VIOLET HOPSON : PRETTY BRITISH ACTRESS AND FILM PRODUCER WEARING RIDING ATTIRE

POSTCARD 1

POSTCARD 1 (CLOSE-UP)

VIOLET HOPSON : PRETTY BRITISH ACTRESS &FILM PRODUCER :PHOTO BY FLORENCE VANDAMM - Picture 1 of 3

POSTCARD 2  (SOLD)

Violet Hopson (1887-1973) is the subject of these vintage real photo postcards. She was a highly successful British actress and producer who performed and produced stage and silent film productions. She was born in Australia. She began her stage career with Pollard’s Lilliputian Opera Company in Australia between 1898 and 1900. Two of her sisters also performed with the company. In the early 1900’s she performed in the United States and Great Britain. In the US, she appeared in dramatic productions while in Britain she added comedies to her repertoire Film historian, Rachael Low asserted that Hopson was presented to the public as if she was a “glamorous film star” despite having a low impact screen personality. Her British film debut was in “Mr Tubby’s Triumph (1910)”. Beginning 1912, she worked for British director, screen writer, and producer, Cecil Heworth. He marketed her as a “Dear Delightful Villainess”. In 1919, Hopson made a bold move and began her own production company which created a number of films. She did a series of films utilizing the theme of horse racing. Her career began to slow down before the arrival of sound films. She appeared in a few supporting roles in talkies but then retired. The IMDb reports that Violet Hopson’s filmography has 120 credits between 1910 and 1933. Hopson had two marriages. The first was to actor Alec Worcester and it was of about ten years duration. She later married British film producer, Walter West.

This vintage portrait seen in  Postcard 1, presents Hopson, in what I believe to be, horseback riding attire. Her long coat, high boots, and riding crop, all support my conclusion. Hopson looks very “cool” in this photograph. She is pretty and appears self confident and resolute. This postcard was published by Cinemagazine-Edition of Paris, France. The postcard is part of a series (no. 217). This vintage photo postcard has some cloudiness on the right side edge of the postcard. Overall the postcard is in good condition and has excellent clarity (see scans).

Postcard 2 presents Hopson in a pensive pose. She is wearing pearls and her dress is designed with a gauzy cover. The card is  hand color tinted. The photographer who shot Hopson’s photograph is quite famous. Her name is Florence Vandamm (1883-1966).  She was originally trained and worked as a painter. She moved to the United States in 1923. She was a British photographer noted for her portraits of Broadway productions and performers. During her five decade career she shot over two thousand productions. The logo for Broadwest All-British Films can be seen under Hopson’s printed name.  The card has Hopson’s facimile autograph in the bottom right hand corner of the image.  (SOLD)

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POSTCARD 2

CLARITA VIDAL : PRETTY STAGE ACTRESS : WWI NURSE : ROTARY PHOTO : RPPC

POSTCARD 1

POSTCARD 2 (SOLD)

The pretty actress seen on these vintage real photo postcards is Clarita Vidal (1883-1919). She was an actress in Edwardian musical comedies. She was also known for her work in wartime Italy. She did this volunteer work as Countess Chiquita Mazzuchi. She once told a reporter that she did not know her nationality. There were varying stories about her background. She said she was born in Singapore and that her father was a Spanish Ambassador and her mother was from England. Vial also said that she was raised in Algiers among Spanish diplomat families. She stated her name there was Chiquita Saavedra de Cervantes. Vidal was a “Florodora girl”, a stage beauty.  “Florodora” was an Edwardian musical comedy that became one of the first successful Broadway musicals of the twentieth century. The show opened in London in 1899. Actresses Evie Greene and Ada Reeve were among the show’s performers. The Broadway production was performed at the Casino Theater in 1900 and ran for 552 performances. The show achieved some of its success from it’s chorus line of “Florodora Girls”. A Wikipedia entry describes the six female performers comprising the line as being ”tall, gorgeous damsels, clad in pink walking costumes, black picture hats and carrying frilly parasols (who) swished onto the stage and captivated New York for no other reason than they were utterly stunning”. The IBDB credits Vidal with two Broadway appearances; “The Silver Slipper” (1902) and “Cynthia” (1903). These appearances were followed by roles on the London stage, including “The School Girl” (1903). Renowned actress Billie Burke said of Vidal, “I remember Clarita Vidal, famous and smick-smack, who posed as if she were made of wax, with just one expression of sheer beauty”.  She left the stage after marrying in 1909. The press rediscovered her by late 1915. She was using the name “Countess Chiquita ‘Chick’ Mazzuchi” and was working as a nurse and ambulance driver during World War I. In 1917 she spoke at war relief fundraisers in New York City. She spoke about wounds she sustained during her service in Italy. Apparently, Miss Vidal was prone to exaggeration, or lying, depending on your perspective. The Italian Consul objected to her using the title of “Countess” and embellishing her nursing experiences in the war. The New York district attorney investigated her claims and she agreed to stop speaking and collecting money for the war effort.

