VERA VASILYEVNA KHOLODNAYA : BEAUTIFUL RUSSIAN SILENT FILM STAR : VICTIM OF THE SPANISH FLU

This vintage real photo postcard features Russian actress Vera Vasilyevna Kholodnaya (1893-1919). Sometimes she is referred to as Holodnaja). She was the first star of Russian silent film. The number of films that she appeared in, is unknown. It is estimated the number of appearances is somewhere between fifty and one hundred. It is unfortunate that only five of her films survived the passage of time. She was born in Poltava which was part of the Russian Empire, and is now located in the Ukraine. At the age of two, she moved to Moscow to live with her grandmother. As a child, she fantasized about becoming a classical ballerina. She eventually enrolled in the Bolshoi Theatre ballet school From early childhood, she participated in family theater productions, While attending her school prom to celebrate her graduation she met Vladimir Kholodny, whom she married in 1910. He is known as one of Russia’s first race car drivers. The pair had two children. In 1908, after seeing actress Vera Komissarzhevskaya in a stage role, she decided that she wanted to pursue a career in films. She sought out Vladimir Gardin, a major Russian film director, and he gave her a minor role in Anna Karenina. In 1915, film director Yevgeni Bauer was searching for an actress who possessed great beauty. After meeting Vera Kholodnaya, he found the enchantress that he was looking for. Bauer’s film was a resounding success. He then made a second film starring Kholodnaya. These two Bauer films made Vera a major celebrity. She soon became known as “the Queen of Screen” and had great successes with other films. By 1918, she was a film phenom. When Russia entered World War I, her husband joined the military. She participated in charity concerts to support the soldiers and their families. It is reported that she was “worshipped” by soldiers. By the time of the Russian Revolution (1917), a new Kholodnaya film was released every three weeks and she continued to experience acclaim and success. Around this time, the actress moved with her film company to Odessa. She died there, at age 25, during the 1918 flu pandemic.This version of the flu, was known as the “Spanish Flu” and it infected 500 million people around the world between 1918 and 1920. Estimates are that between 50 and 100 million people died during the pandemic.  (SOLD)

A PORTRAIT OF ACTRESS ISLA GARNET-VAYNE BY ALEXANDER BASSANO (1910)

This vintage real photo postcard features pretty theater actress, Isla Garnet-Vayne. I just can’t refrain from saying “Isla, you’re so vayne. You probably think this blog entry is about you”. I couldn’t resist. My apologies to singer/song-writer Carly Simon. England’s National Portrait Gallery has four portraits of Miss Garnet-Vayne in their collection. One of the portraits is identical to the one seen on this photo postcard. The National Portrait Gallery reports that this photograph was taken in 1910 by Alexander Bassano. The website, Theatricalia, reports on three productions in which Miss Garnet-Vayne performed. The plays listed are ” The Prince and the Beggar Maid (1908-1909), “A Girls Temptation” (1909-1910), and “From Mill Girl to Millionairess” (1910-1911). All of the aforementioned plays were performed in Southampton, England. Further research is needed to learn more about this pretty stage actress. Postcard portraits of Miss Garnet-Vayne are rare and this is one of the nicer ones I’ve seen. It is in very good condition (see scans).                                               

Buy this Vintage Real Photo Postcard (includes shipping within the US) #2926

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$23.50

                 

Buy this Vintage Real Photo Postcard (includes International shipping outside the US) #2926

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$32.00

                            

MISS DOROTHY FROSTICK : POPULAR CHILD ACTRESS, DANCER, AND SINGER

This vintage real photo postcard features English actress, dancer, and singer; Miss Dorothy Frostick. In 1901, Frostick made her debut in the successful musical dream play, “Bluebell in Fairyland”. The play appeared at London’s Vaudeville Theatre. The stars of the show were Seymour Hicks and Ellaline Teriss, a theatrical married couple. Frostick appeared again with the couple in “The Cherry Girl” (1903) and in a revival of Bluebell in 1905. There is a void of information about Miss Frostick until 1912 at which time she joined a pierrot group, “The Quaints”. She appeared with the group until at least 1914. Her final documented London appearance was in a musical and dance production, “The Latest Craze” (1919). The show bombed and closed after twenty-five performances. A portrait of Dorothy Frostick appears in England’s National Portrait Gallery. The photo on this postcard was produced by the International Art Company, which was based in Ipswich, England. This postcard was published by Rotary Photo (active 1897-1916) as part of their Rotary Photographic Series (no. 1617D).    SOLD

