POSTARD 1 (SOLD)
POSTCARD 1 (SOLD)
POSTCARD 2 (SOLD)
POSTCARD 2 (MAGNIFIED) (SOLD)
These two real photo postcards features stage beauty, Maie Ash (1888-1923). She was an English comedy actress and dancer. She made her London debut in 1902 at Shaftesbury Theatre. The next year she played the title role in Cinderella in Southampton. Other appearances include “Goody Two Shoes” (1904), “Yellow Fog Island” (1907), and “My Darling” (1907). Ash played Miss Gibbs in “Our Miss Gibbs” (1911). A reviewer of the play, writing for the “Playgoer Weekly”, suggests that Ash was charming in her role and that her singing voice resembled that of popular actress, Miss Ellaline Terriss. The reviewer added that her singing and dancing brought the audience much pleasure and that she demonstrated herself to be a “most finished musical comedienne”. She married actor Stanley Brett in 1909. He was the brother of celebrated actor Seymour Hicks. The pair divorced in 1913, and in 1915, she married comedian Fred Allandale. Apparently, Miss Ash and Mr. Allandale didn’t wait for their divorces before getting involved romantically. Ash was named by Allandale’s wife and Allandale was named by Ashe’s husband in their respective divorce petitions. So much for impulse control. Ash was the sitter for six portraits in Britain’s National Portrait Gallery.
Postcard 1 features a fetching portrait of Maie Ash. She is wearing a beautiful smile and has pretty eyes. The card was published by Ralph Dunn & Company which operated in London, England. The post card is part of a series (no. A 105). The card has a 1905 postmark. The message on this postcard wishes the recipient “Many happy returns of the day”. According to Wikipedia, this 18th century greeting is meant to offer the hope that each happy day is repeated by other happy days, The saying was often used on birthdays, and in particular, as a response to “Merry Christmans” and “Happy New Year” wishes. The word “returns” also was used to wish a person that their day yields much happiness.(SOLD)
Postcard 2 presents a close-up photograph of Miss Ash. The postcard is a bit risque for it’s time. Her low cut dress and her coy expression accentuate the beauty of the alluring actress. This postcard was published by the Rotary Photo Company as part of their “Rotary Photographic Series (No. 1831K)”. This photo of Maie Ash was taken by the Johnston & Hoffmann studio. Theodore Julius Hoffmann and P. A. Johnston established a commercial photography studio in Calcutta (1882) and Darjeeling (1890). They also operated a studio in Simla. Johnston and Hoffmann’s photography business was the second largest commercial photography studio in India in that period. Many of their images were of North and Northeast India as well as Sikkim and Nepal. Johnston & Hoffmann produced many photographs of actors and actresses. It is certain that these performers did not travel to India to have their photo taken. It seems likely that Johnston & Hoffmann also had a studio in England during some part of their careers. It is also possible that there were to separate studios that coincidentally shared the same name. This postcard was postmarked in 1906 in Southampton, England. The postcard is in very good condition (see scans). (SOLD)
POSTCARD 1 (SOLD)
POSTCARD 2 (SOLD)
This vintage real photo postcard features pretty French film actress, Louise Lagrange (1898-1979). She was born in Oran, France, which is now in Algeria. Her movie debut occurred when she was nine years of age. Her first marriage was to film director Maurice Tourneur. Her second marriage was to actor, William Elliot. The IMDb credits her with 48 film credits between 1907 and 1952. Her appearances included such films as “A Roman Orgy” (1911), “The Nude Woman” (1926), “In the Shadow of the Harem” (1928), and “Cage of Girls” (1949). Do I detect a pattern here? Lagrange certainly acted in a large number of films with sexually provocative movie titles. Cinemagazine (Paris Edition) is the publisher of this card. It was part of a series (no. 425). SOLD
This vintage postcard features an attractive bride and groom. The postcard originates from Bulgaria. The card is in very good condition (see scans).


This cartes de visite portrait features a woman posing for photographer, Louis Martin of Nantes, France. This profile view shows a well dressed and well coiffed subject. The cdv is an example of a bas relief photo (raised image providing a 3 dimensional effect). photograph. Nantes is a city on the Loire River and is located in the Upper Brittany region of western France. This photograph is in very good condition. (see scans).



A young woman poses for her portrait at the Herbert studio in a town called Windermere. Where is Windermere. Thats a tough question. There are towns named Windermere in the United States, Australia, England, Canada, and the Bahamas. I am going to rule out the United States as being the home of the Herbert studio because of the regal type logo. The logo is more relevant to England or to a former or present English colony than to the United States. SOLD

This Cabinet Card photograph features a pretty wasp waisted young woman. She is wearing a beautiful dress. She is quite elegant. This photograph was taken by Wilhelm Otto Jr at his studio in Vienna, Austria. Mr Otto is no stranger to the Cabinet Card Gallery. If you place his name in the gallery’s search box; as of this date, you will find two more of his photographs. According to the print on the reverse of the photograph, Otto established his studio in 1887. This cabinet card is in very good condition (see scans). (SOLD)

This vintage photograph features a mother pulling her daughter in a wooden wagon. The photograph appears to have been taken during the winter. The child is bundled in a heavy coat and has her hand protected from the cold by a fur muff. She is sitting on a heavy blanket. Mom is also prepared for winter. She is wearing a long dress and is accessorized with a fur scarf and she has fur cuffs on her sleeves. This photographed was purchased from a collector in England. A sticker on the reverse of the photo indicates the photographer’s name. His name is Oscar Hurt, though I am not certain about the accuracy of his last name since the writing is difficult to decipher. This photograph measures about 4 1/2 x 6 1/4. (SOLD)


