DOROTHY MINTO : PRETTY, COY AND TALENTED ENGLISH STAGE ACTRESS

This vintage real  photo postcard features a pretty and coy looking English actress named Dorothy Minto (1886-1957). She was born in Scotland. She was an actress known for “Once Upon a Time” (1918), and  “A Little Bit of Fluff (1919), and “Raise the Roof” (1930). She was a popular actress on the London stage between 1905 and the mid 1930’s. Her early stage career was focused on classical plays and serious new theater but from 1912 and beyond, she concentrated more on musicals and comedies. It is notable that se appeared in the first runs of several of George Bernard Shaw’s plays. She also performed in plays by Shakespeare, Ibsen, Barrie, and Tolstoy, Minto’s career included appearances in ten films between 1916 and 1936. Interestingly, Minto appeared “Votes for Women” (1907) which was the first suffragist play performed on the London stage. She later became of member of the Actress Franchise League, part of the suffragist movement. She had two marriages and one child. Her infidelity led, or at least contributed to the end of both of her marriages. The National Portrait Gallery has 33 portraits of Miss Minto in their collection. Most of the images are by Alexander Bassano and Rita Martin.This postcard was published by Rotary Photo as part of a series (no.4072 B). Minto’s portrait was done by Foulsham & Banfield. Foulsham & Banfield were well known celebrity photographers. Frank Foulsham and A. C. Banfield operated a studio from the 1900’s through the 1920’s.    (SOLD)

LYDIA FLOPP : BRITISH ACTRESS AND ONE OF THE FIVE “RUDGE SISTERS”

This vintage real photo postcard features theater actress Miss Lydia Flopp (1877-1963). “Flopp” is an unfortunate name for a stage performer. However, it did not get in the way of her success on the stage.  Lydia was one of the five “Rudge Sisters”. The women were British actresses and dancers. Some of them were quite successful. The sisters performed as Letty Lind, Millie Hylton, Adelaide Astor, Fanny Dango, and the aforementioned Lydia Flopp. The sisters were primarily dancers but over time developed their singing ability. They performed in pantomime, variety, music hall, and Victorian burlesque realms of theater. Their venues included the Gaiety and Daly theaters in London. Letty Lind was a popular skirt dancer and star of musical comedies. Hylton worked in music halls and theatre and had much success appearing in varieties as a male impersonator. Miss Astor was a West End actress and Fanny Dango worked in London and then launched a successful career performing in Australia. Lydia Flopp’s specialty was pantomime. She was a sitter for two photo portraits in the collection of the National Portrait Gallery. The photographer of Miss Flopp’s portrait is Alexander Bassano (1829-1913).  Bassano) was a leading royal and high society photographer in Victorian London. This postcard was published in England by the Davidson Brothers. Davidson Brothers was located in both London and New York City. The firm operated between 1901 and 1911. This postcard is published by Rotary Photo as part of the Rotary Photographic Series (no.1594 B). This vintage postcard portrait has excellent clarity and is in excellent condition (see scans).  (SOLD)

MISS JOAN KEDDIE : PRETTY ACTRESS WITH A SENSE OF HUMOR

This vintage real photo postcard features a pretty actress named Joan Keddie. Preliminary research found very little biographical information about her. An article in the “Black and White Budget” (1902) includes an interview with Miss Keddie. The article  focuses on collecting anecdotes from theatrical performers. Keddie tells an “amusing” but “annoying” story of an experience she had while on tour. She asserts that a performer’s life is not a “bed of roses” and that there are some little hardships that must be endured. She asserts that one of these annoyances is having to deal with landladies as the touring company goes place to place. She states that the landladies often look for devious ways to inflate the bill. She recounts the experience she had with one such proprietor, who, at the end of her stay, presented her with a bill that included charges for salt, pepper, and vinegar which she had used while dining. Keddie declares that she was very surprised that she wasn’t charged for the paper that the bill was written on. It appears that Joan Keddie had a good sense of humor. The “Sphere” (1902), has a review of “Merrie England” (1902), a play in which Keddie was a cast member. The article states that her acting showed “distinct promise”. This postcard was published by Rotary Photo and was part of the Rotary Photographic Series (no, 1741 A). Her photo portrait was taken by Stage Pictorial, a theater magazine. Individual portrait postcards featuring Joan Keddie are uncommon.   (SOLD)

Published in: on August 26, 2019 at 6:52 pm  Comments (1)  
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MISS MARJORY MOORE – PRETTY PERFORMER WITHOUT A PAST

This real photo postcard features a pretty performer named Miss Marjory Moore. She looks quite young, possibly in her teenage years. My preliminary research into the background of Miss Moore produced “bupkis”. Perhaps a visitor to this blog can provide some biographical details about this performer. Miss Moore’s portrait was taken by Lewis R. Protheroe who operated a studio in Bristol, England. He was working as a photographer, at least between 1901 and 1917. His father, Thomas Protheroe found the studio between approximately 1876 and 1900. I was unable to locate any other photographs of Marjory Moore. This rare photo postcard was published by Rotary Photo.  (SOLD)

