Newsboy published this cabinet card portrait of stage performer Adele Purvis Onri. The photograph was produced to be utilized as a premium with the sale of tobacco products. It was number 110 in a series. This somewhat risque portrait captures Miss Onri in action, but what kind of action? Research reveals that she was a burlesque performer. Her name appears in a number of sources but generally articles containing her name provide little information about her. Apparently she was not a major theater personality. The New York Times (1893) announced her appearance as part of the cast of “Lovely Meteor” at the Eden Musee. Onri makes another appearance in the N Y Times (1897) and in this article the reporter describes her appearance at Koster & Bials Theater. The writer asserts that “one of the most attractive features of the long and interesting bill was the performance of a graceful young woman called Adele Purvis-Onri who did some difficult posing on the slack wire, and intricate juggling and serpentine dancing or a revolving globe”. Reading between the lines, it is clear that Onri was performing burlesque acts of a risque nature. The New York Times (1902) notes that she appeared in vaudeville at the Twenty-third Street Theater and was a “sensational dancer”. The reverse of this cabinet card is stamped indicating it was owned by “Culver Pictures” of New York City. The Culver company charged newspapers and magazines for the use of photographs owned by Culver. To view more photographs by Newsboy, click on the category “Photographer: Newsboy”. To view more images of stage actresses, click on the category “Actresses”.
ADELE PURVIS ONRI: BURLESQUE PERFORMER (NEWSBOY ACTRESS SERIES)
PORTRAIT OF THEATER ACTRESS MAY GALLAGHER ON A BAD HAIR DAY
This cabinet card portrait features stage actress May Gallagher. The photograph was taken by New York City celebrity photographer D. H. Anderson. To view more photographs by the Anderson studio, click on the category “Photographer: Anderson (New York)”. Miss Gallagher’s hair appears to need a little work. Her curls are quite flat. In fact her hair looks glued down to her head. She is wearing a fancy lace dress. May Gallagher was not a major actress but she received some attention in the theatrical news of her time. Music and Drama (1882) refers to her as “the charming May Gallagher” in their reference to her appearing as Esmeralda at the Madison Square Theater in New York City. The New York Times (1884) mentions Miss Gallagher in their story about the traveling company of the play “Private Secretary”.
THEATER ACTRESS: MABEL POTTER PHOTOGRAPHED BY SCHLOSS IN NEW YORK CITY
Celebrity photographer Jacob Schloss captures actress Mabel Potter in this cabinet card portrait. For the time period, Miss Potter is assuming a rather risque position. Schloss operated his studio in New York City. This cabinet card holds a copyright from 1894. To view other photographs by Schloss, click on the category “Photographer: Schloss”. The New York Times (1892) has a brief article with the theatrical news that Miss Potter was about to appear in “The Vice Admiral” which was a “nautical comedy” scheduled to run at the Casino Theater. A photograph of Potter, very similar to the one above (likely taken at the same sitting), appears in Munsey’s Magazine (1895). Schloss is given credit as the photographer. It is announced that she was appearing in “Little Christopher Columbus” as one of Captain Slammer’s daughters. The article adds that she first appeared on the stage four years earlier with the McCaull Company in “Boccaccio” at Palmer’s Theater.
JOSIE DITT: MINOR STAGE ACTRESS PHOTOGRAPHED IN BOSTON, MASSACHUSETTS
The subject of this cabinet card portrait is stage actress Josie Ditt. Research indicates that she was a minor actress with a number of small role appearances in a number of major theater shows. The New York Dramatic Mirror (1892) announced her appearance in a “10,000 dollar production”, adding “No more, No less, No Bluff”. Will Wilson’s play, “The Man About Town” was playing at the Lyceum Theater. The show was a “Comedy, Vaudeville, Farce”. The New York Times (1894) advertised her appearance in the cast of “Little Christopher Columbus”. The Cornell Daily Sun reports her appearance in “Circus Girl”. This cabinet card was produced by the Conly studio in Boston, Massachusetts. To view other photographs by Charles F. Conly, click on the category “Photographer: Conly”. This particular photograph was once owned by Culver Pictures, a business that supplied celebrity images to the mass media for a fee. A stamp on the reverse of the photograph attests to Culver’s ownership.
ADA SIDNEY: PROBABLE STAGE ACTRESS OR OPERA SINGER
The reverse of this cabinet card identifies the subject as Ada Sidney. Judging by her costume, she appears to have been an opera or stage actress. This photographic portrait was taken by the Marc & Schlum studio in New York City. Research revealed no information about Miss Sidney or the studio photographers.
THEATER ACTRESS MARIE BOCKEL IN COSTUME FOR “LA VIE” IN NEW YORK CITY (1884)
This cabinet card features Miss Marie Bockel dressed in costume for her performance in “La Vie”. She was photographed by celebrity photographer Moreno. Moreno’s gallery was located in New York City. To view other photographs by Moreno, click on the category “Photographer: Moreno”. A stamp on the reverse of the image states “Russell Brothers, 126 Tremont Street, Boston”. Miss Bockel’s appearance in La Vie was announced in the New York Times (1884). “La Vie” was H. B. Farnie’s adaptation of Offenbach’s “La Vie Parisenne”. Marie Bockel also appeared in the New York Times (1884) when she appeared with the W. A. Mestayer Company in the performance of “We, Us, and Company of Mud Springs”. The show was described as a “wild musical farce” concerning the establishment of a sanitarium. The newspaper’s review of the show was favorable and it mentions that Miss Bockel sang the soprano parts in some of the quartets “very well”.
