BEAUTY WITH FINGERLESS GLOVES IN CHICAGO, ILLINOIS

A beautiful woman poses for her portrait at the Lewitz studio in Chicago, Illinois. She is surrounded by pretty flowers. She is wearing flowers on her dress and in her hair. There is also a floral treatment on the railing behind her. She is wearing a coat style dress and a lace blouse. She is also sporting fingerless gloves. This young woman spent some time at her jewelry box while preparing for this photograph. She appears to be wearing a necklace and a broach, although it may be a necklace with two pieces of jewelry attached. She is also wearing earrings. The photographer of this image is Emil Lewitz. To learn more about him and to view more of his photographs, click on the category, ‘Photographer: Lewitz’.    SOLD

Published in: on January 17, 2012 at 12:01 am  Leave a Comment  
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“ARE WE THERE YET?”, SAID THE WIFE, TO THE HUSBAND, ON THEIR RIDE TO NOWHERE (ISLE OF MAN)

A man and a woman, presumably, a married couple, pose for their portrait in a car that is going nowhere. This automobile is simply a photographer’s prop. The advantage of a married couple being in a car that is going nowhere, is that the man can’t get lost, and then deny it;  and the woman can’t keep telling him to stop and ask for directions. The pictured car is located in the photographic studio of Frederick Johnson. Johnson’s studio was in the town of Douglas, on the Isle of Man. He actually operated two studios there; the Fort William Studio, and the Express Bridge and Battery Studio. The Isle of Man is a self-governing British Crown Dependency located in the Irish Sea, between Great Britain and Ireland. At the time of this photograph, the Isle of Man was a major tourist attraction, and according to many accounts, tourists flocked to photographers during their vacations there. Not much information could be found about the photographer of this image. It is known however, that he operated a studio on the Isle of Man during 1881 through 1894. He may have also been there before, or after, the aforementioned years. As an aside, it is interesting to note that during the early days of automobiles in America, some photography studios were built that were designed to allow  patrons to drive their cars into the studio, and pose alone, or with their passengers, for portraits of them sitting in their cars. This practice was truly a reflection of the history of Americans love affair with their  automobiles.

Published in: on January 13, 2012 at 12:01 am  Comments (1)  
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STYLISH MOTHER AND SON MEET SAMSON IN DUISBURG, GERMANY

A stylish mother and son pose for a portrait at the studio of Samson & Company in Duisburg, Germany. Mom has an interesting beaded dress, and a pin on her collar. The son has perfectly combed hair, and is wearing a cute short suit. He seems to be a bit intimidated by his day at the photographer, and is likely happy to be standing so close to his mother. Duisburg is a city in Germany and is located in the western part of the Ruhr area. To view other photographs that may have been produced by this photographer, click on the category, “Photographer: Samson & Co.”. The tentativeness of the previous sentence is because the other Samson & Company photograph was not produced in Duisburg. In fact, the other photograph was created at a gallery in Karlsruhe, Germany. The different locations of the Samson galleries makes one wonder if both of these photographic studios were operated by the same photographer. The two galleries were located 187 miles (300.88 kms) apart.

Published in: on January 12, 2012 at 12:01 am  Comments (1)  
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NILES AND GRACE AND THEIR PET PUG IN LOWVILLE, NEW YORK (1889)

