This vintage real photo postcard features a pretty unidentified actress wearing a crown covered with jewels. The card is hand colored. The photograph on this postcard was taken by celebrated portrait photographer, Leopold Reutlinger. His studio was located in Paris, France. He photographed many theatrical stars and other celebrities. The postcard was published by NPG as part of a series (No.523/7). The postcard has a stamp from New Zealand. SOLD
This vintage real photo postcard features a profile view of a beautiful model. The postcard is part of a “Most Beautiful Women of France ” series (no. 5). The women in this series each represent different flowers. The model in this postcard represents “Le Muguet”, or “Morning Lillies”. This pretty women ws photographed by Alfred Noyer. His studio was located in Paris, France. This postcard portrait is unposted and in very good condition (see scans).
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These two Cabinet cards present quite a mystery. The dramatically dressed and attractive young woman in Cabinet Card 1 is simply identified as “Etta”. She appears to be an actress and my research reveals a large number of actresses named Etta who were stage performers around the turn of the century. I have been unable to determine this actresses identity, but a leading candidate might be Etta Butler (1879-1903). Etta Butler was a well-known actress and impersonator. She began her career at age 19 with the Tivoli Chorus in San Francisco. A year later she became a member of the “Around New York in Eighty Minutes” company. She was later featured in Frohman comedies. She was last seen in “The Liberty Belles” at the Madison Square. Because of her popularity and promise, she was retained by David Belasco in a long term contract. She died of Typhoid fever in Roosevelt Hospital, in New York City at age 24. This mystery lady was photographed by Bradley and Bulofson of San Francisco, California.
Cabinet Card 2 has an inscription on the reverse signed by “Etta”. Are these two cabinet cards, taken by the same photographer, portraits of the same woman? One can see enough resemblance between the two images to hypothesize that they are likely the same “Etta”. Take a look at another cabinet card by these photographers by clicking on the category “Photographer: Bradley & Rulofson”. That very same click will provide the reader with additional information about the photographers of this image. (SOLD)
This rare vintage real photo postcard features the red headed actress that electrified the Australian stage. She was noted for her famous wicked wink. The life and times of Daisy Jerome can best be described as scandalous. She arrived in Australia in 1913 for a three year stage tour. Feminism was rising in the western world. Suffragettes were marching for the right to vote. Women were smoking, driving, wearing less conservative fashion, and even dancing the tango with it’s sexual overtones. She arrived in Adelaide adorned with an excess of jewelry. She was born in America but raised in England. Her place of birth was New York and she was born Daisy Witkowski in 1886. Daisy reported that she was raised in a multilingual household that had been visited by Presidents Lincoln, McKinley, and Roosevelt. After experiencing financial problems, her father moved the family to England. Money was needed and Daisy followed her sister onto the stage. She played the Palace and toured with companies that gave her a chance to do comedic singing and pantomime. Her performances were considered to be amusing and irreverent. She was a comedienne. Her humor has been described as “vibrant” and “wicked”. Daisy was described as “feisty”, “cunning”, and “independent”. She was small and dainty and had compelling eyes and an expressive face. Her performances had a risque tone and she had a hoarse, sensual voice. She could toe dance and wooden shoe dance, but was most known as a mimic and comnic singer. After a year of marriage, she deserted her first husband to live with another man. In 1910, she took a journalist to court for libel. The reporter had accused her of performing encores when audiences had not requested them. She claimed that her professional reputation had been damaged. The court case was a circus. The defense ridiculed one of her songs which caused her to break into tears in the witness chair. She won the case but was barely compensated. When she began her tour of Australia, she was recognized as raucous, vulgar and “an acquired taste”. She quickly charmed those that were hesitant to appreciate her and she soon received a warm welcome and a complimentary nickname, “The Electric Spark”. Her carrot red hair became the subject of much debate. She claimed it was her natural color but most people were not believers of her claim. One day, an Australian comedian told her that a gentleman had taken offence to her hair. The comedian said that the offended man would visit her that night. The comedian then informed the local fire chief that there was great risk of fire during Daisy’s time on stage. The worried fireman came to the theatre and when he saw Daisy’s red hair, he realized he had been a victim of a joke. He kept the joke going when he said that he agreed there was risk of fire and he ordered the scenery to be fireproofed immediately. During Daisy Jerome’s era, there was a bias against redheads. They were considered to be hot tempered and sexually wild and uninhibited. Her theater/music hall background only magnified some people’s negative view of Daisy. After completing her touring contract in Australia, she signed another one. This time she performed on a vaudeville stage which allowed her to showcase her bawdy songs. In 1914 she sang a feminist style song called “The Press, the Pulpit, and the Petticoat”. This song argued that women were more powerful and influential than the media and the church. Daisy was a woman who had unconventional ideas. She would not restrained by political correctness. She stated in a 1914 interview that “I refuse to regulate my acts to accepted rules of conduct”. Despite her views, she remained popular with Australian audiences. She left Australia in 1916 and returned in 1922 for another successful tour. Later, she was involved in another court case which this time involved her suing her maid over missing jewels. With the arrival and subsequent popularity of films, Daisy Jerome faded out of the public’s focus. Two photo portraits of Daisy Jerome can be found in England’s National Portrait Gallery.