WOMAN ON A PEDESTAL: LOTTIE GILSON (THE LITTLE MAGNET)
This cabinet card portrait of actress Lottie Gilson was produced by celebrated New York City photographer, Aime Dupont. Gilson is perched on a pedestal and this image is a bit risque for its era. Note Miss Gilson’s coy smile, her exposed neck, relativesly low cut dress, the straps on her arms, and the leggy view. Gilson’s nickname, “the little magnet” is written on the reverse of the photograph. Also on the back of the cabinet card is a stamp from “Culver Pictures” which was a company that supplied photographs to the media for a price. Lottie Gilson (1871-1912) was a popular comedienne and vaudeville singer born in Basil, Switzerland. She was called “the little magnet” because of her popularity with audiences and her ability to propel the sales of sheet music. Her musical hits included “The Sunshine of Paradise Alley” and “The Little Lost Child”. The date of her theatrical debut is unknown but it is certain that she performed at the Bowery’s Old National Theatre in 1884. She later performed in many of New York’s theaters and was the top soubrette of her day. She is noted as the originator of the stunt of having a boy come out of the balcony singing along with one of her songs. This became a common vaudeville routine. The San Francisco Call (1900) reported Gilson’s third wedding (she was only twenty nine at the time). The article also mentioned that her first husband was sent to the penitentiary for setting her hat on fire. The New York Times (1912) printed an obituary for Gilson. They reported that she had been out of the public eye for five years prior to her sudden death. Another source states that she died after years of self destructive behavior, illness, and depression. To view other photographs by Dupont, click on the category “Photographer: Dupont”.
ANNIE SOMERVILLE: STAGE ACTRESS PHOTOGRAPHED BY BENJAMIN FALK
Stage star, Annie Somerville is featured in this cabinet card portrait by celebrity photographer Benjamin Falk in New York City. The curly haired actress is pretty and thin waisted. She is wearing a velvet type costume and has a sword at her side. Research yielded little information about Miss Somerville. She appeared in a number of actress series issued by tobacco companies. Her named is listed as part of the cast of Evangeline when the play appeared at the Fourteenth Street Theater in New York City. The reverse of the photograph has the stamp of photographer J. M. Russell, 126 Tremont Street, in Boston, Massachusetts. Russell was a well known music publisher in Boston and it is possible that he also was involved in the sale of celebrity cabinet cards. To view other photographs by Falk, click on the category “Photographer: Falk”.
PORTRAIT OF STAGE ACTRESS MARY HAMPTON (BY CELEBRITY PHOTOGRAPHER MORRISON IN CHICAGO, ILLINOIS)
This cabinet card portrait features slumping actress Mary Hampton photographed by Chicago celebrity photographer William McKenzie Morrison. Miss Hampton was a pretty woman and apparently a very successful actress of her day as there are many references to her, as well as accolades about her, in theatrical magazines and newspapers. A photograph of her appears in Broadway Magazine (1898). The New York Times (1899) printed a large illustrated portrait of Miss Hampton in her role as Gertrude Ellingson in the play “Shenandoah”. The book “American Women Theatre Critics: Biographies and Selected Writings of Twelve ….” by Alma J. Bennett (2010) praises Hampton in her role as Rosamund. It is asserted that she played the part “true to the high standard of womanly power and gentleness”. The reviewer also compared her favorably to the great actress Helena Modjeska. The New York Times (1931) printed an obituary when she died at age 63. To view other photographs by Morrison, click on the category “Photographer: Morrison”.
THEATER ACTRESS LILLIAN CONWAY (PHOTOGRAPH BY JOSE MORA)
This cabinet card features a portrait of theater actress Lillian Conway. The image was produced by Jose Mora, the famous New York celebrity photographer. To view other images by Mora, click on the category “Photographer: Mora”. Lillian Conway was Brooklyn born and grew up in a theatrical family. Both her parents were appeared on the stage and her mother was also a theater manager. Lillian’s sister, Minnie, also was an actress. Lillian made her theater debut at the Brooklyn Theater playing a minor role in the burlesque “Evangeline”. She next appeared as the lead in “Virginius”. After her parents died, Lillian moved to Boston where she appeared in Globe Theater productions and next moved to Philadelphia to continue her theatrical career. While in Philadelphia, she met and married a local banker, left the stage, and had two children. The marriage had multiple problems including allegations that her husband was an alcoholic. She divorced her husband, who later died in 1887. Miss Conway returned to the stage and organized the Lillian Conway Opera Company. She took the “show on the road” but her theatrical group failed, partially due to scandal. It seems Lillian Conway was guilty of sharing a hotel room with the troupe’s unmarried business manager. Conway later fell ill, and with the help of the Actor’s Guild was able to finance a trip to London for treatment. Unfortunately, she died there in 1891 from rheumatic fever.
