LILLIAN GRUBB: STAGE ACTRESS DUPED BY BIGAMIST HUSBAND

 

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This cabinet card features pretty actress/singer, Lillian Grubb. The New York Times (1884) reported that the young Baltimore actress had applied to a local court to have her marriage annulled from George Steitmatter, alias, George Deberhard. She wanted her marriage declared null and void due to her husband’s misrepresentation about his marital and financial status. He claimed to be single and wealthy. While still Grubb’s fiance, Mr. Steitmatter claimed that the couple needed to marry quickly because he was about to embark on a trip to Germany. When Ms. Grubb agreed to tie the knot (sometime in 1883) , Steitmatter supposedly left for Germany. In reality, he had gone to New York, the home of his lawful wife. When Ms. Grubb learned that her new husband was already married and was actually in New York; she took the reported legal action. The top cabinet card was published by Newsboy as part of a series of actress photographs (#87). These photographs were used by the company as premiums for their tobacco products. The second cabinet card is a portrait produced by celebrity photographer Jose Mora. She is quite beautiful and appears very coy in this somewhat provocative photograph. Below is an example of one of the many cigarette cards that featured Miss Grubb. This premium was produced by Duke (#N140) as part of their “Yacht Club Colors Series” and was published in 1890.

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Published in: on July 5, 2014 at 12:01 pm  Comments (1)  
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STAGE ACTRESS CHRISTINE BLESSING IN COSTUME PLAYING A RISQUE CUPID

CHRISTINE BLESSING_0004This cabinet card features a portrait of actress Christine Blessing. The cabinet card was produced by Newsboy (#124 of a series) as a tobacco product premium. For some unknown reason, a previous owner of the photograph apparently attempted to erase the Newsboy logo from the photograph. Miss Blessing is captured in this image playing the role of cupid. She is holding a bow and arrow. This cabinet card is risque for its era. The actress is wearing a dress so short that it looks like the dressmaker ran out of material just after beginning her work.  Miss Blessing is known for her theater work but also for her role in an early film titled “Dope” (1914). Her theatrical performances are the subject of a number of New York Times articles. These productions include “The Merry World” (1895), “The Maid in the Moon” (1899), “The County Chairman” (1904), and “The Bachelor” (1909), The New York Times (1893) was critical of her performance at Koster & Bials Music Hall. The newspaper stated that she had performed ballads and that Christine Blessing was “undoubtedly a blessing in disguise”. She was clearly part of a vaudeville performance that night as one of the other acts was a boxing kangaroo. The reviewer bemoaned that vaudeville performances had adverse effects on legitimate theater.

Published in: on January 14, 2014 at 11:38 am  Leave a Comment  
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ADELE PURVIS ONRI: BURLESQUE PERFORMER (NEWSBOY ACTRESS SERIES)

onri_0006Newsboy published this cabinet card portrait of stage performer Adele Purvis Onri. The photograph was produced to be utilized as a premium with the sale of tobacco products. It was number 110 in a series. This somewhat risque portrait captures Miss Onri in action, but what kind of action? Research reveals that she was a burlesque performer.  Her name appears in a number of sources but generally articles containing her name provide little information about her. Apparently she was not a major theater personality. The New York Times (1893) announced her appearance as part of the cast of “Lovely Meteor” at the Eden Musee. Onri makes another appearance in the N Y Times (1897) and in this article the reporter describes her appearance at Koster & Bials Theater. The writer asserts that “one of the most attractive features of the long and interesting bill was the performance of a graceful young woman called Adele Purvis-Onri who did some difficult posing on the slack wire, and intricate juggling and serpentine dancing or a revolving  globe”.  Reading between the lines, it is clear that Onri was performing burlesque acts of a risque nature. The New York Times (1902) notes that she appeared in vaudeville at the Twenty-third Street Theater and was a “sensational dancer”.  The reverse of this cabinet card is stamped indicating it was owned by “Culver Pictures” of New York City. The Culver company charged newspapers and magazines for the use of photographs owned by Culver. To view more photographs by Newsboy, click on the category “Photographer: Newsboy”. To view more images of stage actresses, click on the category “Actresses”.

