DREAMY YOUNG WOMAN IN LOVELAND, COLORADO :(PORTRAIT BY THE PHOTOGRAPHER INVOLVED IN THE “1894 MAMMOTH POTATO HOAX”

A pretty young woman sits sideways on a chair and holds an open magazine as she poses for her portrait at the Talbot studio in Loveland, Colorado. If she is indeed sitting sidesaddle on the chair; it is an unusual pose. She is wearing an interesting and uncommon dress. Perhaps a visitor to the cabinet card gallery can tell us something about the dress. What kind of material is this dress made from? What is the material of the fabric that is sewn over parts of the dress? What kind of hair accessory is she wearing atop her head?  Note that she is also wearing a ribbon which can be partially seen behind her head. Are you wondering about the “Mammoth Potato Hoax” yet?  I’ll get right to that intriguing story after a brief description of the town where the Talbot studio was located. In the early seventies (the nineteen, not the eighteen seventies) I used to ski Loveland’s slopes and mail valentine day cards from the Loveland post office. It was considered extra romantic to have a Loveland postmark on your Valentines Day cards. I enjoyed the town, but never knew the story of how Loveland got it’s name. Research reveals that Loveland was founded in 1877 and was named in honor of William A. H. Loveland, the President of the Colorado Central Railroad. Not many years later, Adam H. Talbot operated a photography studio in Loveland. In 1894, he was recognized nationally and internationally for his involvement in the “Mammoth Potato Hoax of Loveland, Colorado”. The hoax actually started very innocently. The editor of the Loveland Reporter wanted to help a local potato farmer, Joseph B. Swan, promote his spud sales at a Loveland street fair. The farmer was well respected for his potato production. He had grown 26,000 pounds of potatoes on one acre of land over a years period. He had claimed to have grown a giant potato weighing 13 lbs, 8 ozs.  In an effort to create a humorous advertisement for farmer Swan, the newspaper editor recruited photographer Talbot to use trick photography to create a photograph of Swan holding a massive potato over his shoulder. Printing below the image stated that the potato weighed over 86 pounds. Unfortunately, or fortunately, depending on the participants point of view, many people believed that this attempt at humor was actually reality. Word spread about this amazing potato. Eventually, a New York City attorney sent the photograph to the editors of the Scientific American. The attorney included a note that stated that the actual potato had been on exhibit at the  Loveland Reporter offices.   The editors ordered an engraving of the photograph to be made and than published it as real news in an 1895 issue. Eventually, the editors became aware of the truth about the photograph and published an angry retraction. The magazine reported it was victim of a “gross fraud” and stated unkind opinions about photographer Talbot. They asserted that “An artist who lends himself to such methods of deception may be ranked as a thoroughbred knave, to be shunned by everybody”. The story of the “mammoth potato hoax” went viral, 1890’s style. It was widely reported but still many were not aware that the giant potato never existed. Farmer Swan was besieged by letters asking for information and offering to buy his amazing potato seeds. Swan would try to explain that the famous potato never existed, but people did not believe him. Eventually, Swan just told inquirers that the potato had been stolen. Incredibly, the story of the huge potato appeared in The Strand Magazine (1897), and it was reported as true news. After some years had passed, Talbot finally received some positive acclaim in the St. Louis and Canadian Photographer (1902). Talbot was recognized for producing photographs for a book named “Loveland, Colorado Illustrated”.  SOLD

PORTRAIT OF A BOY AND HIS WOODEN SLED

This vintage photograph features a little boy sitting on his wooden sled atop snow covered ground. He is not dressed in a particularly warm fashion. In fact, his ears are exposed to the cold. This vintage postcard measures about 4 1/4″ x 6 1/4″ and is in very good condition (see scans).

