FAY COMPTON : ENGLISH STAGE & FILM ACTRESS – SHE ADVOCATES “TAKING OFF A LITTLE BIT” TO ATTRACT A MAN

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compton 1                                                                                 POSTCARD 2     (SOLD)                       

Fay Compton (1894-1978) is the subject of this vintage real photo postcard. Compton was an English actress who appeared in many films, but was best known for her stage performances. She was a versatile actress who appeared in Shakespeare, Modern Drama, Comedy, and Classics (ie Ibsen and Chekhov. She appeared on  stage in Britain, and toured the United States and Australia. Compton was born in London. Her father, mother, brother, and grandfather were all actors. She was the younger sister of actress Viola Comton. Compton’s stage debut was in 1911 with Pelissier’s Follies which was produced by H. G. Pelissier. Though still a teenager, she married Mr. Pelissier who died soon thereafter, leaving her with a child. She quickly married singer Lauri de Frece. Compton’s first American appearance was in 1914 and occurred at the Shubert Theatre in New York. In 1917, she played the title role in the London performances of Peter Pan. In the 1920’s and 1930’s she performed in many of Shakespeare’s plays. She also played in a number of plays written by J. M. Barrie. Barrie wrote the play, “Mary Rose” especially for her. Her second husband died in 1921 and in 1923, she married actor Leon Quartermaine. During the 1930’s she played in both West End plays and Shakespeare. The 1940’s and 1950’s found Compton continuing to play in Shakespeare productions, and other roles including Noel Cowards “Blithe Spirit”, “The Importance of Being Earnest”, “Uncle Vanya”, and “What Every Woman Knows”. In 1942, her third marriage failed and she married actor Ralph Michael. Their marriage dissolved after four years. Compton also appeared in films. Her IMDb filmography reveals that she appeared in 82 films between 1914 and 1970. The IBDb indicates that she performed in three Broadway shows between 1915 and 1959. At one point, Compton had her own drama school. One of her students was actor Alec Guinness.

Postcard 1  Miss Compton’s portrait on this postcard was taken by Rita Martin, a well known celebrity photographer. The card was published by J. Beagles Postcards as part of a series (no.258.8). The company produced a variety of postcards including an extensive catalog of celebrity (stage and screen) portrait postcards. The company closed in 1939. The card was postmarked in 1920. The postcard is in very good condition (see scans).

Postcard 2 was printed in Britain and was part of the Lilywhite Photographic Series (no. L 4). Miss Compton looks absolutely beautiful . She is wearing a pretty dress and a beaded necklace (pearls?). The publisher, Lilywhite Ltd, Halifax (L.L.H.), was founded by Arthur Frederick Sergeant. He also was the founder of Halifax Photographic Company which was based in Halifax, England. Lilywhite began publishing postcards in 1910; and in the 1920’s, the company took over Arrow Series Postcards. The company then published postcards under both the Arrow and Lilywhite names.   SOLD

 

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POSTCARD 1
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POSTCARD 2

CLARA JECKS : PRETTY AND TALENTED ENGLISH MUSICAL COMEDY ACTRESS

The pretty woman seen in this vintage photograph is English musical comedy actress, Clara Jecks (1854-1951). She was born in London, England. Her father was an actor and theatrical manager (Adelphi Theatre). Her mother was a popular actress. It is unsurprising that Clara began her stage career when she was a baby. She first appeared on the stage as a toddler. Growing up, she received the music, dance, and voice training needed to prepare her for a performing career. Her London stage debut was in 1873, at about the age of nineteen. Clara’s specialty was playing soubrettes (lively flirtatious roles) and boy roles. In fact, she once said, “I am never so really happy as when acting as a lad”. Clara was mentored by talented actress, Miss Nellie Farren. There is a portrait of Clara in Great Britain’s National Portrait Gallery. In fact, the portrait is identical to the photograph seen above. The NPG reports that this image appeared in “The Theatre” magazine in 1892. She was photographed, for this image, playing her role in “Richard II”, written by William Shakespeare. The photographer of the photo was Alfred Ellis (1854-1930). Ellis was an active photographer between 1884 and 1899. He operated a studio on Upper Baker Street in London. He specialized in theatrical photography and sometimes photographed whole scenes inside his studio. He later went to theaters to photograph performers and play scenes. Now, back to Clara’s career. In 1878, she and her mother toured together with the Comedy Opera Company. A few of Clara’s notable performances were in “Formosa” (1877), “The Black Domino” (1893), Cinderella (1893), and “A Merry Madcap” (1896). Her final London performance was in “The Critic” (1911). In an interview appearing in “The Sketch” (1893), Clara was asked the reason why she never toured America. She answered that she received many good offers to appear there, but preferred to perform in London, “Where I am at home with my audiences”. She then added, as if to change the subject, the following observation. She asserted, “You should see what funny letters I sometimes get from little boys in front, who can hardly believe I’m not one of themselves”. During her career, she appeared in over two hundred opera, drama, and pantomime roles. This image features Clara holding a wine pitcher in one hand, and a wine cup in the other. This photograph measures about 4″ x 5″, has excellent clarity, and is in excellent condition.

