

This fantastic cabinet card photograph is truly unusual. An oval photo of a handsome young uniformed sailor is in the center of the image. Below his portrait is a photograph of two navy battleships. The name of the sailors ship is embroidered into his cap. The sailor was on the French navy torpedo destroyer, the Cognee. The ship was one of 13 Claymore-class destroyers built around 1905. The photographer of this image is Alphonse Leenaerts and his studio was located in Toulon, France. Toulon is a port city on southern France’s Mediterranean coast. The city serves as a major naval base. Alphonse’s brother Henri, was also a photographer. The pair, who were Belgian, operated in Toulon between 1871 and 1914. They worked independently. Alphonse moved to the address listed on this photograph in about 1903. The reverse of this photo has advertising indicating that Alphonse won a medal for his work in 1909. This photo was taken shortly after that date. This cabinet card photograph is in very good condition (see scans).

Buy this original Cabinet Card Photograph (includes shipping within the US) #2917
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This vintage real photo postcard is captioned “knitters”. This photograph captures two adorable kittens playing with knitting. The postcard was published by Rotary Photo as part of a series (no. 647). The card is from circa 1910’s and is in very good condition.


This 1908 real photo postcard captures a well dressed couple posing by “Mushroom Rock” which is located in the “Garden of the Gods” in the state of Colorado. The site is specifically situated in Colorado Springs. Garden of the Gods is a public park and was named a National Natural Landmark in 1971. Glaciers and erosion left the land with incredible rock formations. The park was named by two surveyors in 1859. Multiple Native American nations had involvement with the area. In addition to “Mushroom Rock”, tourists have made “Balanced Rock” a popular visitor site. A photograph of “Balanced Rock” can be found elsewhere in the Cabinet Card Gallery (use the search box to find it). The stamp box indicates the card was published between 1904 and 1918, The 1908 date written on the reverse of the postcard fall well within the range of those years. (SOLD)

This vintage photograph features a most adorable schoolboy sitting at his desk. An open book, awaiting attention, sits on his desk. The wide-eyed boy is dressed beautifully and he is well coiffed.. Mom must have known it was picture day for his class. This photograph was likely taken sometime in the 1940’s or 1950’s. The photo measures about 3 1/2″ x 5″ and is in excellent condition.



This Victorian Trade Card is advertising the Grand Central clothing company operated by Streeter, Brimmer & Olean. The company sold both ready made and custom menswear. The business was located in Watertown, New York and had existed there since 1823. It is commonly said and written that many dog owners look amazingly like their dogs. This trade card humorously gives an example by showing a dog owner that closely resembles his bulldog. The card measures about 3 1/4″ x 5 1/8″. (SOLD)

This cabinet card offer a clear and crisp image of a uniformed member of a fraternal organization. Hopefully, a visitor to the cabinet card gallery will be able to identify which organization the gentleman represents. The photographer of this image is Edward P. Fowler and his studio was located in Haverhill, Massachusetts. Listings of his photography business indicate that he operated at least between the years 1869 and 1880. During that time period he operated his business on Main Street and on Merrimack Street, apparently not simultaneously.

This vintage real photo postcard features stage and film actress, Blanche Walsh (1873-1915). Walsh was born in the lower east side of New York City. Walsh’s father was a Tammany Hall (New York City) politician and prison warden. His name was Thomas Power “Fatty” Walsh. Miss Walsh was an active actress between 1888 and 1915. Blanche Walsh made her stage debut at 15 years of age in 1888. She joined Charles Frohman’s stock company. She was a supporting actress for the likes of Marie Wainwright and William Gillette. She toured Australia with actor Nat Goodwin in 1896. Walsh became popular playing “emotional” roles and succeeded Fanny Davenport when she became too ill to perform in such roles. In fact, many fans believed that Walsh closely resembled Davenport in appearance. Walsh than began being tasked in more challenging roles such as in her performances in “The Woman in the Case” (1905) and in Tolstoy’s “The Kreutzer Sonata” (1904). Walsh appeared in ten Broadway productions between 1895 and 1907. A reviewer in “Variety” (1918) wrote that Walsh ” was not only a great actress, but an artist enough to subordinate whatever personal charms she might have had to a proper characterization of a role”. Blanche Walsh only appeared in one film. She was a well respected American actress. Her only film was Resurrection (1912). The film was based on one of Leo Tolstoy’s novels. The film helped Adolph Zukor launch his movie company, Famous Players Studio. It later became Paramount. She was one of the first stage stars to appear in a long feature film (over 50 minutes). Miss Walsh had two marriages. Her first husband, Alfred Hickman (1873-1931) was an English actor who appeared in thirty-five films. Walsh had no children. She was one of the original advocates of an American National Theater where people could see major plays at a low price. Walsh had significant health problems during her career. She had several hospitalizations. She died at 42 years of age from kidney problems. This vintage postcard was published by the Rotograph Company as part of the “Rotograph Series” (No. B 506) The photographer was Jacob Schloss (1856-1938) and his studio was located in New York City. Schloss received his education at the Cooper Union in New York City. He graduated in 1872 as an etcher. He joined Benjamin J. Falk’s photography studio and worked there in the mid 1870’s. He left Falk’s employ to open his own studio (54 West 23rd Street) where like Falk, he specialized in theatrical photography. He tended to favor photographing actresses in costume in front of generic studio furnishings. He produced many cabinet card photographs but also was active in the production of magazine images. By the 1890’s he was particularly known for his photographs of beautiful women, much like photographer Jose Maria Mora. Schloss also was an activist for photographers rights. He was very involved in the movement to copyright images. He sued those who used his photographs without crediting or paying him. He was very involved in national photographer associations and was an active photographer until the 1910’s. SOLD