This vintage lithographic postcard features Carroll’s Liqour store located in La Crescent, Minnesota. The store’s design is Art Deco. At the time of this photo, the proprietor of this business was W. S. Carroll. Printing on the reverse of the postcard reveals that Carroll’s was more than a liquor store. Options available in the store were drinking at the bar, dining, and bowling. The advertising describes Carroll’s as an “entertainment center”. This card was published by Elliott & Heim. Their business was located in Pearl River, New York. The postmark reveals that this card was mailed in the 1940’s. SOLD
A pretty woman, wearing a beaded top, poses for her portrait in the studio of Allison H. Nichols (1849-?) in Findlay, Ohio. Nichols was born in Michigan, and after completing his education, went to work for his photographer uncle, A. M. Cheney of Charlotte, Michigan. Nichols became his uncles partner in the business but then moved to Findlay, in 1876. He operated a studio there until 1898. The subject of this photograph is identified as Flora E. Leonard and she was photographed at the Nichols Studio located at 79 Main Street in Findlay. SOLD
This vintage real photo postcard features a portrait of two young African American men posed standing on a brick wall. The dapper men are well dressed, wearing a suit and tie. Note the men’s hats. It is presumed that these men are African American because this postcard was found in the US. However, it is possible that the men are actually from somewhere other than America. It would certainly be interesting to know why these men seem to be in the middle of nowhere standing on a wall. There are bricks behind them which may indicates that the men are at a construction site or perhaps, at the location of a destroyed building. The AZO stamp box on this card indicates that the postcard dates back to between 1918 and 1930. (SOLD)
This cabinet card was photographed by George Rockwood (1882-1911) whose studio was located at 17 Union Square West in New York City. The reverse of the card identifies the subject of this portrait as Maud Harrison (c1856-1907). I have verified that this is indeed Maud Harrison. The corseted Miss Harrison is attractive and wearing a hat, a flower in her hair, and a cross. She is also wearing what appears to be wrist bands. The purpose of these bands beyond fashion, is unknown. Maud Harrison began her career at the Madison Square Theater. The IBDb reports that she appeared in five Broadway plays between 1877 and 1900. These productions include “Pink Dominos” (1877), “French Flats” (1880), and “Naughty Anthony” (1900).The New York Times reports Harrison’s death in 1907. She was found unconscious by a maid in her New York City hotel room. She died shortly after being discovered. Her cause of death was determined to be “Paralytic Stroke”. She had stopped acting in 1902 to care for her sick mother. She was in New York attempting to find a theatrical role to restart her career. For some reason, the Times reports that Miss Harrison was a Christian Scientist. This cabinet card’s photographer, George Rockwood was born in Troy, New York. He graduated from college with a PhD; reportedly either from the University of Chicago, or Columbia University. At 21 years of age, he was a newspaper reporter for the Troy Daily Times and at age 23, he was managing editor of the Troy Daily Post. He began working as a photographer in St. Louis and in 1857 opened a studio with his brother Elihu in New York City. He is credited for bringing CDV’s to America. His obituary in the Washington Post reports that Rockwood photographed more than 350,00 people. This cabinet card has foxing above Miss Harrison’s bust. The photograph is in overall good condition (see scans).
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A couple poses with their four young children at the studio of Maxwell in Mount Ayr, Iowa. One of the girls is holding a bisque doll and the boy is holding a riding crop. The image is dated 1895-96. The photographer, M. G. Maxwell is mentioned in a number of photographic journals for winning medals for his work (1894, 1896, 1900 and 1907). SOLD
This vintage real photo postcard features American stage and silent and sound film actress, Maude Fealy (1883-1971). Maude was born in Memphis, Tennessee. Her mother was an actress and acting coach. After her mother remarried, she moved to Colorado where Maude called home for much of her life. She made her stage debut at the age of three. she performed at the Elitch Theater numerous times during her childhood. In 1905 she began to be the featured actress in a number of productions. She worked alongside stock player Cecil B DeMille and the pair developed a friendship that lasted many decades. In fact, he cast her in his film “The Ten Commandments” (1956). This postcard illustrates Miss Fealy’s beauty. Her photo postcards were very popular and collectable during her era, as well as today.
