This vintage real photo postcard features pretty performer, Jane Ivon. Take a close look at her hat. Yes, that is a real deceased bird decorating her hat. The bird looks as if it is staring into Miss Ivon’s eyes. There was a time when whole birds were considered desirable decorations on lady hats. This was to the detriment of many bird species that were nearly wiped out by hunters looking to make a quick buck from the millinery industry. One of the venues that Ivon performed at was the Theatre Marigny. The Marigny was, and remains located, near the corner of Champs-Elysees and the Avenue Marigny. The theatre was opened in 1894 and was the home to operetta and other musical theatre. It was a popular venue for musical productions until the 1930’s. There have been many changes in the venue overtime, including a major rehabilitation and restoration in 2018. The theatre still operates today. This portrait postcard was photographed by Lucien Walery. He was a celebrated Paris photographer known for his portraits of artists and cabaret dancers from the city’s music halls. He is very well known for his portraits of Mata Hari and Josephine Baker. Walery did a lot of work in the genre of nude/erotic photography. He photographed the beautiful women of Paris between the early 1900’s and the 1920’s. The postcard is part of a series (n542). This vintage portrait postcard is in very good condition (see scans).
Buy this Vintage Real Photo Postcard (includes shipping within the US) #3393
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The subject of this vintage real photo postcard is theatre actress, Suzy Mabel. I was unable to find much biographical information about this pretty young woman with an enticing smile. The magazine, “Navy and Army” (1905) published a full page spread of Miss Mabel. The article included four photographs of Miss Mabel. One of those photographs was identical to the photo above. A caption beneath the images reads “One of the most popular of the young actresses now appearing at La Scala, Paris”. Le Concert de La Scala was built in 1873 and was one of the most famous cafe-concert halls of the Belle Epoque. The portrait of Suzy Mabel seen on this postcard was photographed by Lucien Walery. He was a celebrated Paris photographer known for his portraits of artists and cabaret dancers from the city’s music halls. He is noted for his portraits of Mata Hari and Josephine Baker. Walery did a lot of work in the genre of nude/erotic photography. He photographed the beautiful women of Paris between the early 1900’s and the 1920’s. This postcard was postmarked in 1907. The card was published by Societe Industrielle de Photograpie (SIP) of Rueil, France, as part of a series (no. 5087). SOLD
OK. It may not be the biggest collar in the world, but it’s pretty big. The smiling cute young girl seen in this vintage real photo postcard, by my estimation, is curtseying after giving a dance performance. Her shoes, stockings, short dress, and the flower in her hair are all reasons for my hypothesis. And what about the collar? It appears to be on steroids. I don’t think the collar is something she would wear in everyday life. I am wondering if she is wearing a costume designed to make her look like a flower? What do you think? I must admit, the “collar” reminds me of an “Elizabethan Collar” worn by dogs after surgery. This is a very unique image. The photo was taken by a private photographer and not mass produced to be sold by studios to the general public. This real photo postcard portrait is in very good condition (see scans).
Buy this original Vintage Real Photo Postcard (includes shipping within the US) #3387
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$35.50
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A pretty young woman with long hair, poses for a nude portrait at an unidentified studio. She has an engaging smile and alluring eyes. I believe this postcard photograph was taken by the Biederer studio. However, the image is unsigned and my attributing the photo to Biederer is only a hypothesis. This photo postcard was produced and sold as art. The AZO stamp box on the reverse of this postcard indicates that the photo was shot sometime between 1918 and 1930. (SOLD)
This vintage real photo postcard features a traditional Swiss folk music and dance group wearing traditional ethnic clothing. Note the accordion being held by the man in the center of the front row. The group was based in the town of St. Gallen. This real photo postcard is in good condition (see scans). There is a mar which can be seen on the man all the way on the right side of the top row. SOLD
This vintage real photo postcard features a handsome young boy and his adorable toddler sister. The boy, clad in a sailor style outfit, protectively holds his sister. He is keeping her safe while she sits on the edge of a high small table. The little girl is dressed in fancy clothing which includes a cute bonnet. This photo postcard’s image was taken at an unidentified studio. The postcard is in very good condition (see scans).
Buy this original Vintage Real Photo Postcard (includes shipping within the US) #3370a
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The pretty actress seen in this vintage real photo postcard is Lucienne Legrand (1900-1987). She was French and was active in film between 1921 and 1929. Her work was in silent film and she often worked alongside her actor/director husband, Emile-Bernard Donatien. For clarity sake, note that there was another actress named Lucienne Legrande; but this actress was born in 1920. Lucienne Legrand, pictured on this postcard, has eighteen film credits listed by IMDb. The site states that she is most well known for La chevauchee blanche (1924), Simone (1926), and Le martyre de Sainte-Maxence (1928). This photo postcard was published by Cinemagazine (Paris Edition) as part of a series (no.98). The photograph of Miss Legrand was taken by Pierre Apers. He was a talented French photographer active in the early twentieth century. His studio was in Paris and he specialized in portraiture. The cabinet card gallery is building a nice collection of his photographs. This vintage photo postcard is in very good condition (see scans).
Buy this original Vintage Real Photo Postcard (includes shipping within the US) #3360
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$15.50
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This vintage real photo postcard features a portrait of a beggar sitting on a sidewalk in Santiago, Chile. The poor soul has his hat extended hoping that a passerby will drop in some pesos. He is sitting on a pair of crutches. The poor soul’s facial expression reflects a life of pain and misery. This postcard’s Cyko stamp box indicates that the card dates back to between 1904 and the 1920’s. This vintage postcard is in good condition (see scans).