PHOTOGRAPHIC PORTRAIT OF A BRITISH BEAUTY

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This vintage real photo postcard features a pretty young woman with an engaging smile. She has beautiful eyes. This postcard was published by Rotary Photo and is part of the British Beauty series (no. A 113-6).  (SOLD)

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Published in: on May 19, 2019 at 12:00 pm  Comments (1)  
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MISS PHILLIDA TERSON – THE PAST AND THE FUTURE MISS PHYLLIS NEILSON- TERRY

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phillida 4This vintage real photo postcard features Miss Phillida Terson (1892-1977). She is better known as Phyllis Neilson-Terry. Phyllis was a member of the third generation of a well know English theatrical family (the Terry family). In her early career years, she was a successful classics actress. She played leading roles in several Shakespeare productions. She then spent four years in the United States appearing in lighter theater. She returned to England in 1919 where she showed a great deal of versatility by appearing in Cabaret, Pantomime, and Variety roles. She still found time to appear in Shakespeare and other classic theater. During her career, she also appeared on Broadway. The IDBD states that she appeared in three Broadway shows between 1915 and 1957. Her last appearance on the Broadway stage was in “Separate Tables” for which she was nominated for an Emmy. Phyllis also appeared in films. The IMDb reports that she had 15 credits between 1915 and 1960. Phyllis was born in London. Her mother was famed actress Julia Neilson and her father was celebrated actor, Fred Terry. She had one brother; and he became an actor. Part of her education was in Paris and later she was enrolled at the Royal Academy of Music, in London. She was training to become a singer. Her stage debut was in 1909 as part of her parent’s touring stage company. In that production she used the name Phillida Terson in order to hide her connection to the Terry family. The ploy failed and in about a year, she returned to her real name. She received enthusiastic reviews in her early career. Her later career did draw some criticism. It was thought that she took less challenging roles upon her return from the US to England. Phyllis was married twice, and both husbands were actors. This should be no surprise considering her parents were major theater stars, and her brother, niece, aunt (Ellen Terry), and cousin (John Gielgud) were all stage actors. This vintage postcard was published by Rotary Photo as part of the Rotary Photographic  series (no.11716). Given the name on the postcard is “Phillida Terson”, this postcard was published 1909 or 1910. An inscription on the reverse of the postcard dates the card to 1910. The inscription also has the name “His Majesty’s Theatre”. There are theaters by than name in Aberdeen, Scotland (opened 1906) and Perth, Australia (opened circa 1904). This vintage postcard portrait is in very good condition (see scans).

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MISS MURIEL BEAUMONT – BEAUTIFUL ENGLISH STAGE ACTRESS

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Muriel Beaumont (Lady du Maurier (1876-1957) is the featured subject of this vintage real photo postcard. She was an English stage actress and was married to actor Sir Gerald du Maurier. He was the first person to play “Captain Hook”. Two of their daughters became accomplished writers. Her stage career ended in 1910. Beaumont was born in Sutton, England. Her father was a solicitor and when Beaumont decided to pursue an acting career, her father disapproved. In 1898 she made her stage debut at the Haymarket Theatre. In 1902 she appeared in “The Admirable Crichton” and met, for the second time, fellow cast member Gerald du Maurier. Within five short months, they were married (1903). Interestingly, they never appeared on stage together again. In 1905 she appeared in “The Merchant of Venice” with Violet Vanbrugh. This photo postcard was published by Rotary Photo and is part of the “Rotary Photographic Series” (no.1763 A).The photographer of Miss Beaumont’s portrait is Reinhold Thiele and he is known for his photographical talent. Thiele (1856-1921) also used the name “Karl Anton”. Seven of his photo portraits can be found in Great Britain’s National Portrait Gallery. He was born in Germany and learned about photography there. He came to London in 1878 and after a stint with photographer, William Henry Prestwich, he was hired by the London Stereoscopic Company (1880). In 1894, he established a studio known as Simmons & Thiele. Initially, Thiele specialized in photographing football teams. He is considered to be one of the early press photographers. Later, he operated a studio in London. He photographed many theatre stars. This vintage postcard is in very good condition (see scans).

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THREE GORGEOUS BULLDOGS REPRESENTING ENGLAND, IRELAND, AND SCOTLAND

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This vintage real photo postcard features three gorgeous bulldogs. The caption beneath the photo indicates that the dogs represent England, Ireland, and Scotland The postcard is published by Rotary Photo and is part of the Rotary Photographic Series (no. P 530). This vintage postcard is in very good condition (see scans).

