A distinguished looking older gentleman poses for his portrait at the Steckel studio in Los Angeles, California. The subject is very well dressed and has neatly cut hair, a walrus mustache, and a nicely shaped beard. The beard is shaped like the letter “V”. (To view other noteworthy beards, click on the category “Beards (Only the Best). Note that the gentleman is wearing a lapel pin which is probably representing a fraternal organization. George Steckel (1864-1938) was a highly skilled photographer and won many important awards for his work. In the book “Los Angeles from the Mountains to the Sea” (1921), author, John Steven McGroarty, provides some biographical informaion about the photographer. Stecker was born in Allentown, Pennsylvania and dropped out of public schools at age thirteen. He then worked for a photography studio for two years. He moved to Philadelphia and did photography work there. He then returned to Allentown and opened his own studio which was in business for three years. His next stop was Kansas City, where he worked in the Real Estate field until 1888. He then travelled to Los Angeles and opened a studio, partnering with Joseph H. Lamson (see images by Lamson by clicking on category “Photographer: Lamson”). The partnership eroded after two years, and Stecker opened his own studio in Las Angeles. It is interesting to note that posters made from his 1894 photograph of Eugen Sandow (1867-1925), nude, with the exception of strategically placed fig leaf, are available for sale today. Sandow was a Prussian pioneering body-builder who was a celebrity of his era. SOLD
A man with a long bushy beard and formidable mustache poses for his portrait at the studio of E. L. Russell in Blossburg, Pennsylvania. Printed on the reverse of the card is the not so modest statement “From Russell, Blossburg’s Photographer”. Other interesting beards can be seen by clicking on this site’s category “Beards (Only the Best)”. SOLD
This carte de visite portrait features a short bearded well dressed gentleman. The cdv photograph was taken by Edwin Rodney Curtiss (1836-1906). He operated a photo studio in Madison, Wisconsin. Curtiss was born in Southington, Connecticut and married Eva A. Lingenfetler of Fonda, New York in 1859.
This lithographic postcard features a street scene in Port Jefferson, Long Island, New York. The postcard pictures Main Street in 1912. The road, sidewalk, stores and trees, has a resemblance to the way the street looks today. Port Jefferson is a village in the town of Brookhaven. Port Jefferson is on the north shore of Long Island and is the home of a commercial ferry line that shuttles back and forth to Bridgeport, Connecticut. The village was first settled in the 17th century and became an active shipbuilding center in the mid 9th century. Port Jefferson was beautiful than, and beautiful now. Note the postcard view of quaint shops, a horse led delivery wagon, and the sign on a sidewalk pole advertising a ice cream shop. This postcard was published by the G. W. Dare as part of a series (No.23). SOLD
This risque vintage real photo postcard (Postcard 1) features actress Anny Ondra. The postcard was published by Iris Verlag. The photograph is by Verleih Norbert & Co.. The postcard is part of a series (no. 5446). The photo seen on this postcard captures Ondra in a scene from the movie “Blackmail” (1929). This particular postcard is rare. I have searched extensively and have not been able to locate this particular image elsewhere. Anny Ondra (1903-1987) was a Czech film actress. She was born in Tarnow, Galicia, Austria-Hungary (now Poland). She was active in the movie industry between 1914 and 1957. She acted in Czech, Austrian, and German films in the 1920’s. She appeared in some British dramas, most notably, Alfred Hitchcock’s “The Manxman” (1929) and “Blackmail” (1929). The IMDb credits Ondra with over 90 acting credits between 1914 and 1957. She appeared in more than 40 films in the sound era. However, her career in British films was hurt by her thick accent. Check out the youtube video below. In this “test film”, Hitchcock “interviews” Ondra and makes her visibly uncomfortable and embarrassed by asking her very personal questions. She was married to German boxing champion Max Schmeling between 1933 and 1987. Schmeling was the world champion between 1930 and 1932. He is well known for his fights with African American fighter, Joe Lewis. Ondra’s father was a Czech, Austro-Hungarian military officer and she grew up in Tarnow, Pula, and Prague. At the early age of seventeen, she acted in the theater as well as in a film. When her family learned that she had acted in a film, they were extremely angry. In fact, she reported that she was given a beating by her father. Post World War I was a time, for many people, that being an actress was akin to being a prostitute. Ondra began to live with her boyfriend (her debut film’s director) but after some time, the relationship ended because she wanted a family and he wanted nothing to do with marriage. In 1933, after a three year romance, Anny married Max Schmeling. She had been in a film with the boxer (“Knock-Out”, 1935). It was a “happy” marriage and the couple remained together until her death in 1987. Ondra and Schmeling were hot names in Nazi Germany. German fascists tried to exploit them in order to popularize their movement. Schmeling was seen as a German superman while Ondra represented the blonde Aryan type. The two celebrities refused to collaborate. Schmeling turned down honors and even helped hide two Jewish children, saving their lives. However, because of Nazi propoganda, many believed that the couple had collaborated. As a result, Schmeling and Ondra suffered financially for their fictional cooperation with the Nazis. Ondra was portrayed in two modern day movies, “Ring of Passion” (1978) and Joe and Max (2002). (SOLD)
Postcard 2 was published by Ross Verlag. The photograph is from the Hammerer studio. The logo for UFA, a German film company, can be seen in the right hand bottom corner of the image. (SOLD)
Postcard 3 is risque for it’s time. The postcard was published by Ross Verlag. Ondra’s photograph is from the Schlosser & Wenisch studio. (SOLD)
Postcard 4 is an uncommon vintage real photo postcard is of Dutch origin and was published by Remaco. The photograph shows Anny working in a tailor shop. She is pressing a shirt and smiling while she works. This photo likely captures a scene from one of Ondra’s films. Note the other woman in the photo busy at work on their tailoring tasks. This postcard is in very good condition. See Scans.
