This vintage risque real photo postcard features a pretty young dancer at the Bal Tabarin cabaret. She may be a can can dancer, which is a dance that was known to be performed there. The venue was located in Paris, France. The club was opened in 1904 by Auguste Bosc, a composer and orchestra leader. The Bal Tabarin became very popular immediately after it’s opening. During the occupation of France in World War II, the club was frequently visited by German officers. Florence Warren, a South African dancer, performed there. The Germans did not realize that Warren was Jewish but she was interned as an enemy alien for several months. Upon her release, she returned to the club and partnered with Frederic Acar to become a favorite dance duo. She appeared on stage with successful performers, including Edith Piaf and Maurice Chevalier. Warren also kept busy aiding the French Resisance. After the war, the owners of the Moulin Rouge took over the cabaret and finally closed it in 1953. The young dancer seen in this photo postcard was photographed by Jean Agelou (1878-1921). Agelou was a French photographer of the 1910’s and 1920’s who is best known for his erotic and nude photographs. He was born in Egypt and not much is known about his private life. Agelou generally used models between the age of 20 and 24 years-old. Although the 1900’s was the “golden age” of erotic photograph, photographers who took such risque photos had to use discretion. As a result, Agelou signed his work “JA”. In 1908, nudity in photographs was banned in France and photographers had to cover nude women images with strategically placed undergarments or other materials. Nude images had to circulate on the down low. They were sent in the mail inside of envelopes. Jean Agelou died in 1921; the result of a car accident. (SOLD)
PORTRAIT : PRETTY ACTRESS COLETTE BRETTL : FEMALE PHOTOGRAPHER SUSE BYK : (RPPC)
This postcard features pretty British film actress, Colette Brettl (also Brettel) (1902-1973). She made her film debut in Wuthering Heights (1920). After appearing in several British films in the early 1920’s, she moved to Germany and appeared in films there until the advent of sound movies. She was married to Dutch actor, Ernst Winar. The photograph that graces this card was taken by Sus Byk in Berlin, Germany. She was a highly respected photographer. She was a member of the Photographic Association of Berlin and in 1913, she attended the first conference of German Women Photographers at the Berlin Women’s Club. At some time in the 1910’s, she succeeded famed photographer Ernst Sandau at his studio. She trained photographers Martha Maas and Lore Feininger. In 1927, Byk married philosopher and playwright Hellmuth Falkenfeld. In 1938, the couple were forced to flee Berlin due to Nazi anti-semitism. Byk and her husband emigrated to New York via Rotterdam and London. This postcard was published by Ross Verlag as part of a series (No.3199/7). (SOLD)

LILLIAN BURNS : EARLY AMERICAN FILM ACTRESS AND ACTING COACH : RAPHAEL TUCK RPPC
Postcard 1 features pretty film actress Lillian Burns (1903-1998). Burns was an American stage actress hailing from Illinois. She is most known for performing in “A Florida Enchantment” (1914), “The Goddess” (1915), and “The Shop Girl” (1916). She was an acting coach for MGM from 1937 until the early 1960’s. Her filmography includes 41 credits from 1912 through 1916. This photograph was taken by celebrity photographer Lallie Charles (1869-1919). She and her sister, Rita Martin, were the most commercially successful female photographers of their time. The pair were from Ireland. They took photographs of many of celebrities of their era. This photograph was published by Raphael Tuck as part of a series (no.T825). The series was entitled “Celebrities of the Stage”. This postcard is in excellent condition (see scans).
Postcard 2 was also taken by Lallie Charles . This photograph was published by Rapid Photo Co. as part of a series (no.4228).The card was postmarked in 1908.

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NINA WOOD : STAGE ACTRESS AND MUSIC HALL PERFORMER
Postcard 1 (SOLD)

POSTCARD 2 (SOLD)

This vintage real photo postcard (Postcard 1) features pretty stage actress Miss Nina Wood. The message on the reverse tells the recipient that this postcard “will be a nice addition to your collection”. The postcard was published by Rotary Photo as part of the Rotary Photographic Series (no.1787A). The photographer that took this photo is the John Story & Hoffmann studio. The postcard is postmarked 1905. (SOLD)
Postcard 2 features Miss Nina Wood wearing a large hat and holding a bouquet of flowers. The postcard was published by Wildt & Kray {W & K) which was based in London. (SOLD)


