POSTARD 1 (SOLD)
POSTCARD 1 (SOLD)
POSTCARD 2 (SOLD)
POSTCARD 2 (MAGNIFIED) (SOLD)
These two real photo postcards features stage beauty, Maie Ash (1888-1923). She was an English comedy actress and dancer. She made her London debut in 1902 at Shaftesbury Theatre. The next year she played the title role in Cinderella in Southampton. Other appearances include “Goody Two Shoes” (1904), “Yellow Fog Island” (1907), and “My Darling” (1907). Ash played Miss Gibbs in “Our Miss Gibbs” (1911). A reviewer of the play, writing for the “Playgoer Weekly”, suggests that Ash was charming in her role and that her singing voice resembled that of popular actress, Miss Ellaline Terriss. The reviewer added that her singing and dancing brought the audience much pleasure and that she demonstrated herself to be a “most finished musical comedienne”. She married actor Stanley Brett in 1909. He was the brother of celebrated actor Seymour Hicks. The pair divorced in 1913, and in 1915, she married comedian Fred Allandale. Apparently, Miss Ash and Mr. Allandale didn’t wait for their divorces before getting involved romantically. Ash was named by Allandale’s wife and Allandale was named by Ashe’s husband in their respective divorce petitions. So much for impulse control. Ash was the sitter for six portraits in Britain’s National Portrait Gallery.
Postcard 1 features a fetching portrait of Maie Ash. She is wearing a beautiful smile and has pretty eyes. The card was published by Ralph Dunn & Company which operated in London, England. The post card is part of a series (no. A 105). The card has a 1905 postmark. The message on this postcard wishes the recipient “Many happy returns of the day”. According to Wikipedia, this 18th century greeting is meant to offer the hope that each happy day is repeated by other happy days, The saying was often used on birthdays, and in particular, as a response to “Merry Christmans” and “Happy New Year” wishes. The word “returns” also was used to wish a person that their day yields much happiness.(SOLD)
Postcard 2 presents a close-up photograph of Miss Ash. The postcard is a bit risque for it’s time. Her low cut dress and her coy expression accentuate the beauty of the alluring actress. This postcard was published by the Rotary Photo Company as part of their “Rotary Photographic Series (No. 1831K)”. This photo of Maie Ash was taken by the Johnston & Hoffmann studio. Theodore Julius Hoffmann and P. A. Johnston established a commercial photography studio in Calcutta (1882) and Darjeeling (1890). They also operated a studio in Simla. Johnston and Hoffmann’s photography business was the second largest commercial photography studio in India in that period. Many of their images were of North and Northeast India as well as Sikkim and Nepal. Johnston & Hoffmann produced many photographs of actors and actresses. It is certain that these performers did not travel to India to have their photo taken. It seems likely that Johnston & Hoffmann also had a studio in England during some part of their careers. It is also possible that there were to separate studios that coincidentally shared the same name. This postcard was postmarked in 1906 in Southampton, England. The postcard is in very good condition (see scans). (SOLD)
POSTCARD 1 (SOLD)
POSTCARD 2 (SOLD)
This vintage real photo postcard features pretty French film actress, Louise Lagrange (1898-1979). She was born in Oran, France, which is now in Algeria. Her movie debut occurred when she was nine years of age. Her first marriage was to film director Maurice Tourneur. Her second marriage was to actor, William Elliot. The IMDb credits her with 48 film credits between 1907 and 1952. Her appearances included such films as “A Roman Orgy” (1911), “The Nude Woman” (1926), “In the Shadow of the Harem” (1928), and “Cage of Girls” (1949). Do I detect a pattern here? Lagrange certainly acted in a large number of films with sexually provocative movie titles. Cinemagazine (Paris Edition) is the publisher of this card. It was part of a series (no. 425). SOLD
This vintage real photo postcard features German actress, Else Kupfer (1888-1974) as she appearss in Nestroy’s play, “Revolution im Krahwinkel” (1908) at the Deutsches Theater in Berlin, Germany. She is most known for her performance in “A Dangerous Woman” (1913). The IMDb lists this performance as her only film credit. This postcard portrait of Miss Kupfer presents her wearing a pretty dress and carrying a parasol. She looks adorable. Kupfe was married to Albert Arnold, brother of artist Karl Arnold. The Becker Maass studio photographed Else Kupfer for this postcard. The publisher of this card is Louis Blumenthal. His company operated in Berlin, Germany. (SOLD)
This vintage real photo postcard features beautiful actress, Berthe Bady (1872-1921). She was born in Belgium but her nationality was French. Berthe Bady attended the Brussels Conservatory and was active on the stage between 1893 and 1913. She was a companion to both Lugne-Poe and Felix-Henri Bataille. Lugne-Poe was a French actor, theatrical director, and scenic designer. He and Bady were involved in symbolist movement of the arts. Bataille was a French dramatist and poet. A brief explanation of symbolism seems to be merited. In theatre, symbolism is a way to bring a greater meaning to something than is apparent at face value. The use of color, characters, movement, props and costumes are all methods of presenting symbolism. In 1897 Bady was the subject of a portrait by Toulouse Lautrec and her death was the subject of a poem by a leading French poet, Louis Aragon. In addition, playwright Fernand Crommelynck dedicated a play to her. Wikipedia credits her with sixteen “notable” play appearances between 1893 and 1913. She appeared in Ibsen’s “The Master Builder” on an international tour. The tour took her to London, Brussels, Amsterdam, Milan, and additional cities. In 1918 she appeared in her one and only film, “Ecce Homo”. This photo of Miss Bady was taken by the studio of Boyer & Bert. Paul Boyer (1861-1908) operated his studio in Paris. He was very talented and won many awards. He produced many portraits of theater performers as well as other celebrities. This postcard was published by F. C. & C. (Frederick Charles Cooper. The firm was located in Eastbourne, England. It was published circa 1905.This portrait postcard is in very good condition (see scans).