Postcard 1 was published by J. Beagles & Co. of London, England as part of a series (No. 109 A). The company was started by John Beagles (1844-1909). The company produced a variety of postcards including an extensive catalog of celebrity (stage and screen) portrait postcards. After Beagle’s death, the business continued under it’s original name until it closed in 1939.Miss Jerome’s portrait was taken by the Hutchinson & Svendsen studio. The National Portrait Gallery asserts that this pair of photographers were active in London between 1905 and 1906. This vintage photo postcard is in excellent condition (see scans). This postcard portrait of Daisy Jerome is absolutely beautiful and very uncommon. (SOLD)
Postcard 2 was published by Rotary Photo (England) as part of a series (No. 1786 C). This vintage photo postcard is in good condition (see scans).
Buy this Vintage Real Photo Postcard (includes International shipping outside the US) #5172
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$22.00
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This vintage real photo postcard features American film, stage, and television actress and musician, Mary Astor (1906-1987). She played many memorable roles but she is most associated with her performance in “The Maltese Falcon” (1941). Astor also wrote five novels and an autobiography. She began her film career as a teenager by appearing in silent movies during the early 1920’s. Her career continued with the introduction of “talkies”. In 1936, Astor’s career was almost ruined by a scandal in which she had an affair with playwright George Kaufman. A custody fight with her ex-husband stigmatized her as being an adulterous wife. She managed to overcome the poor PR and in 1941, won an Academy Award fo Best Supporting Actress in “The Great Lie”. Astor was born in Quincy, Illinois. Her father was a German teacher and her mother taught drama and elocution. Astor was home schooled by her father who also taught her the piano. In 1919, she sent her photo to a beauty contest in Motion Picture Magazine. She was chosen as a semi finalist. When she was fifteen, she and her family moved to Chicago where she took drama lessons and performed on the stage. She and her family moved to New York City so she could act in motion pictures. A Manhattan photographer asked Astor to pose for him and the resulting photographs led her to be signed by Paramount pictures. In 1921, at age fourteen, she made her film debut. In 1923, she and her family moved to Hollywood. During the filming of one movie, the underage actress was wooed off set by the significantly older actor, John Barrymore. She became a “WAMPAS Baby Star” in 1926. In Hollywood, her controlling parents kept her a virtual prisoner and lived lavishly off her earnings. They gave her a five dollar a week allowance while she was earning 2500 dollars a week. Her father was emotionally and physically abusive. She did not gain control of her salary until she was 26 years old. However, this resulted in her parents suing her for financial support. In 1928 she married film director Kenneth Hawkes. In 1928, he was killed in a plane crash while filming sequences for a movie. After Astor appeared in a few more movies, she suffered a nervous breakdown related to the loss of her husband. She married the doctor who treated her for her psychiatric illness. By 1933, she had a child, and was seeking a divorce. Her personal life was coming apart at the seams. That is when the aforementioned scandal occurred. She continued to appear in films during the 1930’s but had entered the early stages of alcoholism. By 1949, she entered a sanitarium for alcoholics. In 1951, she experienced her third suicide attempt. Astor’s filmography credits her with 155 film appearances between 1921 and 1964. The IMDb reports that she appeared in two Broadway plays between 1945 and 1954. Astor was a very successful performer but was plagued by problems in her personal life.
