This vintage real photo postcard (Postcard 1) features pretty stage actress Miss Nina Wood. The message on the reverse tells the recipient that this postcard “will be a nice addition to your collection”. The postcard was published by Rotary Photo as part of the Rotary Photographic Series (no.1787A). The photographer that took this photo is the John Story & Hoffmann studio. The postcard is postmarked 1905. (SOLD)
Postcard 2 features Miss Nina Wood wearing a large hat and holding a bouquet of flowers. The postcard was published by Wildt & Kray {W & K) which was based in London. (SOLD)
These vintage real photo postcards feature actress Miss Mabel Russell (1886-1951). She was also known as Mrs Hilton Philipson when off the stage. Russell was a British actor and politician. She was a gaiety girl and starred in many London plays. She left acting to marry politician, Hilton Philipson, in 1917. Mabel caught the political bug and became the third woman to take a seat in the House of Commons. She was quiet on the floor of the house but was active behind the scenes. One of her bills led to the 1927 Nursing Home Registration Act. After retiring in 1929, she returned to acting for a brief period by left the theatre to focus on her family.
Postcard 1 was published by Tucks as part of the “Celebrities of the Stage” series (No.T 718). Miss Russell’s photo portrait was taken by Dover Street Studios. This postcard was postmarked in 1907. (SOLD)
Postcard 2 captures Miss Russell playing “Forbidden Fruit” in the Chinese Comic Opera “See See” (1906). The production ran in London’s Prince of Wales Theatre for 330 performances. This postcard was published by Tucks as part of the “Celebrities of the Stage” series (No.T 713). Miss Russell’s photo portrait was taken by Dover Street Studios. This postcard was postmarked in 1908. (SOLD)
Postcard 3 captures Miss Russell in her role in “Jack and Jill”. The “Bystander” magazine reported her appearance in that production in 1907, the same year as the card is postmarked. The actress was about 21 years old when this postcard photo was taken. The postcard was published by Rotary Photo as part of a series (No.4839R). (SOLD)
Marcella Albani (1899-1959) was an Italian film actress that appeared in 50 films between 1919 and 1936. Albani was “discovered” by writer/director Guido Parish (Schamberg) when she was twenty years old. They became a very successful film couple until 1924 when they parted ways. Their movies were predominately tear jerkers and adventure stories. The actress also worked with other famous directors such as Joe May, Friedrich Zelnik, and Wilhelm Dieterle. Albani was a major star in the European cinema in the late 1920’s. Her films were made in five different European countries. Many of Albani’s roles were portraying elegant Latin beauties. At the advent of sound movies, Miss Albani turned to writing. One of her several novels was turned into a movie. She continued to act until 1936. Albani was married to director Mario Franchini in 1931.
Albani certainly looks elegant, sensual, and beautiful in thisPostcard 1portrait. She is dressed exquisitely. The postcard image is a bit risque for it’s era. This postcard was published by Ross Verlag of Berlin, Germany. The postcard is part of a series (no. 538/1). This portrait of Miss Albani was taken by celebrity photographer, Alexander Binder. (SOLD)
In the photograph seen onPostcard 2, Albani again looks elegant, and beautiful. Her hat is a fashion statement in itself. The card is of German origin and published by Ross Verlag of Berlin. The postcard is part of a series (no. 1521/1). The photo is by Aafa film. According to one reliable source, the postcard was issued sometime between 1927 and 1928. (SOLD)
Postcard 3 features a beautiful risque portrait of Miss Albani. The publisher of this postcard is also Ross Verlag of Berlin, Germany. The postcard is part of a series (no. 596/3). Printed on the postcard is the name “Albani Film”. The company was a film production and distribution firm and was active in 1934. (SOLD)
Postcard 4 accentuates the beauty of Miss Albani. The portrait is artistic and risque. This postcard was published by Ross Verlag as part of a series (no.596/4). Print in the bottom right hand corner of the image states “Albani Film”. (SOLD)
This vintage real photo postcard features Comtesse Mathieu de Noailles (1876-1933). She was a Romanian French writer, poet, and socialist feminist. Her birth name was “Princess Anna Elixabeth Bibesco-Bassaraba de Brancovan”. Her father was a prince and her Greek mother was a musician. In 1897 she married the son of the 7th Duke de Noailles. The pair became very popular in Parisian high society. Anna de Noailles wrote three novels, many collections of poetry, and an autobiography. Her first work was published in 1901. She was a part of the elite group of intellectuals, artists, and authors of her place and time. A New York Times article from 1929 reported that she was one of the finest poets in France. Anna was a very popular woman and a number of great artists painted her portrait. Auguste Rodin sculped her image in 1906 and the sculpted bust resides in the Metropolitan Art Museum in New York City. Anna won many literary awards during her career. This postcard was published by Alfred Noyer. Anna’s photo portrait was taken by the esteemed photographer, Henri Manuel (1874-1947). Manuel opened a portrait studio in Paris in 1900. Manuel specialized in portraits and photographed many celebrities from the world of sports, theater, art, and politics. He was also the official photographer of the French government for 30 years. This postcard was produced in France. Note the light blue mark near the top right hand corner of the card. The postcard is in overall Good Condition (see scans). The photograph seen on this postcard was used as a cover photo for a biography of Anna Noailles. This particular photo is uncommon or rare.