The content of the message on Postcard 1 is interesting. The sender is wishing the addressee luck on her music performance exams. This postcard was published by Rotary Photo and is part of a series (no.1707). The postcard is in good condition (see scans).

Postcard 2 was published by Rotary Photo and is part of a series (no.1707C).  (SOLD)

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POSTCARD 1

POSTCARD 2

FRANCESCA BERTINI : INTERNATIONALLY ACCLAIMED ITALIAN SILENT FILM STAR : RPPC

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POSTCARD 1 (CLOSE-UP)

POSTCARD 2 (SOLD)

These vintage photo postcards feature Italian silent film actress, Francesca Bertini (1892-1985). She is thought to be one of the leading silent film stars in the history of this movie form. Bertini was internationally acclaimed. She began her stage career at age seventeen and soon was performing on Italy’s silent screen. By 1915, she had made more than fifty films. She was thought to be beautiful, elegant, and charming. Hollywood’s Fox Film offered her a contract but she turned down the opportunity. She was married to Paul Cartier, a wealthiy Swiss banker, and wanted to move with him to Switzerland.

Postcard 1 measures about 3 3/8″ x 5 1/2″ and is in very good condition (see scans).  

Portrait Postcard 2 was taken by G. Vettori of Bologna, Italy. The card is part of a series (No.1050). (SOLD)

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POSTCARD 1

POSTCARD 2

LILIAN BRAITHWAITE : ENGLISH STAGE & FILM ACTRESS : “THE VORTEX” : RPPC

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POSTCARD 2

These vintage real photo postcards feature pretty English stage actress Lilian Braithwaite (1873-1948). Lilian’s major focus was the stage but she did appear in both silent and talkie films. Her father was a Vicar (member of the clergy). She first acted with amateur companies and when she decided to become a professional actress, her parents were opposed. Despite the parental opposition, in 1897, she joined a professional Shakespearean company. She married one of her fellow actors, Gerald Lawrence. They divorced in 1905 due to Lawrence’s adultery and desertion. Her first professional London appearance was in “As You Like It” in 1900. She joined a series of other stage companies over the years. Her major noted appearance was as the alcoholic mother in Noel Coward’s drama, “The Vortex” (1924). In 1927, she appeared in Alfred Hitchcock’s film “Downhill”.

Postcard 1 was published by Philco. The card is part of a series (No.3067F). This unposted postcard is in Very Good condition (see scans).

Postcard 2 features Lilian in her role in the play, “If I Were King”. The publisher of this portrait postcard is Rotary Photo (No.3032). This unposted postcard is in Very Good condition (see scans).

