This scarce and evocative antique theatrical portrait photograph, measures 5 x 7 inches, and depicts actress Gertrude Quinlan in her role as Annette from the musical comedy King Dodo, as performed at Daly’s Theatre in Chicago, Illinois. The photograph was taken by the Gibson Art Galleries of Chicago, a prominent studio known for producing high-quality portraits of stage performers and society sitters in the late 19th and early 20th centuries. In this portrait, Quinlan is presented in a softly lit, pictorialist style, wearing a flowing costume and an elaborate floral headpiece that frames her face. Her pose—head gently inclined, hand raised thoughtfully toward her chin—reflects the refined, expressive aesthetic favored in Edwardian theatrical portraiture, designed to emphasize character, mood, and feminine grace rather than strict realism. The image would have served both as a promotional likeness and as a collectible souvenir for theatergoers. Gertrude Quinlan was an early 20th-century American stage actress active during the height of musical comedy and light operetta in the United States. She sang in over 125 operas. While not a headlining star of the era, she was part of the important working class of professional actresses who sustained touring companies and long theatrical runs in major cities such as Chicago. Performers like Quinlan frequently appeared in chorus and featured roles, and their images were commonly commissioned by studios like Gibson Art Galleries for publicity and personal distribution. Her appearance as Annette in King Dodo places her squarely within the lively theatrical culture of Chicago in the first decade of the 1900s, when the city rivaled New York as a major center for touring Broadway and London productions. King Dodo is a musical comedy that originated in London in 1906, produced by George Edwardes, with music by Walter Slaughter and a libretto by Harry B. Smith. The show was quickly brought to the United States, where it enjoyed considerable success on tour. The production appeared in Chicago at Daly’s Theatre during the 1906–1907 season, part of the American run that followed its London popularity. King Dodo is a lighthearted romantic farce centered on a fictional European kingdom where a young king—nicknamed “King Dodo” due to his naïveté—navigates court intrigue, romantic entanglements, and mistaken identities. The character Annette is typically portrayed as a charming and sympathetic young woman whose relationships and choices help drive the comedic and romantic elements of the story. Like many Edwardian musical comedies, the play emphasized humor, romance, and spectacle over realism. This vintage photograph is in good antique condition. The photo has edge and corner wear, mild surface toning, and handling marks consistent with age. Note the surface issue on the mount near the top right corner. The image itself remains strong, with pleasing tonal range and soft focus characteristic of early 20th-century theatrical portraiture (see scans). ADDENDUM: A fellow collector offers a correction to my item description. The helpful individual asserts that “King Dodo” was an American operetta by the team of Pixley and Luders, premiering in 1902.”
This cabinet card is available for purchase at my store, The History Peddler, for $45.00 or best offer.
Interested collectors may view the listing here:
https://www.ebay.com/itm/236552620239
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