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DOROTHY MINTO : PRETTY, COY AND TALENTED ENGLISH STAGE ACTRESS

This vintage real  photo postcard features a pretty and coy looking English actress named Dorothy Minto (1886-1957). She was born in Scotland. She was an actress known for “Once Upon a Time” (1918), and  “A Little Bit of Fluff (1919), and “Raise the Roof” (1930). She was a popular actress on the London stage between 1905 and the mid 1930’s. Her early stage career was focused on classical plays and serious new theater but from 1912 and beyond, she concentrated more on musicals and comedies. It is notable that se appeared in the first runs of several of George Bernard Shaw’s plays. She also performed in plays by Shakespeare, Ibsen, Barrie, and Tolstoy, Minto’s career included appearances in ten films between 1916 and 1936. Interestingly, Minto appeared “Votes for Women” (1907) which was the first suffragist play performed on the London stage. She later became of member of the Actress Franchise League, part of the suffragist movement. She had two marriages and one child. Her infidelity led, or at least contributed to the end of both of her marriages. The National Portrait Gallery has 33 portraits of Miss Minto in their collection. Most of the images are by Alexander Bassano and Rita Martin.This postcard was published by Rotary Photo as part of a series (no.4072 B). Minto’s portrait was done by Foulsham & Banfield. Foulsham & Banfield were well known celebrity photographers. Frank Foulsham and A. C. Banfield operated a studio from the 1900’s through the 1920’s.    (SOLD)

MISS PHILLIDA TERSON – THE PAST AND THE FUTURE MISS PHYLLIS NEILSON- TERRY

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phillida 4This vintage real photo postcard features Miss Phillida Terson (1892-1977). She is better known as Phyllis Neilson-Terry. Phyllis was a member of the third generation of a well know English theatrical family (the Terry family). In her early career years, she was a successful classics actress. She played leading roles in several Shakespeare productions. She then spent four years in the United States appearing in lighter theater. She returned to England in 1919 where she showed a great deal of versatility by appearing in Cabaret, Pantomime, and Variety roles. She still found time to appear in Shakespeare and other classic theater. During her career, she also appeared on Broadway. The IDBD states that she appeared in three Broadway shows between 1915 and 1957. Her last appearance on the Broadway stage was in “Separate Tables” for which she was nominated for an Emmy. Phyllis also appeared in films. The IMDb reports that she had 15 credits between 1915 and 1960. Phyllis was born in London. Her mother was famed actress Julia Neilson and her father was celebrated actor, Fred Terry. She had one brother; and he became an actor. Part of her education was in Paris and later she was enrolled at the Royal Academy of Music, in London. She was training to become a singer. Her stage debut was in 1909 as part of her parent’s touring stage company. In that production she used the name Phillida Terson in order to hide her connection to the Terry family. The ploy failed and in about a year, she returned to her real name. She received enthusiastic reviews in her early career. Her later career did draw some criticism. It was thought that she took less challenging roles upon her return from the US to England. Phyllis was married twice, and both husbands were actors. This should be no surprise considering her parents were major theater stars, and her brother, niece, aunt (Ellen Terry), and cousin (John Gielgud) were all stage actors. This vintage postcard was published by Rotary Photo as part of the Rotary Photographic  series (no.11716). Given the name on the postcard is “Phillida Terson”, this postcard was published 1909 or 1910. An inscription on the reverse of the postcard dates the card to 1910. The inscription also has the name “His Majesty’s Theatre”. There are theaters by than name in Aberdeen, Scotland (opened 1906) and Perth, Australia (opened circa 1904). This vintage postcard portrait is in very good condition (see scans).