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Buy this Vintage Photograph (includes international shipping outside the US) #3181

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$37.00

Published in: on September 4, 2020 at 12:00 pm  Comments (1)  
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CHARLOTTE SUSA : GERMAN STAGE AND FILM ACTRESS : SIGNED BY MGM AS RIVAL TO GRETA GARBO

This vintage real photo postcard features German actress, Charlotte Susa (1898-1976). Sosa was very pretty and the “look” she gives the camera indicates that she knew it. She certainly has a sultry appearance in that dress. Susa was born in Memel, East Prussia. One of her parents was Italian and the other was Swiss. Her first stage appearance was in 1915. She began a successful career as both a singer and an actress. She played in a number of German opera and operetta venues. Her film debut occurred in 1926 with an appearance in a German silent movie. She became a popular actress and appeared in many femme fatale roles. After the advent of sound films, Susa began assuming leading roles.  In 1932 she signed with MGM, relocated to the United States, and started an international film career. One newspaper columnist of the time wrote that Susa, Lilian Harvey, Anna Sten, and Henry Garat were all important “foreign talents” that were joining Hollywood pictures. Susa was projected to be a rival to Greta Garbo. Success in Hollywood did not come to fruition. She cancelled her contract in 1934. She stopped acting  in films but returned to the stage after World War II.  Susa, like many film stars, had multiple marriages. Susa stopped replacing husbands after her third marriage. Her third husband was Andrews Engelmann (1901-1992), a Russian born German actor. He appeared in German and British films during his career. Charlotte Susa died in Basel, Switzerland. The IMDb reports Susa had thirty-six film credits ranging from 1926 to 1941. This postcard portrait was photographed by H. Gartner and published by Ross Verlag as part of a series (no.5309/1). Eichberg Films is credited on this postcard. Richard Eichberg (1888-1952) began his career as an actor but became a succssful film director and producer in the German film industry. He directed 87 films and produced 77 films. At the time that Susa’s photograph was taken for this postcard, she was employed by Eichberg’s company.  (SOLD)

RISQUE PHOTOGRAPH OF A PRETTY WOMAN (1920’s PC PARIS)

This vintage risque real photo postcard features an attractive woman sitting on a chair. The straps of her lingerie are off her shoulder, she is wearing visible stockings, and she is showing a lot of skin. This is a pretty suggestive photo postcard. The young woman is wearing earrings and a bracelet. She is holding a photo album that appears to contain real photo postcards. The photos in the album could possibly be cabinet cards. Note the interesting and unusual lamp in the background. I view the lamp as gaudy which is a perfect fit for this risque photograph. The card was published in France by P. C. Paris.  The P. C. logo is an abbreviation for Papeteries de Levallois-Clichy. The firm published a variety of real photo postcard topics including portraits of women, nudes, views, and holiday cards. The company was active in the 1920’s. This postcard shows a bit of wear but it is in good condition (see scans).

Buy this Vintage Real Photo Postcard (includes shipping within the US) #3179

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Published in: on September 2, 2020 at 12:00 pm  Comments (1)  
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PRETTY ASIAN WOMAN IN FORMAL TRADITIONAL GARB (JAPANESE? INDONESIAN?)

This vintage real photo postcard begs some answers, but I’m stumped. I have never seen the type of clothing displayed on this card before; despite my exposure to a multitude of international postcards. This interesting studio portraiture features a pretty Asian woman dressed in some unusual garb. It appears to be formal traditional clothing. I do not know which culture that this dress represents. I am hypothesizing that woman is Japanese. However, the previous owner of this postcard thought the woman may have been from Indonesia. The owner’s guess is written on the reverse of the card. The woman in this photo is holding a basket in one hand and an object I can’t identify in the other hand. There is an AZO stamp box on the back of the postcard. It reveals that this card was produced sometime between 1910 and 1930.  SOLD

Published in: on August 31, 2020 at 12:00 pm  Comments (3)  
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PORTRAIT OF AN OLDER FARM WORKER (HE IS OUTSTANDING IN HIS FIELD)