MABEL RUSSELL BRITISH ACTRESS AND THIRD FEMALE MEMBER OF THE HOUSE OF COMMONS

These vintage real photo postcards feature actress Miss Mabel Russell (1886-1951). She was also known as Mrs Hilton Philipson when off the stage. Russell was a British actor and politician. She was a gaiety girl and starred in many London plays. She left acting to marry politician, Hilton Philipson, in 1917. Mabel caught the political bug and became the third woman to take a seat in the House of Commons. She was quiet on the floor of the house but was active behind the scenes. One of her bills led to the 1927 Nursing Home Registration Act. After retiring in 1929, she returned to acting for a brief period by left the theatre to focus on her family.
Postcard 1 was published by Tucks as part of the “Celebrities of the Stage” series (No.T 718). Miss Russell’s photo portrait was taken by Dover Street Studios. This postcard was postmarked in 1907. (SOLD)
Postcard 2 captures Miss Russell playing “Forbidden Fruit” in the Chinese Comic Opera “See See” (1906). The production ran in London’s Prince of Wales Theatre for 330 performances. This postcard was published by Tucks as part of the “Celebrities of the Stage” series (No.T 713). Miss Russell’s photo portrait was taken by Dover Street Studios. This postcard was postmarked in 1908. (SOLD)
Postcard 3 captures Miss Russell in her role in “Jack and Jill”. The “Bystander” magazine reported her appearance in that production in 1907, the same year as the card is postmarked. The actress was about 21 years old when this postcard photo was taken. The postcard was published by Rotary Photo as part of a series (No.4839R). (SOLD)



PRETTY ITALIAN ACTRESS AND WRITER MARCELLA ALBANI
POSTCARD 2 (SOLD)
POSTCARD 3 (SOLD)

POSTCARD 4 (SOLD)
Marcella Albani (1899-1959) was an Italian film actress that appeared in 50 films between 1919 and 1936. Albani was “discovered” by writer/director Guido Parish (Schamberg) when she was twenty years old. They became a very successful film couple until 1924 when they parted ways. Their movies were predominately tear jerkers and adventure stories. The actress also worked with other famous directors such as Joe May, Friedrich Zelnik, and Wilhelm Dieterle. Albani was a major star in the European cinema in the late 1920’s. Her films were made in five different European countries. Many of Albani’s roles were portraying elegant Latin beauties. At the advent of sound movies, Miss Albani turned to writing. One of her several novels was turned into a movie. She continued to act until 1936. Albani was married to director Mario Franchini in 1931.
Albani certainly looks elegant, sensual, and beautiful in this Postcard 1 portrait. She is dressed exquisitely. The postcard image is a bit risque for it’s era. This postcard was published by Ross Verlag of Berlin, Germany. The postcard is part of a series (no. 538/1). This portrait of Miss Albani was taken by celebrity photographer, Alexander Binder. (SOLD)
In the photograph seen on Postcard 2, Albani again looks elegant, and beautiful. Her hat is a fashion statement in itself. The card is of German origin and published by Ross Verlag of Berlin. The postcard is part of a series (no. 1521/1). The photo is by Aafa film. According to one reliable source, the postcard was issued sometime between 1927 and 1928. (SOLD)
Postcard 3 features a beautiful risque portrait of Miss Albani. The publisher of this postcard is also Ross Verlag of Berlin, Germany. The postcard is part of a series (no. 596/3). Printed on the postcard is the name “Albani Film”. The company was a film production and distribution firm and was active in 1934. (SOLD)
Postcard 4 accentuates the beauty of Miss Albani. The portrait is artistic and risque. This postcard was published by Ross Verlag as part of a series (no.596/4). Print in the bottom right hand corner of the image states “Albani Film”. (SOLD)
Postcard 2
Postcard 3
ELGA BRINK: BEAUTIFUL GERMAN FILM ACTRESS

Postcard 4
These vintage real photo postcards feature beautiful German film actress Elga Brink. The IMDb reports that she appeared in sixty-nine films between 1922 and 1951. Brink was blonde and slender. She began her career in silent films. She often played supporting roles. She appeared in comedies, science fiction, drama, and even in a sex education film. She was recognized for her roles in “Comedians of Life” (1924), “Love in Intoxication? (1927), and “Marriage in Trouble” (1929). At some point she was married to director Georg Jacoby. After the second world war she mostly did stage work until her retirement from the entertainment world. She then worked as a clerk in a Hamburg law firm.
Postcard 1 was published by NBC as part of a series (No. 7375/6). The stamp box of this postcard has an interesting story. “NBC” (Neue Bromsilber Convention) was a price cartel established in 1909 that continued until the 1930’s. The purpose of the cartel was to ensure that the minimum price charged for postcards was kept at a sufficiently profitable level.This color tinted photo postcard portrait captures the beauty of Elga Brink. She is very expressive in this photograph. She appears quite amused by something. She is bundled up for winter weather. (SOLD)
Postcard 2 was published by Superfot as part of a series (No. 637/6). The stamp box of this postcard states Fotocolore. This photo postcard portrait captures the beauty of Elga Brink. She is very expressive in this photograph. She appears to be looking into the heavens. (SOLD)
Postcard 3 was published by Iris Verlag as part of a series (No. 620). On the bottom right corner of this postcard is the logo for Sascha-Films. The company was the largest Austrian film production company of the silent film and early sound film era. The film company was established in 1910 in Bohemia and in 1912 it moved to Vienna. Sascha remained in business through the 1960’s although it went through many changes of ownership and company names through the decades. (SOLD)
Postcard 4 was published by Superfot as part of a series (No. 645/1). The stamp box of this postcard states Fotocolore. This photo postcard portrait captures the beauty of Elga Brink. She is very expressive in this photograph. She has the appearance of a “deer in the headlights”. This close-up portrait is almost too close for comfort. The card is uncommon or rare. (SOLD)
Postcard 1