BLANCHE WALSH : PRETTY STAGE AND FILM ACTRESS IN NEW YORK CITY

This vintage real photo postcard features stage and film actress, Blanche Walsh (1873-1915). Walsh was born in the lower east side of New York City. Walsh’s father was a Tammany Hall (New York City) politician and prison warden. His name was Thomas Power “Fatty” Walsh. Miss Walsh was an active actress between 1888 and 1915. Blanche Walsh made her stage debut at 15 years of age in 1888. She joined Charles Frohman’s stock company. She was a supporting actress for the likes of Marie Wainwright and William Gillette. She toured Australia with actor Nat Goodwin in 1896. Walsh became popular playing “emotional” roles and succeeded Fanny Davenport when she became too ill to perform in such roles. In fact, many fans believed that Walsh closely resembled Davenport in appearance.  Walsh than began being tasked in more challenging roles such as in her performances in “The Woman in the Case” (1905) and in Tolstoy’s “The Kreutzer Sonata” (1904). Walsh appeared in ten Broadway productions between 1895 and 1907. A reviewer in “Variety” (1918) wrote that Walsh ” was not only a great actress, but an artist enough to subordinate whatever personal charms she might have had to a proper characterization of a role”. Blanche Walsh only appeared in one film. She was a well respected American actress. Her only film was Resurrection (1912). The film was based on one of Leo Tolstoy’s novels. The film helped Adolph Zukor launch his movie company, Famous Players Studio. It later became Paramount. She was one of the first stage stars to appear in a long feature film (over 50 minutes). Miss Walsh had two marriages. Her first husband, Alfred Hickman (1873-1931) was an English actor who appeared in thirty-five films. Walsh had no children. She was one of the original advocates of an American National Theater where people could see major plays at a low price. Walsh had significant health problems during her career. She had several hospitalizations. She died at 42 years of age from kidney problems. This vintage postcard was published by the Rotograph Company as part of the “Rotograph Series” (No. B 506)  The photographer was Jacob Schloss (1856-1938) and his studio was located in New York City.   Schloss received his education at the Cooper Union in New York City. He graduated in 1872 as an etcher. He joined Benjamin J. Falk’s photography studio and worked there in the mid 1870’s. He left Falk’s employ to open his own studio (54 West 23rd Street) where like Falk, he specialized in theatrical photography. He tended to favor photographing actresses in costume in front of generic studio furnishings. He produced many cabinet card photographs but also was active in the production of magazine images. By the 1890’s he was particularly known for his photographs of beautiful women, much like photographer Jose Maria Mora. Schloss also was an activist for photographers rights. He was very involved in the movement to copyright images. He sued those who used his photographs without crediting or paying him. He was very involved in national photographer associations and was an active photographer until the 1910’s.   SOLD

 

 

 

 

 

 