This vintage photograph features an older man who appears to be a farm worker. He has a rugged and weathered face. I believe that his countenance  projects wisdom and gentleness. It is easy to see that he is a man that has worked with his hands. His work boots are very worn from his labor in the fields. Although I am no expert at farming equipment, I believe that the tool that he is holding, is a hoe. Note the stone wall behind the worker as well as the adjacent (barbwire?) fence.  This photo measures about 4 3/4″ x 6 5/8″ and is in very good condition. The top right hand corner has a tiny chip (see scans).  SOLD

Published in: on August 28, 2020 at 12:00 pm  Comments (4)  
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CARTE de VISITE PORTRAIT OF AN ADORABLE LITTLE GIRL IN MARSEILLE, FRANCE

This cdv portrait features an impish looking little girl posing for her portrait at the studio of G Ye Ouviere, located in Marseille, France. She is a cutie. Advertising printed on the card shows a medal from an exhibition held in 1900. This photo was produced at, or shortly after, that year. This carte de visite photograph is in very good condition (see scans).This carte de visite photograph is in very good condition (see scans) (SOLD)

Published in: on August 27, 2020 at 2:51 pm  Comments (1)  
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ADORABLE LITTLE GIRL AND HER TWO PRECIOUS CATS (PUBLISHED BY FAUVETTE)

This vintage real photo postcard features an adorable little girl. She is carrying two beautiful cats. One is peeking out of a wicker basket. This little girl is quite industrious. She is also transporting a second cat, a cloth bag, and a bouquet of flowers. She must have been so busy remembering what cargo she was taking from home that she forgot to put on her shoes. This postcard was made in France and was published by Fauvette (no.1319). The postcard was most likely published in 1913 as a closely numbered Fauvette card in the Cabinet Card Gallery collection has a 1913 postmark.   ADDENDUM: Further research reveals that the model in this postcard is most likely, Hani Reinwald, sister of popular postcard model, Grete Reinwald. Both girls became stage and film actresses.  SOLD

Published in: on August 26, 2020 at 12:00 pm  Comments (5)  
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STUDIO PORTRAIT OF A PRETTY YOUNG WOMAN IN HAVANA, CUBA

This vintage real photo postcard features a pretty young Black woman photographed at the Brent Studio in Havana, Cuba. She has a beautiful smile. There is an inscription written in Spanish on the reverse of the postcard. The stamp box on the card indicates that it was published by EKKP, a firm that existed between 1904 and 1950.   SOLD

Published in: on August 25, 2020 at 9:43 am  Leave a Comment  
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PORTRAIT OF A FEMALE ENTOMOLOGIST STUDYING BUGS AT THE UNIVERSITY OF PITTSBURGH IN THE 1920’S

The subject matter of this vintage photograph is definitely unusual. The photographer was an accomplished man outside of field of photography. The subject of this photo is a young woman studying mounted insects. On the blackboard is a drawing and the words “Musca Metamorphosis”. The drawing and the words depict the common house fly and it’s body parts. The woman is likely a biologist or an entomologist. Perhaps she is a student in one of these fields. A microscope, a tank of water, an insect mounting board, and four books can be found on the woman’s lab table. She is wearing a headband to keep her hair out of her eyes while she is working. This photograph was taken by Dr Charles S. Apgar. Apgar was born in 1902 in Pittsburgh, Pennsylvania. He attended Westminister College and after two years transferred to the University of Pittsburgh. Apgar attained his PhD there in 1930. He became the head of the biology department at Elizabethtown College in Elizabethtown, Pennsylvania. In 1945. he was an associate professor of Biology and he attained full professor rank in 1947. A college year book described him as ingenious, versatile, patient, and kind. Between 1961 and 1966, he served as head of the Elizabethtown College Biology department. One source reveals that Professor Apgar was very involved in the colledge’s  academic, as well as, social activities on campus. He was viewed by many students as a role model. His wife worked in the same department as Apgar. She was a PhD biologist who earned a degree at the University of Pennsylvania. The pair were at Elizabethtown College for more than 20 years. The previous owner of this photograph reports that the photo was taken by Apgar in the 1920’s at a University of Pittsburgh lab. This interesting photograph measures about 7 1/2″ x 9 1/4″. SOLD