DELLA FOX: AMERICAN STAGE ACTRESS (IMAGES FROM 1893 and 1894)

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These cabinet cards feature American stage actress, Della Fox (1870-1913). In the top photograph, she is wearing a military costume  for a play that she was appearing in. The photograph is copyrighted in 1893. She began her acting career as a child and became a well known musical comedy actress. Her popularity peaked in the 1890’s when she appeared in several musical with De Wolf Hopper. She also toured with her own theatre company. Her life was plagued with personal problems including alcohol and drug abuse, and mental breakdowns requiring institutionalization. This cabinet card portrait was photographed by Morrison who is known for his portraits of theatre stars and other celebrities. Morrison operated out of the Haymarket Theatre builiding in Chicago, Illinois. Please click on the category “Photographer: Morrison” for more information about Morrison and to view other photographs by his studio.  The second photograph captures Della Fox in costume for the play “The Little Trooper”. The play was by William Furst (1852-1917) and appeared at the Empire Theatre in New York City. The photograph is the work of Napoleon Sarony, famed celebrity photographer of New York City. The reverse of the cabinet card indicates that the photograph was taken on December 25th, 1894. To view other photographs by Sarony, click on Cabinet Card Gallery’s category of “Photographer: Sarony”. The third photograph of Miss Fox was produced by Newsboy as a premium to be given away with their tobacco products. It is number 509 of a series. To view other Newsboy photographs, click on the category “Photographer: Newsboy”.

ESTELLE CLAYTON: STAGE ACTRESS

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Estelle Clayton (1867-1917) is seen in the first and second Cabinet cards. She was a prominent actress as well as a librettist in the late 1800’s. In one of her roles, she starred in “Fayette” with E H Sothern. Clayton was the sister of actress Isabelle Evesson. In 1908, the two sister actresses filed suit against New York City for allegedly diverting land away from earlier generations of their family. In 1917 she died in New York City of heart failure. The photographer of both of these Cabinet cards is Sarony of New York City. The third cabinet card portrait of Clayton was produced by Newsboy as a premium for tobacco products. It is number 47 of a series. The barefoot Miss Clayton is in quite the risque pose in this image.

FRANCES EVERETT: THEATER ACTRESS PORTRAIT (NEWSBOY SERIES: 1891)

everett_0003This Newsboy cabinet card features a portrait of actress, Frances Everett. The photograph is number 329 of a series of images published by Newsboy to distribute as a premium with their tobacco products. The photograph was taken by B. J. Falk and has a copyright of 1891. The cabinet card has a stamp from the Theatral (Theatrical?) Photo. Company of New York City. Miss Everett holds a string instrument (mandolin?) and is dressed in a rather risque costume for her era. She is also wearing a great smile. Preliminary research found no biographical information about Miss Everett or the Theatral Photo Company.

ALICE VIVIAN: THEATER ACTRESS SHOWS A LOT OF LEG IN NEWSBOY PHOTOGRAPH

ALICE VIVIAN_0002This cabinet card photograph features actress Alice Vivian and it is number 74 in a series of photographs distributed as premiums for the purchase of Newsboy tobacco products. This image is certainly risque for the era that it was produced. She is certainly displaying a lot of leg. Miss Vivian appears to be one of the pioneers of early burlesque. She is holding a stringed instrument which I believe to be a mandolin. A stamp on the reverse of this photograph indicates that it once belonged to Culver Pictures, which was located at 60 First Avenue in New York City. Culver loaned photographs to media companies to utilize in their publications. Culver charged the companies for one time usage of the images. Preliminary research uncovered no information about Alice Vivian. To view other photographs by Newsboy, click on the category “Photographer: Newsboy”.

Published in: on April 17, 2013 at 2:57 pm  Comments (2)  
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AGNES EVANS: THEATRE ACTRESS DRESSED IN QUITE RISQUE FASHION

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Agnes Evans poses for this cabinet card (top) photographed by Newsboy of New York.  Agnes Evans was a theatre actress who performed in the Broadway production of the Pit (1904). The actress is wearing a very revealing risque dress.  Further research by myself or assistance from visitors to this site will hopefully further illuminate her life and career. Newsboy was a brand of plug tobacco and Newsboy photographs were given away as a premium by tobacconists and drug stores who sold the tobacco. The images were produced by the National Tobacco Works of New York. They were likely produced and issued in the early 1890’s. The bottom image features Miss Evans in another Newsboy cabinet card (number 8 in a series). She is wearing a risque costume that includes fingerless gloves.

