This vintage real photo postcard serves as a wonderful illustration of social history. For a reason unknown to us, the community gathered in front of Richter’s Saloon & Grocery for this photo. The whole town is represented. There are babies, children, and young and older adults. If you look carefully, you will see that there was a lot of activity occurring when this photograph was taken. First, there are a several musicians in the group. Some are playing their instruments while others are displaying them. There are a number of men in the back row drinking out of bottles. Why are they congregated in the back row? It is likely a safe assumption that they are drinking beer or some other form of alcohol. Included in the photo is an oppositional defiant little girl. She is in the first row and is the only child or adult facing the “wrong” way. I’m kidding about the “oppositional defiant disorder” diagnosis. The townspeople in this photograph are wearing an interesting assortment of hats. There is a sign advertising a brewery attached to the front of the building. The advertising is for Ruder Beer. The George Ruder Brewing Company was founded in 1892 and operated until 1920. The company was located in Wausau, Wisconsin. By now, you have probably been wondering where Richter’s Saloon & Grocery was located. I am wondering too. I found two possible locations, but there may be more. An Indianapolis, Indiana city directory lists one of the cities businesses as being William Richter & Son Grocery and Saloon. I can not determine the year of the directory. The second possibility concerning the location of Richter’s Saloon & Grocery is more remote. In 1911, there was a Emilie Richter running a saloon in Milwaukee, Wisconsin. This is the same year that the photograph was taken. I have been unable to learn the name of the saloon. The fact that Milwaukee and Wausau (home of Ruder Beer) are in Wisconsin, may be significant. The Kruxo stamp box on the reverse of this postcard, dates the card to sometime between 1908 and 1920. This supports the 1911 date printed on the front of this postcard. SOLD
This vintage postcard features a portrait of Vietnamese feudal lord, Le De-Tham (1858-1913). His actual name was Hoang Hoa Tham and he was also known as Commander Tham. He was the leader of the “Yen The” insurrection, a 25 year long popular revolt in the “Yen The” district of Vietnam. The insurrectionists were resisting French colonial rule. Interestingly, his parents were also resistance fighters. They both died as members of a resistance group fighting against the Court of Hue. Most of Le De-Tham’s resistance forces were routed by French troops as they swept through the province in 1890-1891. The French troops suffered a significant setback when De Tham attacked the area’s railroad. The French agreed to a peace plan and that gave De-Tham a regional fiefdom. He became a symbol for other anti-French movements. De-Tham was killed in 1913 by one of his own men.
This vintage real photo postcard features stage actress Olga Charna. She was a Russian soprano. The photo of Miss Charna was taken by the celebrated firm of the Dover Street Studios. The postcard was published by G. W. Saxby; located in Margate, England. The postcard has a postmark from Margate that is dated 1910. SOLD
This real photo postcard features George Alexander, an English stage actor, theatre producer, and theatre manager. He began his professional acting career in 1879. He became interested in theatre management and in 1890, he leased a London theatre and began producing plays. In 1891, he moved to the St. James’s Theatre where he spent the rest of his career, acting and producing. Three of his most successful plays were Oscar Wilde’s ‘Lady Windermere’s Fan” (1892), “The Second Mrs Tanqueray” (1893), and Wilde’s “The Importance of Being Earnest (1895). Alexander was born in Reading, Berkshire, England. His father was a travelling salesman. George was educated in private schools. He left school at the age of fifteen in order to pursue amateur acting. Upon becoming a professional actor, he joined a repertory company. That was followed by a stint in a touring company. He received positive reviews and his status as an actor rose. In 1882, George married Florence Jane Theleur (1857-1946). She shared his interest and involvement in the theatre and both also had strong engagement in public affairs. During the 1880’s, Alexander expanded his acting experience. His work for actor/manager, Henry Irving, provided him with an excellent theatrical education. During his time with Irving, George toured in the United States on two occasions. George served on the London County Council from 1907 to 1913. George was also a benefactor and a participant in many organizatIions that benefitted actors and the theatre. He also worked for charities like the Red Cross and the League of Mercy. In 1911, Alexander was knighted. He died from tuberculosis and diabetes in 1918. This postcard was published by Rotary Photo as part of a series (no. 4225 D). The portrait photo was taken by the celebrated studio of Ellis & Walery. The postmark on this card was stamped in 1907. This postcard is in very good condition (see scans).