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POSTCARD 1

MYSTERY ACTRESS AT THE HAYMARKET THEATRE IN CHICAGO, ILLINOIS (MYSTERY SOLVED)

A pretty and nicely dressed woman poses for her portrait from celebrity photographer, William McKenzie Morrison, at the Haymarket Theatre in Chicago, Illinois. The subject of this photograph looks very much like actress, Lily Hanbury (1874-1908). An inscription on the reverse of this image states “to my darling brother Mike, from Lily”. The card is dated “Aug   8, 1894”. There were many actresses in 1894 named Lily; Lily Langtry was likely the most famous of them all. Research failed to provide evidence that this cabinet card photograph features Ms. Hanbury. It is not certain that she ever appeared at the Haymarket, nor is there data to confirm that she had a brother named Mike. To view a confirmed photograph of Lily Hanbury, type her name in Cabinet Card Gallery’s Search Box and click the search button. To view other photographs by Morrison, click on the category “Photographer: Morrison”. ADDENDUM: I am grateful to a cabinet card gallery visitor who left a comment (click comment below) identifying the actress who is the subject of this photograph. Her name is Hattie Williams (1870-1947) and another photo of her can be seen in the form of the photograph found below. Miss Williams was an American stage actress, comedienne, and singer. She was born in Boston. She began her career in the farcical plays of Charles Hoyt. She was a popular actress in vaudeville and with the Charles Frohman Theater Company. At one point in her career she was considered an arch rival to Ethel Barrymore. A photograph of Miss Barrymore is posted in the cabinet card gallery and can be viewed by putting her name in the search box. Williams appeared in one motion picture (1915).   SOLD

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HEDDA VERNON : PRETTY GERMAN SILENT FILM ACTRESS, WRITER AND PRODUCER : RPPC

This vintage real photo postcard features pretty German actress, screenwriter and film producer, Hedda Vernon (1888-1925). She was an important actress in Germany during the days of the early Weimar Republic. Hedda’s father was the owner of a brewery and her mother minded the home. In 1912, Hedda was signed by the German Bioscope as an actress. She made her screen debut that same year, acting in the silent film “The Paper Trail’. This was the beginning of a prolific screen career. In 1914 she began her own production company in Berlin and began to produce her own films. Her husband, Hubert Moest was a film director and also founded his own production company. Hetta wrote two screen plays that Moest turned into films. She acted in a silent film, The Women House of Brescia (1920), which was banned by the British Board of Film Classification. The reason for the banning was that the film depicted prostitution. In the 1920’s Hedda’s film career began to wane. New actresses became the hot commodity in the film industry. She began to act in film supporting roles. In total, Hedda acted in over 70 silent films between 1912 and 1925. Hedda was married three times. Her first two marriages ended in divorce. Hedda died in 1925 but the details of her death are shrouded in mystery. The stamp box of this postcard has an interesting story. “NBC” (Neue Bromsilber Convention) was a price cartel established in 1909 that continued until the 1930’s. The purpose of the cartel was to ensure that the minimum price charged for postcards was kept at a sufficiently profitable level. This photo postcard is in very good condition (see scans).

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LILY LANGTRY: BEAUTIFUL, SCANDALOUS, FASCINATING AND HIGH SOCIETY THEATRE ACTRESS

This cabinet card features British actress, Lillie Langtry (1853-1929). She was born on the island of Jersey, was known as the “Jersey Lily”,  and was known for her beauty. She had many prominent lovers including the future King of England, Edward VII. At 20 years of age she married a wealthy Irish landowner, Edward Langtry and quickly became part of London’s high society. Due to her great beauty, she became a sought after model for a number of well known portrait painters. Beginning 1877, she had a three year affair with the Prince of Wales, Albert Edward. At the suggestion of close friend, Oscar Wilde, she began a stage career. She made her debut in “She Stoops to Conquer” (1881) at the Haymarket Theatre in London. She then embarked on the first of many United States theatre tours where she was a resounding success. She continued to have a number of affairs including a relationship with New York City millionaire, Frederic Gebhard with whom she became very involved in the sport of thoroughbred horse racing. In 1897 she became an American citizen. She is known as one of the early celebrities to make money endorsing commercial products. Among the products she advertised were cosmetics and soap.   The photographer of this cabinet card is famed celebrity photographer, Mora, of New York City. The image was copyrighted in 1884. To see other images by Mora, click on this site’s category of “Photographer: Mora”.  SOLD