Postcard 1 was published by Picturegoer as part of a series (no.240b). The firm was located in London, England. This postcard is in very good condition (see scans).
Postcard 2 was published by Picturegoer as part of a series (no.240a). The firm was located in London, England. This postcard is in very good condition (see scans).
Buy this Vintage Real Photo Postcard (includes shipping within the US) #3903
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$15.75
Buy this Vintage Real Photo Postcard (includes International shipping outside the US) #3903
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$25.00
Buy this Vintage Real Photo Postcard (includes shipping within the US) #5171
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$14.00
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This risque vintage real photo postcard features a fashionable performer named Fromentin. The card is color tinted. She has a string of flowers wrapped around her shoulders and her dress is a flower pattern. The combination is a nice touch. “The Theatre” (1882) states that Fromentin, among others, present grace and beauty difficult to match. Fromentin was photographed by Sazerac. He was a photographer well known for his portraits of the showgirls of Paris. The publisher of this postcard, was Monsieur G. Piprot, of “Etoille” or “Star” publishing in Paris. The card is part of a series (No.854). The postcard has a postmark from 1905. SOLD
This vintage real photo postcard features actress Dorothy Rundell in costume for her role as Cinderella. She is holding a broom and has a look of despondency. Rundell was a sitter for six portraits in the collection of England’s National Portrait Gallery. In 1913, Rundell appeared in “This Way Madam! at London’s Queens Theatre. A World War I website presents an article about Captain Leopold Profeit. The author mentions that in 1915, about nine months after he enlisted into the army, Profeit married Dorothy Rundell. She was 26 years old, nine years younger than Captain Profeit. In 1917, less than two years after the nuptials, Profeit was killed at the Battle of Dorian fighting against the Bulgarians. A review in the “Tatler” (1917) reports that Dorothy replaced Doris Keane in the London production of “Romance”. The reviewer wrote that Dorothy “won all hearts by her personal charm, and delicate sensibility”. This postcard was published by Rotary Photo as part of a series (No.11588 A). The photo of Miss Rundell was taken by the Foulsham & Banfield studio. Frank Foulsham and A. C. Banfield operated a studio from the 1900’s through the 1920’s and were well known celebrity photographers. SOLD
Lillian Russell (1860-1922) is pictured in the Cabinet Card 1 photograph by famed New York celebrity photographer, Falk. Lillian Russell is captured in costume as she appeared in “Pepita” (1886). Russell was a very famous American actress and singer who was known for her beauty, style, voice and stage presence. Her theater career began with roles in comic operas including the work of Gilbert and Sullivan. She married composer Edward Solomon in 1884 and two years later, he was arrested for bigamy. She performed in New York and elsewhere in starring roles in comic opera and musical theatre. In 1904 she switched to dramatic roles due to voice problems. She later also appeared in vaudeville. She retired from the stage in 1919. She later wrote newspaper columns, advocated for women suffrage, and was a popular lecturer. She married four times and her longest marriage was to Diamond Jim Brady who supported her extravagant lifestyle for four decades. It is interesting to note that the New York Times (4/2/1886) reported that during the performance of “Pepita”, an opera by her husband, Edward Solomon; there were obvious signs of marital discord observed on stage. The newspaper blamed issues revolving around Russell’s interfering mother, as well as, issues pertaining to Russell’s sudden prosperity. The newspaper article correctly predicted that there would soon be a divorce.