Postcard 1 is uncommon. The card was published by Rotary Photo as part of a series (no.1965J), The postcard is of British origin. Note that this postcard is hand tinted and postmarked in Dublin (1906). The card has an interesting message. The writer proclaims “What an innocent face this girl has. Poor thing”. Since when is “innocence” something to pity? (SOLD)
Postcard 2 demonstrates that Miss Fealy was fashionable and quite beautiful. Her photo postcards were very popular and collectable during her era, as well as today. This particular postcard is rare. The portrait for this postcard was taken by the London Stereo Company. The card was published by Rotary Photo as part of a series (no.1965J), The postcard is of British origin. (SOLD)
Postcard 3 was published by Davidson Brothers as part of a series (no.1378), The postcard is of British origin and demonstrates that Maude Fealy was fashionable as well as beautiful. (SOLD)
Postcard 4 is uncommon. The card was published by Raphael Tuck in 1904 as part of the “Stage Favorites: series (no.5058), The postcard is of British origin. (SOLD)
Postcard 5 is rare. The card was published by Rotary Photo as part of a series (no.1928C), The postcard is of British origin. (SOLD)
Postcard 6 is rare. The card was published by Germany’s Rotophot (no.0756). (SOLD)
Postcard 7 was published by Philco as part of a series (no.3107F). The card is beautifully hand colored. The postcard is of British origin. The postcard was postmarked in 1907. (SOLD)
Postcard 8 was published by Rotary Photo as part of a series (no.1861M), This particular card is rare. The postcard has a 1905 postmark and is of British origin. (SOLD)
Postcard 9 has a notable message. The card was written from a man to a woman. The last line of the gentleman’s note states “You ought to be hit in the face with a fish”. He topped it off by drawing a fish at the end of the sentence. He certainly must have been joking but the comment is quite odd by today’s standards. The card was published by Rotary Photo as part of a series (no.1965D). (SOLD)
Postcard 10 is uncommon. The card was published by E. S. London as part of a series (no.1113). (SOLD)
Postcard 11 is rare. The card was published by RotoPhot as part of a series (no.0175). The card is beautifully hand colored. (SOLD)
Postcard 12 is uncommon and the card was published by Rotary Photo as part of a series (no.198 V)), The message on this postcard is an Easter greeting.
Postcard 13 demonstrates that Miss Fealy was fashionable and quite beautiful. Her photo postcards were very popular and collectable during her era, as well as today. This card has a 1904 postmark.It was published by Rotary Photo as part of a series (no.198D), (SOLD)
Postcard 14 was published by J. Beagles 7 Co. as part of a series (no.365H). Miss Fealy’s photo portrait was taken by esteemed celebrity photographers, W & D Downey. The uncommon postcard is of British origin. (SOLD)
Postcard 15 was published by P. F. B. as part of a series (no.4037). P. F. B. is likely a Berlin firm named Paul Finkenrath. However, a second Berlin company named Paul Fink went by the inititials PFB which certainly creates some confusion among postcard collectors. This vintage postcard is uncommon. (SOLD)
Postcard 16 was published by Rotary Photo as part of a series (no.2381). (SOLD)
Postcard 17 is rare. The postcard offers a view of Miss Fealy petting a large dog. It appears to be some type of hound. Maude is flashing a pretty smile and is wearing a feathered hat and a plaid dress and jacket. The card was published by Rotary Photo as part of a series (no.1965A), The postcard is of British origin. (SOLD)
Postcard 18 is rare. The card was published by Rotary Photo as part of a series (no.1861F), The postcard is of British origin and it’s postmark is appears to be from 1906. (SOLD)
Postcard 19 is rare. The card was published by Rotary Photo as part of a series (no.389C). Miss Fealy’s photograph was taken by the esteemed W & D Downey studio. The postcard is of British origin and it’s postmark is from 1905. (SOLD)
Postcard 20 is rare. The card was published by the Schofield Photographic Series (no.428). Three actress portrait postcards from this series can be found in England’s National Portrait Gallery. Miss Fealy’s photograph was taken by the esteemed Johnston & Hoffman studio. The postcard is of British origin and it’s postmark is from 1905. (SOLD)