A DUSKY BEAUTY : MISS AIDA OVERTON WALKER

The subject of this vintage real photo postcard is Miss Aida Overton Walker. The caption above her name refers to her as “A Dusky Beauty”. Seems like a racist title to me. I don’t recall ever seeing its equivalent, “A Pasty Beauty”, on a portrait of a white female performer. Aida Overton Walker (1880-1914) was known as “The Queen of the Cakewalk”. She was African-American and an American vaudeville performer, singer, actress, and choreographer. She has been called the most famous African American female performer of the early twentieth century. She was married in 1899 to vaudeville performer, George Walker. Aida and her husband performed with the highly successful Bert Williams. They were the major black vaudeville and musical comedy act of the era. She was also a solo dancer and choreographer for a number of other vaudeville shows. Aida was well known for her 1912 performance of the ”’salome” dance. Aida was born in Richmond, Virginia and moved to New York City when she was young. She was educated there and received a great deal of musical training. When she was fifteen years old she joined the “Octoroons”, a black touring group. In 1900 she gained national notice with her performance of  “Miss Hannah from Savannah” in the play, “Sons of Ham”.  The song became a major hit. Overton Walker had significant theatrical success with her performances in Dahomey (1902), Abyssinia (1906), and Bandana Land (1908). Overall, Aida was praised by critics and fellow performers. She was financially successful. In 1908 she retired to care for her ill husband. In 1910 she returned to the stage as a solo act. In 1911, her husband died. By 1912, she was on tour again. That same year, she performed on Broadway as Salome. In 1914, Walker died suddenly from kidney failure. Two years before her death, she was performing in white variety theaters. She and Bert Williams were the only Black performers “permitted” to do so. At that time, African Americans were expected to confine themselves to “lower” entertainment such as comedy and ragtime. “High” art, like dramatic theater and classical dance were reserved for whites. Aida helped break that racist tradition. During her career, Aida addressed the issue of racial relations. She stated in an article in “The Colored American Magazine (1905), her view that that the performing arts could have a beneficial effect on race relations. Walker asserted “I venture to think and dare to state that our profession does more toward the alleviation of color prejudice than any other profession among colored people.” She also worked to improve working conditions, and to expand roles for black women on the stage. During the period Walker was performing, female actresses, especially black actresses, were seen as “immoral and oversexed”. Aida wrote “a woman does not lose her dignity…when she enters stage life”. Walker also worked to develop the talents of younger black performers within the framework of refinement and elegance. In 1908, she began organizing benefits to assist such causes as the Industrial Home for Colored Working Girls. This vintage postcard was published by Raphael Tuck, of Paris, France. The photographer of Miss Walker was Cavendish Morton (1874-1939). The National Portrait Gallery possesses 104 of Morton’s portraits. Morton had several careers including electrical engineering, architecture, acting, illustrating, and in the 1890’s he took up photography. He is known for his theatrical photo portraits. His son was a well known watercolor artist. This postcard was postmarked in 1908, The postcard is in good condition. See the youtube video below. It is a tribute to Aida Overton Walker.   (SOLD)

 

HERMINE ALBRECHT : AUSTRIAN THEATER ACTRESS, PHOTO BY CELEBRATED PHOTOGRAPHER DR SZEKELY

This carte de visite portrait features Austria-Hungarian theater actress Hermine Albrecht (1856-1929). She studied acting with German actor, Karl Wilhelm Meixner and made her debut in 1875. In that year she signed with the Vienna City Theater where she worked until 1884. In 1887 she joined the ensemble of Burgtheater ensemble and in 1890 she was appointed a court actress. She left the theater in 1893 to join private life. She was married to Count Tamas Nyary de Bedegh (1838-1902). Her sister was also an actress (Charlotte Albrecht).The photographer of this image is Dr Szekely. He  is cited multiple times in the photographic journals of his time for his photography research. Dr Szekely operated a studio in Vienna, Austria. As of this writing, the Cabinet Card Gallery has two other photos by Szekely. One of these images is of Austrian theater actress Josephine Wessely (1860-1887). To view the other photographs by Szekely, place his name in the blog’s search box.This photograph was taken during or after 1873. This is known because of the the award medallions seen on the reverse of the photograph is dated 1873,   (SOLD)