Cabinet card 2 is also photographed by Falk. This photograph provides a close-up image of Lillian Russell and is a testimonial to her beauty.(SOLD)
Cabinet card 3 was published by Newsboy and used by the tobacco company as a premium (#340). The photographer was Falk and the image was copyrighted in 1893. To view a collection cabinet cards by Falk; click on the category “Photographer: Falk”.(SOLD)
Cabinet card 4 is another image produced by B. J. Falk. Miss Russell is in costume and is posed provocatively partially behind sheer lace.
Cabinet card 5, also by Falk, provides a terrific profile portrait of the beautiful Miss Russell.
Lillian Russell is pictured in this vintage real photo postcard (RPPC 6). This undivided back postcard was published in 1907 or earlier. (SOLD)
RPPC 7 is an undivided back postcard portrait of Miss Russell. She is in costume. The publisher of this card is Pascalis, Moss & Company. The firm was London based and ceased publishing postcards in 1902. At that time Charles H. Pascalis (c1877-?) left the company and the firm changed it’s name to Henry Moss & Company.(SOLD)
RPPC 8 is risque in terms of the “plunging” neckline of Russell’s dress. This vintage postcard was published by Rotograph as part of a series (No.B518) Miss Russell’s photograph was taken by Jacob Schloss in 1899. (SOLD)
Lina Cavalieri was an Italian operatic soprano and renowned beauty who captivated audiences in the late 19th and early 20th centuries. Born on Christmas day in1874, in Viterbo, Italy, as Natalina Cavalieri, she would go on to become one of the most celebrated and iconic sopranos of her time. Cavalieri’s journey into the world of opera began at a young age when her exceptional vocal talent was discovered. She received formal training in Milan, where she honed her skills and developed a remarkable voice. Her operatic debut occurred in 1892 at the Teatro Vittorio Emanuele in Turin, and she quickly gained recognition for her powerful and expressive singing. In addition to her vocal prowess, Lina Cavalieri was known for her striking beauty, and she was often referred to as the “World’s Most Beautiful Woman.” Her enchanting looks and captivating stage presence helped elevate her status beyond the opera world. As her fame grew, she became a sought-after performer in major opera houses across Europe, including La Scala in Milan and the Metropolitan Opera House in New York City. Cavalieri’s repertoire included a wide range of operas, and she was particularly acclaimed for her performances in works by composers such as Giuseppe Verdi and Giacomo Puccini. Her ability to convey emotion through her singing and her charismatic stage presence endeared her to audiences worldwide. Beyond her operatic career, Lina Cavalieri ventured into the world of acting and appeared in several silent films. Her beauty made her a natural fit for the burgeoning film industry, and she transitioned seamlessly between the stage and screen. Despite her success, Cavalieri faced personal challenges, including a tumultuous love life and financial difficulties. She had an affair with a Russian Prince and was married multiple times. Her marriages were often short-lived. Tragically, Lina Cavalieri’s life was cut short when she perished in an allied bombing run over Florence, Italy. She was killed running from her house to a bomb shelter. Her legacy lives on through recordings of her performances, photographs, and the enduring image of the “World’s Most Beautiful Woman” who left an indelible mark on the world of opera and entertainment. Cavalieri’s photograph seen on this hand tinted postcard was taken by Leopold Reutlinger. The postcard has a 1906 postmark from Mexico. The card was published by SIP as part of a series (No. 52/19). SOLD
This vintage real photo postcard features German film actress, dancer, and screenwriter Maria Solveg (1907-1993). She was also known as “Maria Matray”. Solveg was a star of the late Weimar film era. She married her mentor, director and choreographer, Ernst Matray. When Hitler rose to power, Solveg, who was Jewish, fled the country. She came to the United States in 1936 and launched a career as a choreographer and writer. She worked in Hollywood as a choreographer or assistant director during the 1940’s. Her well known movies included “The Hunchback of Notre Dame” (1939), “Pride and Prejudice” (1940), and “Dr Jekyl and Mr Hyde” (1941). In the 1950’s she wrote scripts for television. She became a German citizen again in 1960. The IMDb gives Solveg 52 credits for writing and 22 acting credits. This postcard was published by Ross Verlag as part of a series (no.2078/1). (SOLD)