This vintage real photo postcard features British silent film actress, Lilian Hall-Davis (1898-1933). She had much success in silent films but struggled with the transition from silent to sound films. This frustration and disappointment likely led to her experiencing mental health problems and eventually to her suicide at the age of 35. She was one of Britain’s leading actresses in the 1920’s, appearing in numerous films that showcased her charm, talent and on-screen presence. She worked with some of the most respected directors of her time and was a recognized talented actress in both British and International films. She starred in both romantic and dramatic roles. She is best remembered for her performances in two of Alfred Hitchcock’s films, “The Ring” (1927) and “The Farmer’s Wife” (1928). Other notable performances were in “The Passionate Adventure” (1924), “The Ghost Train” (1927), and “The Guns of Loos” (1928). Her popularity is reflected by the number of collectible postcards (such as this one) and photographs that were published during her era. This postcard shows Miss Hall-Davis with short wavy styled dark hair. understated make-up and large expressive eyes. Her gaze is slightly off-camera, conveying a reflective, almost wistful mood. She is wearing an elegant sleeveless dress adorned with embellishments along the shoulder strap. A delicate pearl necklace adds to her refined and classic look. The photographer of Miss Hall-Davis’s portrait was Schneider, a Berlin based photographer, The postcard was published by Ross Verlag (Berlin). Ernst Schneider was one of the most celebrated studio photographers in Berlin during three decades (1900’s, 1910’s, 1920’s). He photographed many celebrities from the world of theater, opera, circuses, and film. He was also one of the most prominent fashion photographers in Berlin. In addition, he was well known for his nude photography and he published books showcasing his work in this domain. Sometime around 1908 Schneider began working with postcard publishers “Rotophot” and “Neue Photographische Gesellschaft” (NPG). In 1919 he began working with Ross Verlag. SOLD
BRIGITTE HELM : TAKES A PHOTO : CAMERA ON TRIPOD : PHOTOGRAPHER : ACTRESS : RPPC
POSTCARD 1 (SOLD)
POSTCARD 2 (SOLD)
Postcard 1 features German actress, Brigitte Helm (1908-1996). The postcard captures Miss Helm taking a photograph with a camera on a tripod. Photographs of photographers in action are quite collectible. Now, back to Brigitte Helm. She is best known for her dual role in Fritz Lang’s 1927 silent film, Metropolis. After “Metropolis” she played in a long string of movies where she typically had the starring role. Helm was typecast as a Vamp or a femme fatale. She was born in Berlin. Her father was a Prussian Army officer. She was interested in acting at an early age and by age 12, was taking lead parts in school plays. At the age of 17, she acted in “Metropolis”. In 1925 she signed a ten year contract with UFA. She performed in both silent films and talkies. Beside “Metopolis” (1927), Helm was best known for “A Daughter of Destiny” (1928), “L’Argent” (1928), and “Alraune” (1929). Helm had an eventful personal life. Helm was involved in several traffic accidents. In fact, she was briefly placed in prison for manslaughter charges. She married industrialist, Dr Hugo Kunheim. The Nazis were not very pleased with her choice in men because Kunheim was Jewish. In 1935, Helm retired and moved with her husband to Switzerland where they started a family. Helm explained her retirement was because of disgust about the Nazi’s taking over the German film industry. This postcard was published by Ross Verlag as part of a series (No.8486/1). The card has the UFA logo which reveals it was published between 1925 and 1935. (SOLD)
Postcard 2 captures Miss Helm in a beautiful dress that illustrates her nice figure. This postcard was published by Ross Verlag as part of a series (No.8486/1). The card has the UFA logo which reveals it was published between 1925 and 1935. (SOLD)