This vintage real photo postcard features actress Miss Mildred Claire. She is quite pretty and is dressed for cold weather (pre global warming). A fur muff protects her hands and a fur stole (pre PETA) wrapped around her shoulders. I could find very little information on this pretty actress. I learned from the Internet Broadway Data Base (IBDb) that Mildred Claire had acted in three Broadway shows between 1900 and 1905. I discovered little else. An actress named “Mildred Clair” appeared in a film titled “Treason” (1918). Perhaps this film actress was our Mildred Claire. There was also an actress named Mildred Claire who changed her name to Claire Rochelle and than had a successful film career. I do not believe the two “Mildred Claire’s” are one and the same person because Claire Rochelle was born in 1908, too late to be an adult when this postcard was issued. This portrait postcard was published by Rotary Photo as part of a series (no.4373 C). It was part of the Rotary Photographic series. The postcard is in very good condition (see scans). (SOLD) 
POSTCARD 1 (SOLD)
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POSTCARD 2
This vintage real photo postcard features theater actress Miss Lydia Flopp (1877-1963). “Flopp” is an unfortunate name for a stage performer. However, it did not get in the way of her success on the stage. Lydia was one of the five “Rudge Sisters”. The women were British actresses and dancers. Some of them were quite successful. The sisters performed as Letty Lind, Millie Hylton, Adelaide Astor, Fanny Dango, and the aforementioned Lydia Flopp. The sisters were primarily dancers but over time developed their singing ability. They performed in pantomime, variety, music hall, and Victorian burlesque realms of theater. Their venues included the Gaiety and Daly theaters in London. Letty Lind was a popular skirt dancer and star of musical comedies. Hylton worked in music halls and theatre and had much success appearing in varieties as a male impersonator. Miss Astor was a West End actress and Fanny Dango worked in London and then launched a successful career performing in Australia. Lydia Flopp’s specialty was pantomime. She was a sitter for two photo portraits in the collection of the National Portrait Gallery. The photographer of Miss Flopp’s portrait is Alexander Bassano (1829-1913). Bassano) was a leading royal and high society photographer in Victorian London. This postcard was published in England by the Davidson Brothers. Davidson Brothers was located in both London and New York City. The firm operated between 1901 and 1911. This postcard is published by Rotary Photo as part of the Rotary Photographic Series (no.1594 B). This vintage postcard portrait has excellent clarity and is in excellent condition (see scans). (SOLD)
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POSTCARD 1 (CLOSE-UP)
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Postcard 2 (Close=up)
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This cabinet card photograph features actress Katherine Florence (1874-1952). She was born in Birmingham, England and died in Astoria, Queens, New York. She received her education from a convent in Peekskill, New York. She furthered her education by studying in Paris, and later, Montreal. Florence was a popular American stage actress who performed from the late 1880’s through the early twentieth century. Her mother was a famous actress named Katherine Rogers. Two of Katherine Florence’s sisters became successful stage actresses Their names are Violet Rand and Eleanor Moretti. She gained her early acting experience in her mother’s theatrical company. Her major debut took place in New York City, 1887 in the drama, “As In A Looking Glass”. Lily Langtry was also in the production. She appeared on the New York stage every year of her theatrical career except one. Florence was married to stage actor Fritz Williams in 1892 and their marriage ended with his death in 1930. Her resume includes acting in “The Lost Paradise (1892)”, “The King’s Musketeers (1898”), and “Letty (1905)”. During her career she played opposite excellent actors including Stuart Robson, E. H. Sothern, and William Gillette. The Interned Broadway Data Base credits Miss Florence with appearing in fourteen productions between 1893 and 1913. This cabinet card was produced by Newsboy, a tobacco company. The photograph was used as a premium to encourage customers to buy the tobacco products. 
THE CABINET CARD GALLERY 