Buy this original Vintage Real Photo Postcard (includes shipping within the US) #3350
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Bessie Love (1898-1986) is the subject of this vintage real photo postcard. She was beautiful and her postcard and photo images are very collectible. Bessie was an American-British actress who initially became popular by playing sweet, pure, and innocent young girls. She went on to play virtuous leading ladies in silent and early sound films. Her career had amazing longevity; she acted for more than eight decades. She worked in many areas of entertainment. In addition to her film work, she acted on the stage, and on radio and television. Bessie was born in Midland, Texas. Her father was a cowboy and a bartender. Her mother was a restaurant manager. She attended Midland schools until the eighth grade. She and her family moved to Arizona, New Mexico, and then Hollywood, California. Once in the Golden State, her father became a chiropractor and her mother worked in a clothing factory (Jantzen). Bessie attended Los Angeles High School and in 1915 she went to a film set to meet with Tom Mix who had promised to help her to “get into pictures”. Mix was unable to meet with her but film director D. W. Griffith was able to meet with her and he promptly put her under contract. Love dropped out of high school in order to pursue her film career. Impressively, she did complete her diploma in 1919. Bessie began with a small role in a Griffith movie, “Intolerance” (1916). Her first major role was in “The Flying Torpedo” (1916). That same year, she appeared in movies opposite William S. Hart and Douglas Fairbanks. Her first starring role was in “A Sister of Six” (1916). Love quickly became a popular performer. Early in her career, Bessie worked for “Fine Arts”, “Pathe” and then Vitagraph. In the 1920’s Love sought roles outside of the “sweet and innocent girl” parts. In two movies she played Asian women. She had the role of a drug addicted mother in “Human Wreckage” (1923) and in other films played an underworld flapper as well as a woman accused of murder. In the 1925 movie, “The King on Main Street”, Love became the first person to dance the Charleston in a movie (see the video below).. The dance became the rage of the era. Also in the 1920’s, Bessie appeared in a film based on Arthur Conan Doyle’s novel “The Lost World”. In addition, she appeared in a romantic comedy directed by Frank Capra. She signed with MGM in 1928. In 1929, Love exhibited her talent in musical comedy. She toured with a musical revue for sixteen weeks. It is thought that her singing and dancing performances in vaudeville helped prepare her for sound films. That same year, she made her debut in her first feature length sound film, the musical “The Broadway Melody”. Her performance led to her receiving a nomination for the Academy Award for Best Actress. MGM rewarded her with a five year contract and a three thousand dollars a week (equivalent to $45,000 a week in 2019). She continued to act in musicals and her success was reflected in her becoming “the screen’s first musical comedy star”. Between 1931 and 1943, Love entered semi-retirement. She had married in 1929 and during this break in her career, she began focusing on her personal life. Her husband was an agent, William Hawks. She had celebrity bridesmaids, including Carmel Myers, Norma Shearer, and Mary Astor. Love had a daughter in 1932, and in 1935, she moved to England. She obtained a divorce in 1936. During World War II, Love worked as a film script supervisor and also worked for the American Red Cross. After the war, Love resumed acting. Much of her work was in theater, television, and radio. She also played minor roles in British film. In 1958, she wrote and performed in a semiautobiographical play. Some of her later films included “The Barefoot Contessa” (1954), “On Her Majesty’s Secret Service” (1969 a James Bond Thriller), and “Sunday Bloody Sunday” (1971). Bessie Love had a long and successful acting career. The IMdB reports that she had 156 acting credits between 1915 and 1981. This vintage postcard was published by Cinemagazine (Paris Edition) as part of a series (no.163). The postcard has excellent clarity and is in very good condition (see scans). SOLD
This vintage real photo postcard features pretty actress Mona Martenson (1902-1956) as she appears in the film, “Inmarsarvet” (1925). Translated into English, the film is titled “Ingmar’s Inheritance”. The movie is a Swedish silent drama film and was directed by Gustaf Molander and produced by Nord-Westi Film. Mona was 23 years-old when the postcard photo was taken. Martenson was an active performer from 1923 through 1949, appearing in 29 films. Mona was raised in Helsingborg and studied at the Royal Dramatic Theater Academy. She made her first film appearance in 1923. That same year, Mona and a classmate were selected by the school to audition for celebrated Swedish film director, Mauritz Stiller. Incidentally, you may be familiar with her classmate. Her name was Greta Garbo. Both Martenson and Garbo were cast in his upcoming film. The film was very successful and Mona and Greta were invited to Hollywood. Martenson was not interested in leaving Sweden, and turned down a contract offer from Louis B. Mayer. She remained in Stockholm and acted in theater and film. In 1929, Mona spread her wings and starred in a German film and in a Norwegian film. Mona was able to cross the “sound barrier” and appear in a number of “talkie” films. Her last film was “Pippi Longstocking” (1949). She played the supporting role of Pia. The photographer of Martenson’s portrait seen on this postcard was Axel Eliassons Konstforlag. He operated a studio, and then a postcard publishing company in Stockholm. The company was named “Axel Eliasson’s Art Publishers (AE) and began selling postcards in 1890. The company was Sweden’s leading producer of postcards during the first half of the twentieth century. In the middle of the 1890’s, Jenny Nystrom and Anna Palm were hired as illustrators. The company specialized in illustrated Christmas cards. Eliasson died in 1932. In 1941, the company was sold and underwent several name changes. The company still exists today, under the name “Axel Eliasson AB” and is located in Sagmyra, Sweden. It no longer publishes postcards. Instead it produces art publishing items (ie Christmas cards and gift items). This vintage postcard is in very good condition (see scans).
Buy this original Vintage Real Photo Postcard (includes shipping within the US) #3347
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$27.00
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