Postcard 21 is of British origin and is generously hand tinted. The card is identical to Postcard 16 except for the two different hand tintings. (SOLD)
Postcard 22 is uncommon. The card was published by A & G Taylor as part of the “Reality Series”. Miss Fealy’s portrait was taken by the Bassano studio. The postcard is of British origin. (SOLD)
Postcard 23 is uncommon. The card was published by J. Beagles & Co. as part of a series (No.365). The postcard is of British origin (SOLD)
The photo portrait on Postcard 24 was taken by the Johnston & Hoffmann studio. The card is an example of an “Enamelette Postcard”. (SOLD)
Postcard 25 is color tinted and was published by Raphael Tuck as part of the “Celebrities of the Stage” series (no.S1299). The card is an example of an “Silverette Postcard”. (SOLD)
Postcard 26 is an uncommon color tinted vintage lithographic card. It was published by Rotary Photo as part of a series (no.198U). (SOLD)
Postcard 27 is uncommon. The card was published as part of the Wrench series (No.10449). Miss Fealy’s portrait was taken by the famous female celebrity photographer, Lallie Charles. The postcard is of British origin and has a 1906 postmark. (SOLD)
Postcard 28 was published by Rotary Photo as part of a series (No.198L). Miss Fealy’s photograph was taken by the Johnston & Hoffmann studio. (SOLD)
Postcard 29 was published by Giesen Brothers & Co. as part of a series (no.K46). The photographer of Maude’s portrait was the Hutchinson & Svendsen studio. The National Portrait Gallery asserts that this pair of photographers were active in London between 1905 and 1906. (SOLD)
This vintage real photo postcard features American silent and sound film actress, Carmel Myers (1899-1980). Carmel Myers was an extraordinary actress who captivated audiences during the early years of Hollywood. She had striking beauty, magnetic screen presence, and versatile talent. Myers was born in San Francisco to Jewish immigrants. Her father was a Rabbi from Russian and her mother was from Austria-Hungary. She grew up in a theatrical household and was exposed to the performing arts from a young age. She participated in both school plays and local theater productions. At the age of 16, Carmel Myers made her professional debut on stage, impressing both critics and audiences with her natural talent. It wasn’t long before she gained the attention of film producers. In 1916 she made her screen debut in the silent film “The House of Mystery”. This was the start of a more than twenty year career in the film business. During the silent film era, Carmel Myers became one of the most sought-after actresses in Hollywood. Known for her expressive eyes, graceful movements, and remarkable versatility, she effortlessly transitioned between comedic and dramatic roles. Her notable films during this period include “Ben-Hur” (1925), where she portrayed the seductive courtesan Iras. Many of her early roles were playing a “vamp”. Carmel Myers was also an early advocate for actors’ rights and was instrumental in establishing the Motion Picture Artists Association. She fought for fair wages, better working conditions, and creative control for performers, contributing to the formation of movie industry unions. With the advent of sound in films, Carmel Myers smoothly made the transition from silent movies to “talkies.” Her resonant voice and impeccable timing added another dimension to her performances. She starred in a range of films throughout the 1930s, including comedies, dramas, and musicals, collaborating with renowned directors and actors of the time. her most popular sound films were “Svengali” (1931) and “The Mad Genius” (1931). Her final film appearance was in the 1945 production of “Blonde Ransom,” marking the end of her illustrious acting career. However, Myers remained involved with both radio and television. Carmel Myers lived a private life outside of the spotlight, rarely divulging details about her personal affairs. She was married three times, first to an attorney and song writer in 1919, in 1929, she married a second attorney, and thirdly, she married a Paramount Pictures executive in 1951. Her first two marriages ended in divorce, and her third marriage ended with her husband’s death. After her husband’s death, she wrote a book about handling grief effectively. After retiring from acting, Carmel Myers devoted herself to philanthropy and community work. She supported various charitable organizations and advocated for social causes.