This cabinet card portrait of two children and their pet pug, illustrates the power of the internet in identifying subjects in antique photographs. The reverse of this photograph has some identity clues in an inscription that states “Niles 3 years  Grace 6 years  Jan 3rd 1889”.  Since the photographer of this image (W. G. Mandeville) worked out of Lowville, New York, it was assumed that  the children in the photograph lived in, or around, Lowville (located in the western foothills of the Adirondack Mountains). A search of the 1900 U.S. census (Lowville) was done for siblings named Niles and Grace. A listing for Niles and Grace Bateman was found and their ages were a match for the age information on the reverse of the cabinet card. Once establishing their identity, additional biographical data was obtained. At the time of the 1900 census, Grace was seventeen years old and Niles was thirteen. Their father was Carroll Bateman and he was a proprietor of a hotel. Their mother was named Jennie Ruggles Bateman. The 1910 U. S. census found Niles working as a clerk in his father’s hotel. The 1920 U.S. census reveals that Niles had become an “Automobile Agent” and was married to a woman named Vera. The 1930 census discloses some major changes in the life of Niles Bateman. He had two children (Walter and Barbara) and had become an “Automobile Dealer”. The photographer of this image, William Garrett Mandeville (1865-1944), is one of the subjects of Robert Ogden’s book, “Exposing the Wilderness: Early Twentieth Century Adirondack Postcards” (1999). Ogden considers Mandeville one of the best photographers of the genre of scenic postcards. Mandeville was born in New York, dropped out of school at sixteen years of age, and in 1883 went to work for photographer, Ogden Hotchkiss. Hotchkiss had a studio in Norwich, New York. To view photographs by Hotchkiss, click on Cabinet Card Gallery’s category of  “Photographer: Hotchkiss”. In 1886 Mandeville joined George W. Carter in operating a photography studio but he left the partnership that same year to run his own gallery. He married his wife, Bertha in 1886 and had a daughter (Dorothy). In the 1930 U. S. census, Mandeville, at 65 years of age,  was still listed as a photographer.

THREE YOUNG WOMEN IN BAD OEYNHAUSEN, GERMANY

Three pretty young women sit for their photograph at the studio of  C. Colberg in Bad Oeynhausen, Germany. This image was produced in 1905. The women may be sisters; there seems to be a shared resemblance. The women are well dressed, and are likely from a family of means. Bad Oeynhausen was a spa town at the time of this photograph. It was thought that the thermal salt spring there had healing powers. Perhaps these three women were photographed while on vacation to the spa community. Research reveals that Colberg was a royal court photographer.


Published in: on January 8, 2012 at 12:01 am  Leave a Comment  
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ANGELIC GIRL IN WINONA, MISSISSIPPI

This cabinet card portrait is by S. B. Terry of Winona, Mississippi. His subject is a young girl with an angelic expression. She is wearing a fancy elaborate hat with ostrich plumes. Her hair is styled with  sausage curls. She appears to be draped in white cloth. This portrait is very styled and atypical of many of the portraits of this era. The photographer, Sterling B. Terry was born in Mississippi circa 1862. He married his wife Anna in 1882. The 1900 census found him living in Winona with his wife (age 38), son William (age 15), and daughers Anne (age 11), Mary (age 10), and Clara (age 7). The 1900 and the 1910 census lists S. B. Terry’s occupation as “Photographer”. To view other photographs by this photographer, click on the category “Photographer: Terry”.   (SOLD)

Published in: on January 7, 2012 at 12:01 am  Comments (1)  
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MAN WITH A GREAT BEARD IN LOUISVILLE, KENTUCKY

This cabinet card is a portrait of a middle aged man with a wonderful mustache and beard. The Cabinet Card Gallery has a collection of interesting facial hair cabinet cards which can be visited by clicking on the categories of “Beards (Only the Best)”  and “Mustaches (Only the Best)”. The photographer of this image is Louis Bergman, whose studio was located at 56 & 58 Market Street, in Louisville, Kentucky. Perusal of Louisville business directories reveals that Bergman began business with a partner. Bergman & Flexner; the firm was listed in the 1868 and 1869 directories. He was reported to be the sole proprietor of a studio from 1872 until 1886. Bergman was listed at a number of different addresses over these years. Using these addresses, it appears that this particular photograph was taken between 1873 and 1881. From 1886 through 1894 the proprietor of the studio became Caroline Bergman. The Photographic Times and American Photographer (1883) reported that Bergman was Vice President of the Photographers Mutual Benefit Society of Louisville. Louis Bergman (c1838-?) was born in Hanover, Germany to Prussian parents. His wife, Carrie (!845-?) was born in Louisiana to German parents. The couple married  in about 1865. The Bergman’s had a daughter, Lillie, who was 12 years-old at the time of the 1880 census. The census listed Louis as a photographer and Carrie as a homemaker. It is interesting to note that when the couples daughter reached 18 years of age, Carrie became the studio’s proprietor/photographer.