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This vintage real photo postcard features a pretty young girl holding a bunch of long stemmed flowers. She is dressed in white; white bow, white dress, and white shoes. She has an ethnic appearance. She may be from the Mediterranean region, or perhaps Central or South America. This postcard’s Artura stamp box indicates that it was published sometime between 1908 and 1924. SOLD
This vintage real photo postcard features actress and singer, Miss Aileen Davies (1902-1981). At first glance, this image appears to be a photograph of a pretty woman on a bad hair day. However, this is actually a photograph of Miss Davies playing the role of “Mad Margaret” in “Ruddigore”. The comic opera was also known as “The Witches Curse”. The production was presented by the D’Oyly Carte Opera Company and the music and libretto was written by Gilbert and Sullivan. It was first performed in 1887 for a run of 288 performances and was revived in 1920. The “Gasbag” (2006) quotes a review of Miss Davies performance in a 1926 revival of “Ruddigore”. In regard to the actress, the reviewer admires “her prissy delivery and skittish style” and describes her “wonderful sexy lift ” into song. This photo postcard was published by Parksle Pictures as part of a series (No. 157). Davies is best known for her role in The Mikado (1926). The YouTube video below presents Beatrice Elburn, Elsie Griffin, and Aileen Davies, performing a song from “The Mikado”. This vintage postcard is in very good condition (see scans). SOLD
This vintage real photo postcard features an older woman with a unique sense of style. Note her large feather hat, wire rimmed glasses, necktie, and long fur coat. The woman has a very sweet facial expression. The AZO stamp box indicates that this postcard dates back to sometime between 1904 and 1918, has excellent clarity, and is in very good condition (see scans). SOLD
This vintage real photo postcard features a portrait of three visitors to Coney Island. Coney Island is a neighborhood and entertainment area in New York City’s borough of Brooklyn. The postmark on this card was stamped in 1908. By that time, Coney Island was well known for it’s amusement parks. In fact, between 1880 and World War II, Coney Island was the largest amusement area in the United States. The city of New York built a boardwalk to be utilized by visitors. Where there are boardwalks and amusement parks; there are photo studios. One of these studios was the “Dream Studio” and the threesome seen in this photo found their way there to create a souvenir memory. The “Dream Studio” was operated by Mr. H. Tarr. It was located on Surf Avenue at West 6th Street. The 1911 Dreamland Fire burned down Mr Tarr’s photo studio, but in a short time, it was reopened. SOLD
These vintage real photo postcards feature beautiful stage actress Marie Studholme (1872-1930). The English actress and singer was known for her supporting and starring roles in Victorian and Edwardian musical comedies. Her theater career spanned from 1891 through 1915. Her roles included appearances in “An Artists Model” (1895), “The Messenger” (1900), and “Lady Madcap” (1906). Marie Studholme’s beauty made her one of the most popular postcard models of her time.
Postcard 1 is a wonderful portrait of Miss Studholme in costume for the stage production of “Miss Hook of Holland). The play was an English musical comedy. It opened at the the Prince of Wales Theatre in 1907 and ran for 462 performances. It originally starred Isabel Jay and Harry Grattan. The play also ran on Broadway. Studholme starred in the title role in “Miss Hook of Holland” on a long provincial tour from 1907 to 1910. This vintage photo postcard was published by Rotary Photo (no. 4890 A) and the photo was taken by the Foulsham and Banfield studio. This postcard has an interesting message. Rather than signing the card, the writer left his identity a secret by signing it with one word, “Guess?”. The postcard is postmarked “1908”. The card is in excellent condition (see scans).
Postcard 2 is part of the Rotary Photographic Series (no. 4188 A) and was printed in England. Miss Studholme’s portrait was photographed by the celebrated Foulsham & Banfield studio. Although photo postcard portraits of Miss Studholme are common , this particular photograph is uncommon. (SOLD)
Postcard 3 is also part of the Rotary Photographic Series (no. 348 K). This photograph highlights the beauty of Miss Studholme. The postcard is also aimed to be erotic judging by the generous view of the actress’s cleavage. The photography studio that produced this image is W & D Downey of London, England. This studio was well known and highly respected in England. They advertised themselves as photographers specially appointed to photograph the imperial and royal families of Europe and they photographed many other celebrities. Although Studholme posed for many postcard portraits, this particular photo postcard is uncommon. The postcard is in excellent condition (see scans).
Postcard 4 is a member of the Rotary Photographic series (No. 24 L), just like Postcard 1 and Postcard 2. In this portrait, Miss Studholme flashes a beautiful smile. The low cut dress that she is wearing is a bit risque for the era. It appears that she was not adverse to the idea of suggestive poses. The photographer who took this portrait photo of Marie Studholme is a well known female photographer named Lizzie Caswall Smith. Smith (1870-1958) was a British photographer who operated in the early 1900’s. She specialized in photographing members of society and celebrities. Many of her photographs were used for postcards. She was involved in the Women’s Suffrage movement and photographed many of the leading suffragettes. She also photographed many actors including Billie Burke and Maude Fealy. She operated the Gainsborough Studio from 1907 through 1920 (309 Oxford Street) and moved to a new location (90 Great Russell Street) where she remained until she retired in 1930 at the age of 60 years-old. Her most famous photograph is a portrait of Florence Nightingale taken in 1910. It was auctioned in 1908 and sold for 5500 pounds which is an equivalent today of nearly 8,000 dollars. The National Portrait Gallery has 84 portraits associated with Lizzie Caswall Smith. The postmark stamped on this postcard indicates that it was mailed in 1907. The message on the card is written to a 13 year-old girl. The writer of the card apologizes for not sending a letter sooner and explains “but I’m so busy”. It is interesting to note that “excuses” have not changed much over the last hundred years. SOLD
Postcard 5 features a fashionably dressed Marie Studholme. This postcard was published by Rotary Photo and is part of a series (no.229W). This particular postcard is uncommon. SOLD
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Buy this Vintage Real Photo Postcard (includes shipping within the US) #3517
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This vintage real photo postcard features a handsome and well dressed young man reading a magazine or newspaper. He is wearing a suit with a high collar dress shirt, a tie, and a pocketchief. His slicked back hair is neat. Occupationally, this gentleman is likely a professional of some kind. The photographer of this postcard portrait is Florencio Bixio. He was a talented photographer who operated photo studios in Buenos Aires, Argentina. He was active between at least 1900 and 1930. He died in Buenos Aires in 1933. A number of his photographs can be found in the Cabinet Card Gallery. This is an uncommon themed postcard. The card has a Kolux stamp box. I believe that Kolux is a type of camera. I can find no information about their involvement in postcard publishing. This photo postcard is in good condition (see scans)
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POSTCARD 2 
POSTCARD 4A (SOLD)
POSTCARD 4B (CLOSE-UP) (SOLD)
THE CABINET CARD GALLERY 