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This vintage lithographic postcard features a Northwest Airlines Stratocruiser in flight. The stratocruiser, for it’s time was the fastest and most modern airliner. The plane was manufactured by Boeing and was a double-deck plane that held 75 passengers and had spiral stairways, lower deck lounges, and large dressing rooms. The plane was introduced in the late 1940’s. This postcard was issued by the airline. (SOLD)
This vintage postcard features a pretty woman playing tennis. She is at the net preparing to hit the ball. It appears that the photographer wasn’t too concerned about his model’s grip on the tennis racquet. Apparently, some tennis lessons before the photo session would have been helpful. However, this is a very sweet postcard and the woman is wearing tennis fashion of the era as well as a wonderful smile. The postcard is of French origin and was published by A. Bergeret of Nancy, France. The postcard is in good condition with some foxing (see scan) and the postcard is unused. The reverse of the postcard indicates that it once resided in an album. (SOLD)
This vintage real photo postcard features French actress, Gilda Darthy (1878-1952). She was an actress on the Paris stage. She was known for being fashionable and was the subject of many photo postcards and photographs. Her stage costumes were created by some of the most famous costumers of their time. She had striking red hair. She was a passenger on a 1910 flight from Algiers to Timbukto and her flying on the plane was used to publicize the New French air service making the flight. During World War I, Darthy was one of the French actresses employed to portray “La Patrie”, a symbol of France. She made her American debut in “The Ironmaster”. The New York Times (1916) reported on her performance and the review was very favorable. The reviewer described Darthy as being among the most gifted and skillful actresses of the french theater. The wrtier added that “she has all the natural grace and technical skill” of the schooled actresses of the french theater. The reviewer also commented about Darthy’s appearance by stating she had “a moderate amount of gallic beauty” besides her talent. Finally, the theatrical writer reported that Darthy had an extraordiary amout of emotional powers and a lovely voice. Darthy also appeared in the New York productions of Sapho (1917) and “La Rafale” (1917). In addition to being famous for her acting and fashion roles, Darthy was also a headliner in the area of noted scandals. The New York Times (1917) reported that actress, Irene Bordoni filed suit in the New York Supreme Court against her husband, actor Edgard Beekman, on the grounds of alleged misconduct with Darthy. Darthy was also sued for damages for alienating Boroni’s husband’s affections. Beekman was Darthy’s leading man in a theatrical production at the time of the affair. A similar situation occured with actress Cora Laparcerie and her husband Jacques Richepin. That particular conflict escalated to the point of physical violence between the two women. In 1929, Darthy won damages in a court case, after being injured in an automobile accident. The injuries caused her to have to cut her “trademark” long hair and damages were justifiable because she refused to “deceive the public by wearing a wig”. This vintage postcard portrait of Gilda Darthy was taken by Paul Boyer, the esteemed celebrity photographer. Boyer’s studio was located in Paris, France. (SOLD)
This vintage real photo postcard features a view of domestic and family life in the 1913 United States. I hypothesize that the women in this photograph are a mother and her two daughters. The mom and one of her daughters is sewing, while the second daughter is reading a book. Note the antique bench that the reading daughter is sitting on. This vintage postcard’s CYKO stamp box is consistent with the 1913 notation written on the card. The original owner of this postcard identified two women in the portrait, but not herself. The id’d women are Dagmar Miller and Marie Petersen. The location is noted as Askov, Minnesota. The town is located on the middle of the eastern border of the state. Askov was settled primarily by Danish immigrants. Interestingly, the name “Dagmar” is of Scandanavian origin. The 2010 census identified 364 residents of Askov. SOLD
This vintage real photo postcard features American actress exotic dancer, La Sylphe. Her off stage name was Edith Lambelle Langerfeld (1883-1968). She attracted a great deal of attention in the 1890’s while performing at the Folies Bergere. She was born in New York City. Her father was German and her mother was Irish.Her father invented a machine used in the mining of coal. Edith was a dancer, but US laws prevented her from performing on stage due to her young age. The laws were more liberal abroad so when Edith turned six, she was taken abroad by her mother. She travelled around the world for eight years, spending the majority of her time performing in Europe. She became fluent in five language. During her second world tour, she was the primary dancer at the Alhambra Theatre in London. Next, she performed at the aforementioned Folies Bergere. Her debut in the US occurred when she was fourteen. In 1899, she introduced her rendition of “The Vision of Salome” dance. When “Salome” was banned by the Metropolitan Opera in 1907, La Sylphe’s popularity in the US soared. She named her performances “The Remorse of Salome”. She adopted the Far East body dance, otherwise known as “the houchee kouchee”. She began performing in vaudeville. She did toe dances, spanish castanet dances, muscle dances (belly dances), and of course, the Salome dance. She also performed what she called the Devil dance. Some of her performances were risque. In one skit, her mid waist was covered by only pearls. In other performances she wore tights, picket fence skirts and a gossamer (light and thin) bodice. Her performances in New York shocked the public but the shows were tame compared to her routines in Europe. Some of her New York shows were attended by plainsclothes police officers to ensure that she did not cross over the morality boundary.. In 1919 and 1920, La Sylphe was in the cast of “George White’s Scandals”. Her performances included an Acrobatic act, as well as a Contortionist act. After 1928, she began performing in ballets. In one interview, La Sylphe expresses an interesting opinion about matrimony. In an article from “The Evening World” (1908), she states that being an old maid is a good idea. She asserts that she is going to be one. “Marriage is fine for men, but it’s rotten luck for a woman, This vintage real photo postcard was published by Philco as part of a series (No.3103A). The photo was taken by noted celebrity female photographer, Lallie Charles. (SOLD).
The pretty young woman seen in this vintage real photo postcards is a contestant in one of the early 1930’s Miss Europe beauty contest. She represented Spain in the competition.The Miss Europe contest was established by a French journalist in 1927. Most of the women in this event had won their own country’s national beauty contest, and used the Miss Europe contest as a warm-up for the Miss World pageant. This postcard was published by the well known and acclaimed photographer, Alfred Noyer. His Paris studio operated between 1910 and the 1940’s. Miss Spain’s portrait was photographed by the studio of M. Pergay. (SOLD)
Postcard 1 (SOLD)
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