strafford Guards. The regiment was originally established in 1822 and a year later became part of the New Hampshire State Militia. In 1864 the Strafford Guards were mustered into service of the Union Army for a period of sixty days. They relieved a New Hampshire artillery unit that had been sent to the front. A. P. Drew served as a corporal.

PRETTY WOMAN IN ROCHESTER, NEW HAMPSHIRE

Photographer I. A. Collins of Rochester, New Hampshie, produced this cabinet card portrait of a lovely woman. She is wearing a pretty dress and an abundance of jewelry. Note her bracelet, ring, pin and chains. Her dress has two very large buttons and hopefully one of the fashion experts who visit the Cabinet Card Gallery can explain the purpose of the buttons. It appears as if the buttons are held together by a clasp and serve to keep the skirt portion in position.Very little information could be uncovered about photographer I. Collins. He was listed in the Dover, New Hampshire business directory (1889 and 1891) as a photographer. The directories  report that the gallery was located on a street named Hanson.

WOMAN MODELS REPTILIAN WEAR IN PENACOOK, NEW HAMPSHIRE

Most people don’t think of Penacook, New Hampshire as the center of turn of the century fashion. However, in 1890, a new fashion trend was born in tiny Penacook. Traditional fashion centers like Paris and New York City were blindsided by the innovative dress designs coming out of Penacook. Reptilian Wear was introduced in 1890 and was overwhelmingly the most well received of all these designs. Penacook area photographers quickly were called upon to sharpen their skills in fashion photography because their services were in high demand by the rapidly growing local clothing industry. This cabinet card was produced by the studio of M. S. Lamprey who began operating in Penacook in 1858. The woman in this image is wearing an excellent example of a Reptilian Wear dress. This particular dress was sold under the Iguana label. The model in this photograph was not identified. She is wearing a necklace from which hangs a cross. If you doubt the veracity of this story; you would be correct to do so. Here is some non fiction commentary about this cabinet card. The photographer is Maurice S. Lamprey (1835-1912). The 1860 census finds Lamprey living with his parents and siblings and working as a varnisher. He enlisted in the 10th New Hampshire Volunteer Infantry in 1862 as a private and was transferred to the Signal Corp which is where he remained throughout the war. The earliest city directory found that lists him as a photographer was from 1872. The 1900 US census reports that Lamprey was 64 years old, living alone, and working as a photographer in  Concord. The town of Penacook was named after the Penacook Native American tribe which lived in the area. The town was a village located within the city of  Concord. Penacook was involved in the textile industry. The town was located along the Contoocook River. This location attracted the hydro power industry and Penacook became a mill town.

A CABINET CARD OF A YOUNG COUPLE POSING WITH CABINET CARDS IN MANCHESTER, NEW HAMPSHIRE

This cabinet card features a well dressed young couple posing for their portrait in the studio of Stephen Piper in Manchester, New Hampshire. The studio was located at 804 Elm Street. The husband is seated, his jacket has just the top button fastened, and he is wearing a pocket watch. His wife is standing behind the table, an ideal position for displaying her beautiful figure (enhanced by her corset). The photographer and the subjects apparently decided to use cabinet cards as props. The young woman is displaying them on the covered table. One wonders if these are cabinet card portraits of family menbers that the couple brought from home, or if they are just cabinet cards of random people that were lying around the gallery. Piper (1835-1903) was a photographer in Manchester from 1866 to at least, 1887. He was born in Sanborton, New Hampshire. His obituary in the Manchester Union Leader nearly filled the entire front page of the newspaper. Even more remarkable for the time, was the fact that his picture was also on the front page. Piper was clearly considered an important citizen of Manchester, at the time of his death.

CUTE YOUNG GIRL IN NASHUA NEW HAMPSHIRE

A young girl poses for her portrait in the studio of Charles Henry Lindsay in Nashua, New Hampshire. Note her lace collar and her cute curls. She has a great half smile and is very focused on the photographer and camera. The photographer of this image had quite a journeyman career. The Granite State Monthly (1916) wrote a glowing article about his skills and described his career experiences. Lindsay learned his profession in the studio of Frank O. Everett, in Nashua. He began working for Everett around 1872 and stayed in his employ for about three years. He then moved to Concord, New Hampshire to become an operator for Benjamin Carr. He ultimately purchased Carr’s business and conducted it successfully until it was destroyed in a fire. He then worked with Stephen Piper in Manchester until 1879, when he moved to Nashua and opened his own studio. In 1889 he went to Boston and worked for some well known photographers. From 1894 until at least 1915, he operated a studio in Manchester, New Hampshire. At some point, his son, Ira Frank Lindsay, joined him in operating the Manchester studio. Lindsay’s career certainly was one that had many starts and stops, and forced him to make many relocations. This cabinet card was  produced during Lindsay’s Nashua tenure between 1879 and 1889.