POSTCARD 1

POSTCARD 2
IDENTIFIED YOUNG WOMAN : BY ELMER CHICKERING : BOSTON, MA. : CABINET CARD 1884
This is an original cabinet card portrait from the noted Boston photographer Elmer Chickering. Chickering was among the city’s most prominent portrait photographers in the late 19th century, well known for photographing actors, political figures, and Boston society. The photograph captures a young woman posed in formal attire. Her hair is neatly pulled up and arranged high on her head, giving prominence to her face. She wears a dark dress with a row of ornate buttons down the bodice, along with a crisp white collar. Her expression is calm and composed, reflecting the classic, dignified portrait style of the period. The clarity and lighting emphasize her facial features against a subtly textured backdrop. The photographer’s imprint is printed in gold script across the lower border of the mount. The mount itself is in a rich, dark brown tone.On the reverse, the ornate Chickering studio back mark dominates the card, decorated with scrollwork and flourishes. In period handwriting, the sitter is identified as “Maggie McDonough”. The inscription is dated 1894. (SOLD)

TWO WOMEN, TWO DAUGHTERS, AND THREE WILD HATS IN CHICAGO, ILLINOIS
Two young woman and two children pose for their portrait at the studio of Nicklas & Co. in Chicago, Illinois. The women and oldest child are wearing very complicated decorative hats. One woman is holding a fan on her lap and the oldest child is holding a basket of flowers. Wild hats were clearly the rage during the time of this photograph. SOLD
LILLIAN GISH : PRETTY SILENT FILM STAR : D W GRIFFITH : RPPC
POSTCARD 1 (SOLD)
POSTCARD 2 (SOLD)
Postcard 1 features American actress, Lillian Gish (1893–1993). She is considered one of the pioneering figures in early cinema. Born in Springfield, Ohio, Gish began her career on the stage alongside her sister, Dorothy, but soon transitioned to film, where her delicate features and expressive acting made her a favorite of directors during the silent film era. In 1912, Gish joined legendary director D.W. Griffith, becoming his protégé and collaborating with him on groundbreaking films like The Birth of a Nation (1915), Broken Blossoms (1919), and Way Down East (1920). These films cemented her reputation as a leading lady, often playing roles that emphasized innocence and emotional depth. She was known for her meticulous attention to the art of acting. She helped establish the art of screen acting, emphasizing subtlety and naturalism at a time when film was still evolving away from theatrical exaggeration. She was a versatile actress, adapting well to various roles, from delicate heroines to more complex characters, and her commitment to authenticity often saw her enduring extreme conditions on set, like filming in freezing temperatures and performing her own stunts. When silent films gave way to “talkies” in the late 1920s, Gish transitioned gracefully, though her popularity declined as she aged and Hollywood’s focus shifted to younger stars. Still, she continued acting, taking on character roles and even appearing on television. One of her most memorable later performances was in The Night of the Hunter (1955), a film now regarded as a classic. In addition to her acting career, Gish became a vocal advocate for film preservation and the legacy of silent cinema. She gave lectures on the subject. Her work won her numerous accolades, including an honorary Academy Award in 1971, and she remained active in the industry well into her later years. Gish’s career spanned over 75 years, and she is remembered as an icon who bridged the silent and sound eras, leaving an indelible impact on American cinema. Lillian Gish, though a public figure, led a private and often solitary personal life. She was born on October 14, 1893, in Springfield, Ohio, to James Leigh Gish and Mary Robinson McConnell. Her early life was marked by hardship; her father abandoned the family when she was young, leaving her mother to support Lillian and her younger sister, Dorothy. Her mother opened a candy store in New York City, where the family eventually settled, and the two sisters began acting in theater to help support the family financially. Lillian and Dorothy were close throughout their lives, frequently working together in theater and film. Lillian took on the role of family protector and provider from a young age. Though she later became one of the most celebrated actresses of her time, Lillian remained deeply committed to her family, often prioritizing family relationships over romantic entanglements. She never married and had no children, believing that marriage and family life might interfere with her career. However, she did have close friendships with several prominent figures in Hollywood, including her frequent collaborator, director D.W. Griffith, with whom she shared a professional and deeply loyal relationship. There were rumors of a romance with Griffith, though Gish maintained that their relationship was strictly professional. Other rumored suitors included producer Charles Duell and critic George Jean Nathan, yet she largely avoided the spotlight when it came to romance. She valued independence and often expressed a desire to avoid the constraints she felt marriage could impose on her creative pursuits. In later life, she lived with her sister Dorothy until Dorothy’s death in 1968, a loss that deeply affected her. In her final years, Gish continued to work in the entertainment industry and to honor the legacy of silent cinema. She died in 1993, at the age of 99, leaving behind a remarkable career and a life dedicated to her art, family, and the preservation of film history.
Postcard 1 : The logo for Metro Goldwyn Mayor Films can be seen in the lower right corner of the image. This postcard was published by Ross Verlag (Berlin) as part of a series (No.3784/1). (SOLD)
Postcard 2 : This postcard portrait was taken in 1923. LIllian was 30 years old and the photo shows her as she appeared in the film “The White Sister”. This 1923 silent drama film co-starred Ronald Coleman. The logo for British American Films can be seen in the lower right corner of the image. This postcard was published by Ross Verlag (Berlin), is (844/2) in a series. SOLD
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POSTCARD 2
PORTRAIT OF TWO PRETTY FASHIONABLE YOUNG LADIES (TINTYPE)
This tintype features two lovely fashionable young ladies. The photo is highly detailed. You can see the wrinkles on their beautiful dresses. The tintype also has excellent clarity, which can be noted by how easy it is to read the expressions on the young women’s faces. Tintypes were popular in the 1860’s and 1870’s. Over time, they were replaced by Carte de Visites and Cabinet Cards This tintype image measures about 2 1/2″ x 3 7/8″.
FEODORA : PRETTY PERFORMER : RISQUE : RPPC : 1907
This vintage real photo postcard features pretty performer, Feodora. This postcard is a bit risque for it’s era. She is showing a lot of bare skin. Feodora is wearing pearls, a hairbow, and a fur hat. The initals of the photographer (M.F.) appear in the lower right hand corner. The photographer’s studio was in Paris. The message on the reverse of the postcard indicate that it was written in 1907. SOLD