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phillida 2

STAGE ACTRESS LOUISE LEWIS IN SHAKESPEARE’S “AS YOU LIKE IT” (VINTAGE REAL PHOTO POSTCARD)

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This vintage real photo postcard features actress Louise Lewis who played in Shakespeare’s “As You Like It”. Miss Lewis did not reach stardom in her career but her stage experience did merit an appearance on this theatrical picture postcard. Preliminary research found meager biographical material about this actress, but an article in the Los Angeles Herald (1898) reports that the Calhoun Opera Company at the Los Angeles Theater was presenting “La Grande Duchesse” and that Louise Lewis was a member of the ensemble. It is not certain that the Louise Lewis pictured on this postcard is the same one referenced in the Herald article. This postcard appears to have an American origin and is part of a series (no. 13). This particular postcard was distributed by the Souvenir Post Card Shop in Cleveland, Ohio.

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PORTRAIT OF ENGLISH STAGE ACTRESS ADA CAVENDISH (PHOTOGRAPHED BY SARONY)

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This cabinet card features English actress Ada Cavendish (1839-1895). She was noted for her performances in Shakespeare plays and for popularizing the plays of Wilkie Collins in America. Cavendish made her stage debut in 1863. She began her career doing musical burlesques. As she progressed professionally she played a number of heroine roles in the works of Shakespeare. There are many references to Cavendish in the theatrical literature of her era. Gentlemen’s Magazine and Historical Review (1872) provides the following description of Miss Cavendish. She looks like a lady and walks and dresses like one.Some of the clever actresses now on stage dress, walk,and talk like shop girls”. Celebrated photographer Napoleon Sarony produced this image. Cavendish may be dressed for a role in this portrait. Note her fancy clothing and “big” jewelry. To view other photographs by Sarony, click on the category “Photographer: Sarony”.

 

Published in: on February 27, 2014 at 11:53 am  Comments (1)  
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THEATER ACTRESS HENRIETTA CROSMAN (PORTRAIT BY SARONY)

crossman_0004Henrietta Crosman was a renowned American stage and film actress and she is captured beautifully in this cabinet card photographed by Napoleon Sarony. To learn more about Sarony, a famous celebrity photographer, click on the category “Photographer: Sarony”. Sarony’s subject, Miss Crosman was born In West Virginia. Her father was a civil war Major and her mother was the niece of composer Stephen Foster. She was educated in several locations as her father was stationed in a number of posts while pursuing his military career. She began acting in New York City when she joined a local theater company in 1883. Her next experience with a theater company included a national tour. In 1889 she performed Shakespeare for the first time. She performed at the Daly Theater. In the 1890’s she joined Daniel Frohman’s stock company. She excelled in adventure romances and popular drawing farces. By 1900, she had reached stardom. Her appearances included roles in such plays as “As You Like It” (1902), “Sweet Kitty Bellairs” (1903), and “The Real Thing” (1911). Crosman avoided motion pictures until 1914. She then signed a deal with Adolph Zukor’s Famous Players. Her husband, Maurice Campbell became a noted director. Crosman appeared in both silent films and “talkies”. She was in a total of 22 films between 1914 and 1937 including “Charlie Chan’s Secret” (1936),

NOTED STAGE ACTOR: J. FORBES ROBERTSON

ROBERTSONJohnston Forbes-Robertson (1853-1937) was a celebrated English actor and theater manager. He was considered to be one of the finest actors of his time. He was particularly noted for his portrayal of Hamlet. He did not profess a passion for his acting profession. He was born in London. His father was a journalist and theater critic. He had ten siblings and four of them pursued acting. His original interest was to become an artist, but to support himself financially he entered acting. He worked with Sir Henry Irving for some time as a second lead actor. He then became a lead actor. His starring roles included Dan’l Druce, Blacksmith and The Parvenu (1882). George Bernard Shaw wrote the part of Caesar for him in Caesar and Cleopatra. Forbes Robertson acted in a number of Shakespeare plays and also appeared a number of times with actress Mary Anderson in the 1880’s. In 1900 he married the American actress, Gertrude Elliott (1874-1950). In 1930, Forbes Robertson was knighted. This cabinet card portrait was produced by photographer Benjamin Falk who’s studio was located in New York City. Forbes Robertson is captured in costume in this image. The reverse of the photo is stamped “J. M. Russell 126 Tremont Street, Boston”.

ENGLISH STAGE ACTRESS: ELLEN TERRY (THERE AIN’T NOTHIN LIKE A DAME!)