GILDA DARTHY : SCANDALOUS FRENCH ACTRESS : RISQUE
This vintage real photo postcard features French actress, Gilda Darthy (1878-1952). She was an actress on the Paris stage. She was known for being fashionable and was the subject of many photo postcards and photographs. Her stage costumes were created by some of the most famous costumers of their time. She had striking red hair. She was a passenger on a 1910 flight from Algiers to Timbukto and her flying on the plane was used to publicize the New French air service making the flight. During World War I, Darthy was one of the French actresses employed to portray “La Patrie”, a symbol of France. She made her American debut in “The Ironmaster”. The New York Times (1916) reported on her performance and the review was very favorable. The reviewer described Darthy as being among the most gifted and skillful actresses of the french theater. The wrtier added that “she has all the natural grace and technical skill” of the schooled actresses of the french theater. The reviewer also commented about Darthy’s appearance by stating she had “a moderate amount of gallic beauty” besides her talent. Finally, the theatrical writer reported that Darthy had an extraordiary amout of emotional powers and a lovely voice. Darthy also appeared in the New York productions of Sapho (1917) and “La Rafale” (1917). In addition to being famous for her acting and fashion roles, Darthy was also a headliner in the area of noted scandals. The New York Times (1917) reported that actress, Irene Bordoni filed suit in the New York Supreme Court against her husband, actor Edgard Beekman, on the grounds of alleged misconduct with Darthy. Darthy was also sued for damages for alienating Boroni’s husband’s affections. Beekman was Darthy’s leading man in a theatrical production at the time of the affair. A similar situation occured with actress Cora Laparcerie and her husband Jacques Richepin. That particular conflict escalated to the point of physical violence between the two women. In 1929, Darthy won damages in a court case, after being injured in an automobile accident. The injuries caused her to have to cut her “trademark” long hair and damages were justifiable because she refused to “deceive the public by wearing a wig”. This vintage postcard portrait of Gilda Darthy was taken by Paul Boyer, the esteemed celebrity photographer. Boyer’s studio was located in Paris, France. (SOLD)

LA SYLPHE : ACTRESS & EXOTIC DANCER : EDITH LANGERFELD : RISQUE RPPC
This vintage real photo postcard features American actress exotic dancer, La Sylphe. Her off stage name was Edith Lambelle Langerfeld (1883-1968). She attracted a great deal of attention in the 1890’s while performing at the Folies Bergere. She was born in New York City. Her father was German and her mother was Irish.Her father invented a machine used in the mining of coal. Edith was a dancer, but US laws prevented her from performing on stage due to her young age. The laws were more liberal abroad so when Edith turned six, she was taken abroad by her mother. She travelled around the world for eight years, spending the majority of her time performing in Europe. She became fluent in five language. During her second world tour, she was the primary dancer at the Alhambra Theatre in London. Next, she performed at the aforementioned Folies Bergere. Her debut in the US occurred when she was fourteen. In 1899, she introduced her rendition of “The Vision of Salome” dance. When “Salome” was banned by the Metropolitan Opera in 1907, La Sylphe’s popularity in the US soared. She named her performances “The Remorse of Salome”. She adopted the Far East body dance, otherwise known as “the houchee kouchee”. She began performing in vaudeville. She did toe dances, spanish castanet dances, muscle dances (belly dances), and of course, the Salome dance. She also performed what she called the Devil dance. Some of her performances were risque. In one skit, her mid waist was covered by only pearls. In other performances she wore tights, picket fence skirts and a gossamer (light and thin) bodice. Her performances in New York shocked the public but the shows were tame compared to her routines in Europe. Some of her New York shows were attended by plainsclothes police officers to ensure that she did not cross over the morality boundary.. In 1919 and 1920, La Sylphe was in the cast of “George White’s Scandals”. Her performances included an Acrobatic act, as well as a Contortionist act. After 1928, she began performing in ballets. In one interview, La Sylphe expresses an interesting opinion about matrimony. In an article from “The Evening World” (1908), she states that being an old maid is a good idea. She asserts that she is going to be one. “Marriage is fine for men, but it’s rotten luck for a woman, This vintage real photo postcard was published by Philco as part of a series (No.3103A). The photo was taken by noted celebrity female photographer, Lallie Charles. (SOLD).









POSTCARD 1
Postcard 2 (SOLD)
POSTCARD 1