Postcard 1 was published by A. Noyer and is of French origin. The card has the MGM logo on it’s front. (SOLD)
Blotter 1 is a vintage ink blotter that advertises the Frog Switch & Manufacturing Company, located in Carlisle, Pennsylvania. The blotter has a calendar for January, 1923. The blotter also features a photograph (litho) of Carmel Myers. (SOLD)
This vintage real photo postcard features actress Edith Taliaferro (1894-1958). She was an American stage and film actress in the late 19th and early 20th century. She was active on the stage until 1935. She played roles in three silent films. She is most famous for playing the role of Rebecca in the stage production of “Rebecca of Sunnybrook Farm” (1910). Edith was born in Virginia. Her parents were theatre workers and her sister, Mabel, also became a stage actress. Edith made her stage debut at age two and by the time she was ten, she was performing in productions of Shakespeare. During her career, she performed in more than thirty stage productions. She appeared in sixteen Broadway shows. (SOLD)
These vintage real photo postcards feature German dancer and film star of the silent and sound era, Camilla Horn (1903-1996). She also was an internationally known actress, starring in several Hollywood films of the late 1920’s as well as a few British and Italian productions. Her father was a civil servant working in the Railroad Industry. She was born in Germany and educated in Germany and Switzerland. Horn was educated to work as a dressmaker. She went to Berlin where she trained as an actress and dancer. She next became a cabaret dancer. In 1925, she worked as an extra in a German film. Her big break came in 1926 after she replaced Lillian Gist in the UFA production of “Faust”. In 1928 she left for Hollywood where she played opposite John Barrymore in “Tempest” and “Eternal Love”. She became romantically involved with film director, Joseph Schenck. She returned to Europe (upon the advent of sound film) and in the 1930’s got in trouble with the Nazis and was prosecuted for an alleged financial offense. During the war years, she was too outspoken against the Nazis. The regime investigated her. She tried to escape unsuccessfully to Switzerland. Thereafter, she kept a low profile. After the war, she was convicted by a British tribunal and sentenced for three months of jail due to some minor offenses. It was also reported that post war, she worked as an interpreter for occupying American forces. Horn was a screen star from 1930 until her retirement in 1953. Horn was married four times during her life. Interestingly, in about 1972 Bruce Springsteen wrote a song about her. Camilla Horn was quite beautiful. She had blonde hair, slanting brown eyes and classical features.
Postcard 1 was published by Ross Verlag as part of a series (No.4123/1). The logo for “United Artists” can be seen in the lower right hand corner of Horn’s image. This postcard has a 1930 postmark. (SOLD)
Postcard 2 was published by Ross Verlag as part of a series (No.7348/1). The card has a Latvian stamp and postmark. (SOLD)
These vintage real photo postcards feature German film actress, Claire Rommer (1904-1996). Her filmography on IMDb credits her with 49 film appearances between 1922 and 1934. She made her film debut at the age of eighteen. She also began her career as a soubrette appearing in operettas and comedies on the Berlin stage. However, her fame came from her film work. She played both leading and supportive roles. She played in silent films and made a successful transition to sound films. She even sang in some of her talkies. She was married to a prosperous Jewih man, named Adolf Strenger. Because of her marriage, in 1938 she was banned from any participation in the German film industry. It was thought that she was probably not Aryan like her husband. The rise of the Nazis forced the couple to leave Germany and emigrate to the United States via Portugal.The pair left Europe with the assistance of Aristedes de Sousa Mendes. He was a Portuguese Consular stationed in France. Mendes defied orders from his government and issued thousands of visas to Jews, allowing them to escape with their families and their lives. He was a hero for his work as a Holocaust rescuer. Ultimately, Mendes was severely punished for his defiance. After leaving Germany, Rommer’s film career ended. In the US, she divorced her husband and married a meat industry multi-millionaire.
Postcard 1 was published by Ross Verlag as part of a series (No.1933/1). Claire Rommer’s photo portrait was taken by celebrity photographer, Alexander Binder. This vintage photo postcard is in excellent condition (see scans). (SOLD)
Postcard 2 was published by Ross Verlag as part of a series (No.1933/2). Claire Rommer’s photo portrait was taken by celebrity photographer, Alexander Binder. This vintage photo postcard is in very good condition (see scans). (SOLD)
Postcard 3 was published by Ross Verlag as part of a series (no.3010/1). Miss Rommer’s portrait was taken by famed celebrity photographer Alex Binder, who operated his studio in Berlin. The postcard was postmarked in 1928. (SOLD)
THE CABINET CARD GALLERY 