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$33.50

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Published in: on December 4, 2018 at 12:00 pm  Leave a Comment  
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FIVE PORTRAITS OF BEAUTIFUL STAGE ACTRESS ALICE CRAWFORD (VINTAGE REAL PHOTO POSTCARDS)

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alice crawford         PHOTO 2  (SOLD)

crawford 2 PHOTO 3  (SOLD)

crawford 4  PHOTO 4   (SOLD)

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These vintage real photo postcards feature a beautiful actress named Alice Crawford (1882-1931). Miss Crawford was born in Bendigo, Australia. Her sister, Ruby Crawford was also an actress. Miss Crawford came to England with actor Wilson Barret in 1902 after appearing with him in Australia. Her London debut was in 1902 in in the play “The Christian”.  She was in the revival of the play in 1907. Other stage credits include “Antony and Cleopatra (1906), Matt of Merrymount (1908), and “The Passing of the Third Floor, Back” (1908). The New York Times (1909) announced her arrival in New York to perform in “These Are My People”. She is credited with film roles in “False Ambition” (1918) and Glorious Adventure (1922). There are fifteen portraits of Alice Crawford in the National Portrait Gallery, eight of which are by the photographer of the top photo postcard (Alexander Bassano}. Bassano  (1829 –1913) was a leading royal and high society photographer in Victorian London. Crawford was married to George Valentine Williams. He was wounded twice in WW I and was awarded the Military Cross. He later worked as a journalist, mostly in trouble spots. During WW2 he conducted “confidential work” for the British Government. He is best known as an author of Detective Fiction. He died in 1946. This postcard captures Miss Crawford in costume for her role as “Diantha Frothingham” in “Matt of Merrymount” (1908). Alice Crawford certainly qualifies as a “stage beauty” and she has an amazingly engaging smile. Bassano photographed the actress for Rotary Photo’s, Rotary Photographic Series (no.1852 R).                                      

The second photo postcard features Miss Crawford looking quite beautiful. Her hair is long and flowing and she has a flower hair band. Her eyes are beautiful and she appears to be holding back a smile. Like the first postcard, this card is also published by Rotary Photo and was part of a series (no. 1852 K). In fact both postcards seen here are part of the same series.  The postcard’s photograph was taken by the Dover Street Studio.  The studio was active between circa 1906 and circa 1912. The gallery specialized in taking theatrical portraits and was located in London, England. They were the successors to the Biograph Studios as well Adart (a studio that took advertising photos). Examination of the reverse of this postcard (see second postcard below) reveals that it was postmarked in 1907. The message on the back of the postcard is quite interesting because it contains comments about the photo on the postcard. The writer reports that she was charmed by a postcard from the addressee and she asks her how she likes “this one”. The writer also states that she was planning to go see “The Thief” at the St. James Theater. Billboard (1907) contains a review of the musical and describes it as an English version of Henry Bernstein’s “Le Voleur”.  The play was produced by Mr George Alexander and it’s cast included Mr. Alexander, Irene Vanbrugh, and Lillian Braithwaite. 

The third photo postcard portrait of Miss Crawford was produced by Rotary Photo and photographed by Dover Studios. The postcard was part of the Rotary Photographic Series (no.1852 P) and was printed in England. This photograph captures Alice Crawford appearing quite dismayed.

The fourth real photo postcard in this collection features a close-up portrait of Miss Crawford. This image confirms that Alice Crawford was certainly a stage beauty. The photograph is very similar to the second postcard in this group and the two images were likely taken during the same photo session at the Dover Street Studio. This postcard was published by Raphael Tuck and Sons and is part of the “Celebrities of the Stage” series (no. T 1148). Raphael Tuck and his wife started their photography business in 1866 in London. Their store sold pictures, greeting cards, and in time, postcards. Their success came from the sale of postcards during the late 1890’s and early 1900’s. In the early 1900’s the firm conducted postcard competitions for collectors of Tuck postcards. These competitions offered cash prizes and they were very popular. The winner of one of these competitions had a collection consisting of over twenty-five thousand cards. Three of Tuck’s four sons participated in the business. The company was devastated by German bombing during World War II. In 1959 the company merged with two other printing companies. This postcard was written and postmarked in 1908. It was postmarked at Bradninch, England. The message on the card is a “Happy Birthday” wish.

The fifth photo postcard features a close-up view of Miss Crawford. She looks pretty with her rolled curl hair and her engaging eyes. This postcard was published by Raphael Tuck and Sons. It is part of the “Celebrities of the Stage”  series (no. T 1202).

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                                                                        POSTCARD 5

 

RARE PORTRAIT OF STAGE ACTRESS MISS MARY GREY

 This vintage real photo postcard features actress “Miss Mary Grey”. A search for biographical information about Miss Grey was not very fruitful. It should be noted that postcard portraits of Mary Grey are rare. Only one other postcard image of Miss Grey could be found, and it was a different pose than the one above. I found a morsel of information about one actress named Mary Grey but I can not verify that the Mary Grey seen in this postcard is the same Mary Grey that I am about to describe. Mary Grey was an actress known for her appearance in the British musical film”His Majesty and Co” (1935). She was married twice. Her first husband was James Bernard Fagan, an Irish-born actor, theater manager,producer and playwright in England. This postcard is part of the Rotary Photographic Series (no. 4954 B) published by Rotary Photo. Note the actresses winter coat, collar brooch, and fancy hat. The photograph was taken by the Foulsham & Banfield Studio. Foulsham & Banfield were well known celebrity photographers. Frank Foulsham and A. C. Banfield operated a studio in the 1900’s through the 1920’s.   SOLD