Published in: on February 23, 2013 at 12:01 am  Comments (5)  
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LULU GLASER: ROCKET ASCENT FROM UNDERSTUDY TO STAGE STAR

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These cabinet cards features Lulu Glaser (1874-1958), a Pennsylvania born actress and singer. She came to Broadway with no previous professional experience when she was hired to play in the chorus of  “The Lion Tamer (1891)”. She was also given the role of understudy to the Prima Donna. After the star fell ill, Lulu Glaser took over the role and began a meteoric rise to stardom.  For the next twenty plus years, Glaser played many roles in such productions as “The Merry Monarch” (1892), “Erminie” (1893), “The Little Corporal” (1898), and “Miss Dolly Dollars” (1895). She achieved her greatest success in “Dolly Varden” (1902). Lulu Glaser was a beautiful woman and this portrait confirms that assessment.

In Cabinet Card 1 Glaser is holding a fan and her expression could be described as coy.  She is adorned with a great deal of  jewelry including multiple rings, a hair pin and a pin on the midsection of her dress. The photographer of this image, as well as the next four images,  is Morrison, of Chicago, Illinois. The photographs have a copyright date of 1894. Morrison was a well known celebrity photographer and his studio was housed in the Haymarket Theatre. To view other photographs by Morrison, click on this site’s category “Photographer: Morrison”.

The sixth photograph of Glaser is by celebrity photographer, Falk, of New York City, New York. This photograph is copyrighted 1893. The seventh photograph, also by Falk, captures Glaser in costume for an unknown titled play. She is holding a whip and not looking particularly friendly. The image looks like it would be appropriate accompanying an ad on one of the controversial sections of Craig’s List. The photograph is dated 1892. To see other photographs by Falk, click on the category “Photographer: Falk”.

Photograph number eight captures Lu Lu Glaser in the same costume she is wearing in photograph number five. The eighth photo was published by Newsboy as a premium used to accompany the sale of their tobacco products. The image is number 118 of a series of celebrity photographs. To view other Newsboy photographs, click on the cabinet card gallery category “Photographer: Newsboy”.

BLANCH WALSH: STAGE ACTRESS IN PROVOCATIVE POSE (PUBLISHED BY NEWSBOY)

BLANCH WALSH_0008This cabinet card photograph of actress, Blanch Walsh, was published by Newsboy and was given as a premium to buyers of  the company’s tobacco products. The photograph was number 12 of a series of celebrity photographic portraits. This particular photograph is particularly provocative and risque. Miss Walsh is exhibiting a great deal of exposed skin. Her pose and expression add to the subliminal sexuality. Miss Walsh is costumed as if to portray a gypsy. Note her jewelry. She is wearing a chain around her neck and multiple bracelets on her left arm. To view other theatrical images by Newsboy, click on category “Photographer: Newsboy”. Blanch Walsh (1873-1915) was a highly regarded American stage actress. She also appeared in one film, “Resurrection” (1912). She was born in New York City and educated in the public schools. Her father was T. P. Fatty Walsh, a Tammany politician and prison warden (The Tombs). Her stage debut was in 1888. She worked in the Charles Frohman Company as well as the William Gillette Company. She looked like a younger version of stage star Fanny Davenport. When Miss Davenport was ill for some time before dying in 1898, Blanch Walsh was given a number of her emotional roles. To view photographs of Miss Davenport, write Fanny Davenport in cabinet card gallery’s search box. Walsh’s most sensational role was as Maslova in Tolstoy’s “Resurrection” (1903). She also received much acclaim for her performance in “The Woman in the Case” (1905). The New York Times printed an article about Walsh upon her post surgical death. She was viewed as a major actress who likely would have risen to greater heights in the theater world if her life had not been cut short by her unfortunate early demise.