WEST BEND ALUMINUM COMPANY : WEST BEND, WISCONSIN : VINTAGE POSTCARD : RPPC




This vintage photo postcard features the West Bend Aluminum Company, located in West Bend, Wisconsin. In the closeup photo, note the old cars and the workers on property. Most of us associate Wisconsin with cheese, not aluminum cookware. However, in 1920, the state had 50% of the nation’s aluminum cookware market share. Bernhard C. Ziegler (1884-1946) started the company in 1911. The company’s first products were saucepans, a frying pan, and pie pans. Sears accounted for 90% of the company’s sales. In 1921, the company introduced a crockpot, one of their most successful products. In 1922, the company introduced a drip coffeemaker which didn’t require filter paper. During World War II the company transitioned to supplying war materials. The company was purchased by Rexall Drug and Chemical Company in 1968. The company was dissolved in 2002. SOLD

FELIX BRAMI : BANTAM WEIGHT BOXER : STAR OF DAVID ON HIS BOXING SHORTS

This vintage photograph features French bantam-weight boxer, Felix Said Brami (1940-2018). He was born in Tunis, Tunisia and was of Jewish descent. His boxing career spanned from 1961 through 1975. The website BoxRec states that he was in the super fly-weight division. Brami had an impressive record of 44 wins, 10 losses, and 3 draws. Twenty-two of his victories were by knockout. Brami won his first 20 fights. He was ranked as high as #6 bantamweight in the world by The Ring magazine in 1964, He was ranked in the top ten bantamweights in the world between 1963 and 1966. He held the French junior lightweight title from 1971 through 1975. Note the Star of David on Brami’s boxing shorts. I imagine that the star represents Brami’s heritage. Note the Star of David embroidered on his boxing trunks. Brami may have developed the idea in imitation of Max Baer. Baer was Jewish and a national hero after he won a bout against German boxer, Max Schmeling, in 1933. This photo indicates that Brami’s manager was G. Charles Raymond. The card’s portrait was photographed by the Belonie studio. SOLD


















