This vintage photograph features a young woman dressed in a dance costume. The previous owner of this image reported that the woman was a dance school student ,and that at the time of this photo, she was at a recital or a recital rehearsal. The student appears to have been in her teenage years. Her costume is unusual and interesting. Note her wide wristbands and striped cap. She may also be wearing a cape although her pose blocks an adequate view of that part of her costume. The subject of this photo is identified by an inscription on the reverse. Her name is Louise J. Howlan (1915-1970). Her father worked for a gas and electric company. At the age of 25, she worked as a stenographer. This photograph was taken by a Utica, New York studio. I am unable to decipher his name which can be found on the lower right hand corner of the image. The photo is from circa 1920’s. The photograph measures about 4 1/8″ x 6 1/4″. (SOLD)
PHOTOGRAPHERS NAME
This vintage postcard features a “Bedouin Beauty” with wonderful smile. Everything she is wearing is interesting. Her traditional dress, the flowers in her hair, and her necklace are all intriguing. This postcard offers some sexual provocativeness which was typically seen in ethnographic postcards from this era. It seems that if women from other cultures, or non white ethnicities, were photographed for postcards, than some nudity was acceptable. Western photographers, postcard publishers, and postcard consumers all appear to have been “suffering” from ethnocentrism. The woman in this photo, as stated earlier, is a Bedouin. Bedouins are a group of nomadic Arab people. Historically, they have inhabited the desert regions in the Arabian Peninsula, North Africa, Iraq, and the Levant. This image was produced by the team of Rudolf Franz Lehnert (1878-1948) & Ernst Heinrich Landrock (1878-1966). 
This action packed postcard features a rugby player getting past the defense and making a score (try). In rugby, a “try” earns moret points (5) than other type of scores. A “try” occurs when a player puts the ball down inside the opposing team’s designated area near the goal. This postcard was published by Raphael Tuck & Sons and is part of the “Oilette ” series (no. 1746). Oilette cards are copies of the work of commissioned artists. This postcard is part of a sub series entitled “Football Incidents”, and the card itself is captioned “A Try”. This rugby image was modeled after a black & white drawing by S. T. Dadd. The postcard was postmarked in 1907, but was issued in 1904. Raphael Tuck and his wife started their photography business in 1866 in London. Their store sold pictures, greeting cards, and in time, postcards. Their success came from the sale of postcards during the late 1890’s and early 1900’s. In the early 1900’s the firm conducted postcard competitions for collectors of Tuck postcards. These competitions offered cash prizes and they were very popular. The winner of one of these competitions had a collection consisting of over twenty-five thousand cards. Three of Tuck’s four sons participated in the business. The company was devastated by German bombing during World War II. In 1959 the company merged with two other printing companies. This postcard is in very condition (see scans).
A father and his child pose in their winter clothing for photographer J. P. Benjamin in Pipestone, Minnesota. Both are wearing outer coats and snow hats. No biographical information could be found concerning the photographer of this cabinet card other than he was active in Minnesota in the 1880’s. Pipestone is located in southwest Minnesota. Henry Wadsworth Longfellow mentioned the beautiful stone area around Pipestone in one of his poems (Hiawatha). The town was established by two settlers who wanted to visit the site mentioned in the poem. A pipestone quarry is located about a mile north of the town and it was named a National Monument in 1937. This cabinet card has a very slight bow and is in very good condition (see scans).