MISS ETHEL HOLLINGSHEAD : ACTRESS : BROADWAY : MINK STOLE WITH HEAD : RARE RPPC

This rare vintage real photo postcard features pretty stage actress, Miss Ethel Hollingshead. Note her fur stole. The animals is whole, face and all. I believe the creature is a mink. Certainly, this garment is not politically correct in today’s world. Not much information about Miss Hollingshead is readily available. The IBDb reveals that she acted in two Broadway plays; “A Message From Mars” (1901) and “Saucy Sally” (1904).  She also appeared in “The Boatswain’s Mate” (1907) at London’s Wyndham’s Theatre. A deeper dive into the theater literature is required to learn more about Miss Hollingshead. This postcard was published by Rotary Photo as part of a series (No.1830A).  SOLD

DAPHNE HOPE : ENGLISH MUSIC HALL ENTERTAINER : RISQUE : RARE RPPC

This very uncommon vintage real photo postcard features the pretty young actress and singer, Miss Daphne Hope. She is dressed and posed provocatively for this postcard portrait. Her legs are exposed and she is wearing a short top. Even though Daphne’s legs are covered with flesh colored stockings, this is a risque postcard for it’s era.. Daphne Hope postcards are rare. It is also difficult to find information about her. The website “Footlight Notes” reprinted a 1912 article about Daphne Hope and her performing partner, William Burr. The pair were English music hall entertainers that took their show on the road to New York’s Fifth Avenue Theater. The article states that their talking act and “double singing” was simply “delightful” and “unique”. Hope is described as a “comely blonde, of the robust type, with a very pleasant voice”. The reviewer enjoyed the humorous banter between Hope and Burr. The article described their act as a “sunbeam” compared to the “shadows” vaudeville has imported in the past. SOLD

HILDA HANBURY : BRITISH STAGE ACTRESS : STAGE BEAUTY : CABINET CARD

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PHOTO 2

This cabinet card (Photo 1) features early British theatre actress, Hilda Hanbury (1875-1961). She is dressed for winter in this portrait. Note her warm looking coat and her hand-warming muff. Her hat is quite elaborate. Hilda’s sister, Lily Hanbury (1874-1908), was also an actress. Lily’s cabinet card photo portrait can be found elsewhere in the Cabinet Card Gallery. Hilda and Lily were cousins to actress Julia Neilson. Hilda began her acting career in the late 19th century and went on to have a successful stage and film career that spanned several decades. Hanbury made her professional stage debut in 1897 and went on to perform in a variety of plays throughout her career, including Shakespearean productions and contemporary dramas. She was particularly known for her performances in the plays of Noël Coward, and appeared in several of his works, including “The Vortex” and “Hay Fever.” Hanbury also appeared in a number of films during the 1930s and 1940s, including “The Ghoul” (1933) and “The Saint in London” (1939). Unlike her sister Lily, her film appearances were often in supportive roles. However, Hilda was considered a “stage beauty” and her image was popular on cabinet cards, cigarette cards, and postcards. Hanbury continued to act into her seventies, and her final stage appearance was in a production of Coward’s “Waiting in the Wings” in 1960. Hanbury was a close friend of playwright Noël Coward, and she appeared in several of his plays over the course of her career. Hanbury was known to be an avid bicyclist and a passionate gardener and was a member of the Royal Horticultural Society. She was a judge at flower shows and often exhibited at the Chelsea Flower Show. Hilda married Arthur William Fox (1870-1956) in 1905. After the marriage, she retired from the stage and lived in a sixteen-room house. The couple had nine servants. Hilda and her husband divorced in 1923. The divorce was precipitated by her husband’s adultery. The photograph seen on this cabinet card was taken by the London Stereoscopic Company, located in Cheapside, England. The photo was taken sometime in the 1880’s or 1890’s. Interestingly, there is warning notice on the reverse of the photograph concerning it’s copyright. In addition, there is an advertisement offering photography lessons, on the card’s reverse. There is also an advertisement from H. G. Pearce & Co., a stationer and printer. SOLD

Photo 2 is a vintage real photo postcard featuring Hanbury holding her cute black dog over her shoulder. Note her flat hat. This postcard was published by Stewart & Woolf (London, England). SOLD

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PHOTO 2