This vintage real photo postcard features an unidentified pretty performer. She is posed like a dancer. This is a risque postcard. She is wearing a flesh colored body suit and is posed in a provocative manner. The model on this card was likely a minor player based on the fact that she is not named on the postcard. This photo was taken at the studio of A. Liebert, in Paris, France. The Getty Museum, located in Los Angeles, California, as well as other fine museums, have photographs in their collections by Paris photographer, Alphonse J. Liebert (1827-1913). Many of his Parisian subjects were actresses. Perhaps Miss Lesian is one of those actresses. Mr. Liebert has an interesting story. He was a photographer in Nevada City, California (1857-1862), and later, operated in Paris (1863-1890’s). He was born in France. He became an officer in the French Navy. He left the navy in 1848 to study daguerreotypy. He must have reenlisted in the navy because In 1851, he arrived in San Francisco, as a Lieutenant on a French ship. This was a time when there was much excitement about Gold mining. As a result, there was a mass desertion of the ship’s crew. The sailors joined the rush for gold. Liebert had in mind, his own venture. He and two partners decided to take on the project of refurbishing a steamship. They sought investors and hired workers to transform the ship. However, due to the partners inexperience, the venture failed. Liebert than tried gold mining but met little success. In 1857 he opened a photo gallery in Nevada City. He lost thousands of dollars after a fire in 1858. In 1859 Liebert ridiculed a former photography pupil of his, named Louis Celarie, in the press. This started a bitter professional feud. Soon after, Liebert announced that he had won a medal at the state fair. Unfortunately, there was no evidence to confirm this claim. The competition between Liebert and Celarie was fierce. Each offered special promotions to best the other. By 1861, Liebert triumphed, evidenced by the sale of Celarie’s studio. About a year later, Liebert sold his photo gallery. By 1863, he had returned to France and opened a gallery specializing in tintypes. Liebert closely identified with his photography experience in America, and as a result, he named his Paris gallery “Photographie Americaine”. Liebert began to write photography articles and books, and ultimately, invented a prototype solar camera. In 1867, Liebert had a problem with the law. He was sentenced to two months in prison and levied a fine of 200 francs. He was charged for the intent to distribute banned post mortem photographs. These were not photos of some random person. Instead, they were images of Emperor Maximillian, who had been executed in Mexico. Liebert ultimately did exhibit these photos. Liebert was becoming more and more successful. His photo gallery was so lavish that a reviewer for the British Journal of Photography wrote that it was “worthy of the smiles of the ‘God of Light’, and a repository for some of the best productions of the photographic art”. In 1879, Liebert’s gallery was the first studio to utilize electric light. By 1880, he was considered to have the most impressive photo studio in Paris. . The card was published by Star or Etoille Publishing (Paris). This postcard image was created by a process called “emaillographie”. It is interesting to note that the first five letter of the process are “email”. This postcard was part of the V B C series (No.3063). SOLD
This cabinet card photograph features a dapper older man with an exquisite mustache. The gentleman’s impressive mustache may be one of the widest mustaches that I have ever seen. He has a sparkle in his eyes but it is impossible to ascertain if he is smiling because his lip sweater is blocking our view. The photographer of this cabinet card portrait is A. Michel. He operated a studio in Grenoble, France. Grenoble is in the Auvergne-Rhone-Alpes region of southeastern France. It is known as a center for winter sports. Advertising on the reverse of the cabinet card indicates that Maichel won a medal at an exhibit in Marseille in 1897. The gentleman in the photograph is identified on the verso as Gabriel Lucas. This portrait was likely taken circa 1900. SOLD
THE CABINET CARD GALLERY 