This vintage press photo features Miss Jean Rutherford, winner of a beauty contest sponsored by the Daily Mirror, a newspaper in Great Britain. The contest had 22,000 entrants. Miss Rutherford was from Perth, a city in Scotland. Besides choosing a winner of the beauty pageant, the contest was supposed to determine whether manual or “brain workers” were the most beautiful. I guess this silly question was supposed to increase interest and excitement about the contest among the newspaper’s readers. Manual workers were determined to be the prettiest because Miss Rutherford worked as a domestic servant. Before I began researching Miss Rutherford, I was hoping that she went on from this contest and has a successful career as an actress, or some other profession. Unfortunately, my preliminary investigating did not reveal any information about what happened to Miss Rutherford after her victory. This press photo was formerly part of the collection belonging to Victor Forbin (1864-1947), accomplished French writer. This photograph measures about 6″ x 8″ and is in good condition (note staining near the upper right hand corner). (SOLD)
This vintage postcard was published by Raphael Tuck & Sons and is titled “Japanese Acrobats” (no. 6465). The performer in the middle has tattoos on his back, as well as on the back of his left leg. Note the acrobats are holding paper fans and that the center acrobat is wearing his fan on his head. The card is part of a sub-series named “Japanese at Home”. The postcard is also a member of the “Oilette ” series, which was introduced in 1903. The 1930 Tuck catalog states that the oilettes are “veritable miniature oil paintings;” with six designs in a packet. These postcards were printed with the “finest modern colour methods direct from original paintings”. Raphael Tuck and his wife started their photography business in 1866 in London. Their store sold pictures, greeting cards, and in time, postcards. Their success came from the sale of postcards during the late 1890’s and early 1900’s. In the early 1900’s the firm conducted postcard competitions for collectors of Tuck postcards. These competitions offered cash prizes and they were very popular. The winner of one of these competitions had a collection consisting of over twenty-five thousand cards. Three of Tuck’s four sons participated in the business. The company was devastated by German bombing during World War II. In 1959 the company merged with two other printing companies. (SOLD)
This photograph captures three couples gathered around a “tricked out” sled on a winter day. There is snow on the ground and the woman are wearing weather appropriate footwear. Interestingly, only three of the subjects are paying attention to the camera. It is also notable that the individuals in this image are not dressed for frolicking in the snow. My guess is that they may have been out walking and happened upon the sled. One of them may have thought the sled presented them with a terrific photo opportunity. This photograph, according to an inscription on the reverse of the image, was taken in Spa, Belgium. The photograph was shot at the Chalet de Geronstere in 1933. Spa is a town in the Province of Liege, Belgium. It is situated in a valley in the Ardennes mountains. SOLD
This vintage snapshot features two very pretty young women eating ice cream as they stroll down a street in St. Andre, France. It appears that they may be at a street fair. These thin waisted young ladies could be fashion models. Perhaps they are? Note the Vespa motor scooter that is parked behind the woman wearing the solid color dress. That same woman, has a beautiful smile. An inscription on the reverse of the photograph indicates that the photo was taken in 1957 SOLD
This vintage real photo ethnographic postcard features a pretty Vietnamese woman dressed in traditional clothing. This portrait postcard was published in 1907 by P. Dieulefils in the city of Hanoi. Pierre Dieulefils was the first established professional photographer in Hanoi. In addition, he was a postcard editor and explorer. He had an excellent reputation as a photographer throughout Europe and Indochina. He won many medals at Universal Exhibitions. It is estimated that he produced approximately five thousand photos and postcards and he is considered one of the greatest photographers of the region. His photographic expeditions included such locales as Vietnam, China, and Cambodia. This postcard is part of a series (no. 7). As of this writing, the Cabinet Card Gallery has four of Dieulefils’s photo postcards in it’s collection. All four are photographs of Tonkin inhabitants and all are part of the same series.. This photo postcard is in very good condition (see scans). SOLD
This carte de visite portrait features a a nicely dressed pretty young woman. The top of her dress is quite busy. It includes a high collar, lace trimming, and two wide ribbons. Her dress seems rather large for her figure. Perhaps she had recently lost a significant amount of weight. Another possibility is that she borrowed the dress from the studio’s wardrobe collection. Some photographer’s did in fact provided their subjects with clothing for their photographs. This photo was taken by Samson & Company. The studio operated in Krefeld, Germany. At the time of this writing, the Cabinet Card Gallery had three other German photographs that were taken by “Samson & Co.”. The other Samson photos were taken by studios located in three different German cities (Duisburg, Barmen, and Karlsruhe). I do not know if the four studios were independent of each other, or if they were all owned by the same individual. If they shared an owner, it would mean that “Samson & Son” was like the “Starbucks” of retail German photography. This cdv portrait is in good condition (see scans).
THE CABINET CARD GALLERY 