Postcard 5
Postcard 5 was published by Ross Verlag. The photograph is by Alexander Binder. The postcard is part of a series (no. 5769/2). (SOLD)
Postcard 6 features Ondra playing the piano. She is displaying a beautiful half smile. The postcard was published by Ross Verlag as part of a series (No.6740/1).The logo for UFA, a German film company, can be seen in the right hand bottom corner of the image. (SOLD)
This vintage real photo postcard features a street scene in Virginia City, Montana. Virginia City was founded during, and due to, the gold rush. The card captures a view of Wallace Street. The cars in the photo appear to be from the 1950’s. Note the store sign that reads “Bale of Hay Saloon”. The postcard was published by Dexter Press for Catlin’s Studio & Camera Shop (Missoula, Montana). Catlin’s also was the photographer of this photo. SOLD
This vintage real photo postcard features the St. Vincent’s College Rugby Team. The players are dressed in their uniforms. The boys are beautifully posed for their team photo. St. Vincent College is a private Benedictine college in Latrobe, Pennsylvania. The school was founded in 1846, In regard to sports, one of the college’s claims to fame is that since 1966, the campus has served as the training camp host for the Pittsburgh Steelers. The AZO stamp box on the reverse of this postcard indicates that the card was published sometime between 1904 and 1918. SOLD
Three men, dressed in western fashion, pose for photographer D. W. Carpenter, in La Junta, Colorado. The men may be ranchers or businessmen, judging by their clothing. They seem less likely to be cowpokes. The men are dressed in their finest clothing and wearing three different types of neckwear. A standard necktie, a bandana type tie, and a bow tie, are all represented. To of the men are wearing pins. The gentleman standing on the left in the image has a pin with a portrait of a woman. The seated man’s pin has words on it but they are not decipherable with available magnification. The two standing men are displaying some affection, not commonly seen among males on cabinet cards of this era. La Junta, Colorado, is located on the Arkansas River, in southeast Colorado. The town was formed in 1881 and was a railroad town (Santa Fe Railroad) that became a center of trade. It is interesting to note that this photograph was taken not long after the formation of La Junta. SOLD
This hand tinted vintage real photo postcard features a pretty performer named Garnett Aulas. This obscure actress/dancer has a dearth of biographical information on the internet. The caption in the card’s top right corner provides Happy New Years greetings (Bonne Annee). This portrait of Miss Aulas was taken by Leopold Reutlinger’s studio in Paris, France. This postcard was published by Societe Industrielle de Photograpie (SIP) of Rueil, France. It is part of a series (no.1429). Reutlinger was a very popular celebrity photographer. SOLD
A gentle looking man with a bushy underbeard and sparkling eyes poses for his portrait at the Rothwell studio in Washington, Pennsylvania. This fellow’s wonderful beard qualifies him for Cabinet Card Gallery’s category “Beards (Only the Best). Click on the category to view portraits of men with exceptionally interesting beards. It is uncertain which of the Rothwell brothers is the photographer of this cabinet card. J. Wesley Rothwell is listed by Langdonroad.com as operating as a photographer in Washington, Pennsylvania between 1900 and 1915. The 1880 US census reveals that J. W. Rothwell was born in Pennsylvania in 1838. He married his wife, Nancy J. Rothwell in 1871. His occupation at the time of the census was listed as “artist”. He lived with his wife and brother, Newton. Newton’s occupation was listed as “photographer”. J. W. was 42 years old, his wife was 43, and Newton was 29 years old. The 1900 census finds J. W. living with his wife in Washington and working as a photographer. There is no mention of Newton Rothwell. The 1910 census reveals that Nancy had become a widow upon J. W.’s death sometime in the previous ten years. Note that Langdonroad’s claim that J. W. worked as a photographer through 1915 is incorrect unless we adopt a new meaning to the phrase “working stiff”. SOLD