MISS JOAN KEDDIE : PRETTY ACTRESS WITH A SENSE OF HUMOR

This vintage real photo postcard features a pretty actress named Joan Keddie. Preliminary research found very little biographical information about her. An article in the “Black and White Budget” (1902) includes an interview with Miss Keddie. The article  focuses on collecting anecdotes from theatrical performers. Keddie tells an “amusing” but “annoying” story of an experience she had while on tour. She asserts that a performer’s life is not a “bed of roses” and that there are some little hardships that must be endured. She asserts that one of these annoyances is having to deal with landladies as the touring company goes place to place. She states that the landladies often look for devious ways to inflate the bill. She recounts the experience she had with one such proprietor, who, at the end of her stay, presented her with a bill that included charges for salt, pepper, and vinegar which she had used while dining. Keddie declares that she was very surprised that she wasn’t charged for the paper that the bill was written on. It appears that Joan Keddie had a good sense of humor. The “Sphere” (1902), has a review of “Merrie England” (1902), a play in which Keddie was a cast member. The article states that her acting showed “distinct promise”. This postcard was published by Rotary Photo and was part of the Rotary Photographic Series (no, 1741 A). Her photo portrait was taken by Stage Pictorial, a theater magazine. Individual portrait postcards featuring Joan Keddie are uncommon.   (SOLD)

Published in: on August 26, 2019 at 6:52 pm  Comments (1)  
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LUCY JOUSSET : PRETTY STAGE AND FILM ACTRESS (PORTRAIT BY LEOPOLD REUTLINGER)

This vintage real  photo postcard features stage and film actress Lucy Jousset (1884-1914). She is beautifully dressed. Note her beaded necklace and large hat. She also has a feathered wrap partially around her shoulders. Jousset’s IMDb filmography includes three films, all produced in 1914. Unfortunately, she lived a short life, dying at the young age of thirty years old. The cause of her death and additional biographical details were not determined in my preliminary research. Miss Jousset’s portrait was taken by celebrated theatrical photographer, Leopold Reutlinger of Paris, France. This postcard was published by Societe Industrielle de Photograpie (SIP) of Rueil, France, as part of a series (no 14-65). The postcard is postmarked in Arlon, Belgium (1907.) The postcard is in very good condition (see scans).   SOLD

 

MISS ELSIE COOK – PRETTY PERFORMER

Meet Elsie Cook. I wish there was something I could tell you about her. I assume that she is a performer of some kind. Most likely she is an actress that did not receive much acclaim as my initial research into her background found nothing. Perhaps a visitor to the Cabinet Card Gallery can provide us with some information about this pretty young woman. This vintage real photo postcard was published by Stewart & Woolf. The firm was located in London, England. The postcard is part of a series (115, no. 42).             (SOLD)

PORTRAIT OF ACTRESS GERDA MAURUS AND HER AIREDALE

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cuban milkman 5 The lovely actress seen in this vintage real photo postcard is named Gerda Maurus (1903-1968). She is posed next to a beautiful Airedale terrier. This unusual profile photograph was taken by celebrity photographer Alex Binder. His studio was located in Berlin, Germany. Maurus was active in film and television between 1928 and 1968. She was an Austrian actress of Croatian descent. Maurus was the daughter of an engineer/inventor. She grew up in Vienna and received training as a singer and dancer. She hit the stage at age fifteen. The IMDb biography of Maurus describes her as ” a strikingly beautiful blonde with high cheekbones an expressive blue eyes”. She began her career on the stages of Vienna. She was “discovered” by director Fritz Lang and he cast her in the female lead in the silent film “Spione” (1928). Lang was smitten by maurus and his marriage was destroyed. She then appeared in a number of German films during the Weimar and Nazi eras. Maurus married director Robert A. Stemmie in 1937. He directed her in  “Daphne and the Diplomat” (1937). Like many actresses of her time, her acting career was hurt by the introduction of “talkies”. Further complicating matters was her nebulous association with Nazi propaganda minister Joseph Goebbels. This relationship had negative impact on her career after World War II. Due to lack of film offers, Maurus retreated to the German stage. The IMDb filmography of Gerda Maurus lists 33 credits. Here is a side note about Airedales. The first World War increased the popularity of Airedales because they became famous for their bravery on the battlefield. In the US, Presidents Theodore Roosevelt, Calvin Coolidge, and Warren Harding all owned Airedales. In the 1920’s, Airedales became the most popular dog in the US. This postcard was published by Ross Verlag and is part of a series (no. A1320/1).  (SOLD)

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