Dame Ellen Terry (1847-1928) was an English stage actress. The top cabinet card is from the studio of Campbell, in Elizabeth, New Jersey. Ellen Terry was the leading Shakespearian actress in Great Britain. She was born into a family that was immersed in the theatre; and future generations continued theatrical pursuits; including grand nephew, John Gielgud (actor, director, producer). Ellen Terry began playing Shakespeare roles as a child and continued to do so. In 1878 she joined Henry Irving’s company. She toured Britain and the United States with great success. In 1903 she took over management of London’s Imperial Theatre and her focus included the plays of George Bernard Shaw and Henrik Ibsen. In 1916 she began acting in films and in 1925 she was made a “Dame Grand Cross of the Order of the British Empire”. Terry’s romantic life, including marriages and love affairs, make interesting reading. Research about the photographer of this cabinet card discovered his obituary in the New York Times (1912). The Times reports that Alfred S. Campbell (1839-1912) was a pioneer in the development of art photography. Among his accomplishments was the publication of an edition of the bible that was illustrated with photographs he took in the Holy Land. He emigrated to the United States on the invitation of famed photographer, Napoleon Sarony in 1866. Among his “intimate friends” were Henry Longfellow, Thomas Nast, and William Cullen Bryant . Visitors to the Cabinet Card Gallery can see photographs by Sarony under the category of “Photographer: Sarony” and can see a portrait of William Cullen Bryant under the category of “Journalist”. To view other photographs by Campbell, click on the category “Photographer: Campbell”.

The second cabinet card features Ellen Terry in the role of “Beatrice” in William Shakespeare’s play, “Much Ado About Nothing”. The Window & Grove studio of London,England, published this photograph. The studio operated in London from the 1870’s to at least 1908.

CELEBRATED ACTRESS ADA REHAN AND HER LABORADOR RETRIEVER (PAGE INCLUDES ADDITIONAL PORTRAITS OF MISS REHAN)

PHOTOGRAPH 1  (SOLD)

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Ada Rehan was a well known and respected American actress. The top cabinet card portrait of Ms Rehan and her dog was published by Napoleon Sarony, a famous celebrity photographer in New York City, New York. Ada Rehan was born in Ireland and came to the United States at six years of age. She grew up in Brooklyn, New York. She began acting as a child. From 1873 until 1875 she became more active in acting at Mrs. Drew’s Theatre in Philadelphia, Pennsylvania. She then joined John Albaugh’s company and appeared in Baltimore, Albany and numerous other cities. In 1879 she joined Augustin Daly’s company upon his opening of his New York theater. She worked with his company for twenty years and appeared throughout Europe. The IBDB reveals that Ada Rehan appeared in 12 Broadway productions.  Some of the Broadway and non Broadway plays she appeared in include a number of Shakespeare productions such as “As You Like It” and “Twelfth Night”. Rehan also acted in “The School for Scandal”, “Foresters”, “Cinderella at School”, and “Our English Friend”. She retired from the stage in 1906 and lived in New York City until her death. It is interesting to note that Ms Rehan’s dog is on a leash. The leash is made of metal links. She is holding the leash with both hands. This is the first leash that I have observed in the many cabinet card photographs of dogs that I have seen. The dog at the end of the leash in this image appears to be a laborador retriever.  (SOLD)

The second portrait of Miss Rehan was published by Newsboy of New York. The image was number 68 in a series of photographs. Newsboy distributed these images as premiums for their tobacco product sales.

The third image of Miss Rehan is a bust portrait by Louis Thors of San Francisco, California. Thors was born in Holland in 1845. He was of French descent and educated in France. He was fitted for service in the Merchant Marine and he served in that capacity for a number of years before coming to California in 1876. By 1880 he had established his photography business. One source states that his studio had more than twelve “apartments”. He won a Bronze Medal at the Paris Exposition in 1889. His wife, Gertrude M. Thors was also a photographer. Camera Craft: Photographic Association of California (1910)  printed Thors’s obituary. He was described as one of the highest esteemed photographers in San Francisco. He died of stomach cancer at age seventy-two. He worked in the photography business in San Francisco for over forty years. He left the city after the San Francisco fire and worked in St. Louis for two years before returning to California. The obituary reports that after his immigration to the United States, his skill as a painter earned him employment with photographers Bradley and Rulofsen (click on category “Photographer: Bradley and Rulofsen” to view some of  their photographs). In addition, the death notice asserted that besides his talents as a photographer, Thors had a charming personality and high moral character. To view other photographs by Thors, click on the category “Photographer: Thors”.