SOLD

PRESIDENT THEODORE ROOSEVELT AND MRS. ROOSEVELT (SOUVENIR OF VISIT- 1902)

This cabinet card features President Theodore Roosevelt (1858-1919) and first lady, Edith Roosevelt (1861-1948). Roosevelt was the 26th President of the United States and served between 1901 and 1909. He was truly a remarkable man. Among the titles that could describe him are; athlete, naturalist, explorer, hunter, author, cowboy, soldier, father, cowboy, and politician. He had a wide range of interests and achievements. As president, Roosevelt was a leader of the progressive movement, was a successful “trust-buster”, created an active government conservation effort, helped develop the Panama Canal, and negotiated a settlement to the Russo-Japanese War (won the Nobel Peace Prize). He was well known for his international relations policy characterized by the slogan, “speak softly and carry a big stick”. Roosevelt’s political career included holding positions as a New York State Assemblyman, member of the Civil Service Commission, New York City Police Commissioner, Assistant Secretary of the Navy, Governor of New York, and Vice President under William Mckinley. Upon Mckinley’s assassination, Roosevelt became the President of the United States. Roosevelt was a busy and productive man. Despite all the aforementioned activities, he also had a military career. He led a regiment of soldiers during the Spanish American War. He helped form a unit called “The Rough Riders”. The Rough Riders included an interesting combination of soldiers, including many cowboys, and many ivy leaguers. The unit was very successful and fought valiantly during the war. Pictured alongside Roosevelt on this cabinet card is his first lady, Edith Roosevelt. She was Roosevelt’s second wife; his first wife had died. Interestingly, Edith and Teddy were childhood friends and playmates. In fact they were next door neighbors while growing up in New York City. She was best friends with Roosevelt’s sister and even attended Roosevelt’s first wedding. Edith Kermit Carow and Theodore Roosevelt had five children. The caption on this cabinet card raises some interesting questions. This cabinet card was given out, or sold, as a souvenir. What event or place used the photograph as a memento? What is the significance of the year 1902? Perhaps a visitor to this site will have some knowledge they can share to address these questions.   (SOLD)

HANDSOME WHITE HAIRED AND WHITE BEARDED GENTLEMAN IN PLAINWELL, MICHIGAN

This handsome older gentleman with white hair and a white beard, is named Adrian Manley (1826-1906). The U.S. census of 1880 reveals that he was married to Elizabeth Manley and that he was employed as a clerk. He and his wife lived with their son Leny, a twenty nine year-old laborer. The 1900 census finds Mr Manley in his seventies living with his wife and two grandchildren, Wane (age 8), and Sylvia (age 6). Adrian Manley’s death certificate lists his occupation as a farmer which likely indicates that farming was his primary work for most of his life. The photographer who produced this photograph was John Morrison Brigham (1863-1933) whose studio was located in Plainwell, Michigan. Brigham attended Indiana Normal College at Valparaiso, Indiana. He studied photography in Plainwell and owned his first gallery there. In 1898 he moved to Battle Creek, Michigan where he opened a photography studio that became very successful. In 1885, Brigham  married Ida M Potter of Mankato, Minnesota. Photo Beacon (1897) printed a review of some of Brigham’s work and it was not complimentary. The reviewer simply wrote, “lots of dead eyes”.

TWO YOUNG GENTLEMEN AND TWO YOUNG LADIES IN MACON, MISSOURI

This cabinet card features two young gentlemen and two young ladies posing for their portrait at Roswall’s Art Studio, in Macon, Missouri. The exact address of the studio was 21 & 23 Rollins Street. The  young adults in this photograph may be from the same family, or may be just friends. These four individuals are very well dressed, leading one to believe that they likely come from families of means.  It is interesting to note that the girl on the left appears somewhat separated from the other three subjects. The separation my reflect how she felt psychologically about her place in the foursome. However, her position in the photograph may be simply the result of the photographer not wanting to leave too much space on the left side of the image. The photographer, Lars J. A. Roswall, was reported by the Photographic Times (1884) to be a part of a group that held a patent relating to  an apparatus for cleaning photographs.

Published in: on December 29, 2011 at 12:03 am  Comments (1)  
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