This vintage real photo postcard features a pretty young woman posing with her guitar. Her plunging neckline makes this a risque postcard. The card was published by Adolph Engel (Berlin, Germany) and is part of a series (No.2504/4). SOLD
PRETTY WOMAN BARELY WEARING A NEGLIGEE : NUDE : JEAN AGELOU : PARIS : RPPC
This French vintage nude real photo postcard features a pretty young woman model Her facial expression can be described as alluring. This photograph is meant to titillate. The young woman is scantily dressed. More of her body is exposed than covered. She is wearing bed clothes, a negligee to be exact. This risque photographic portrait was published by celebrated photographer, Jean Agelou (1878-1921), as part of a series (No.D107). Agelou was a French photographer of the 1910’s and 1920’s who is best known for his erotic and nude photographs. He was born in Egypt and not much is known about his private life. Agelou generally used models between the age of 20 and 24 years-old. Although the 1900’s was the “golden age” of erotic photograph, photographers who took such risque photos had to use discretion. As a result, Agelou signed his work “JA”. In 1908, nudity in photographs was banned in France and photographers had to cover nude women images with strategically placed undergarments or other materials. Nude images had to circulate on the down low. They were sent in the mail inside of envelopes. Jean Agelou died in 1921; the result of a car accident. His brother George, who managed Jean’s business, also was killed in the crash. SOLD
DE DIONNE : PRETTY BUXOM FRENCH ACTRESS : RISQUE : ORICELLY : UNCOMMON RPPC 1910
This uncommon color tinted vintage real photo postcard features pretty and buxom French performer, De Dionne. Some research is required to learn biographical information about her. I found another postcard of this performer and the caption revealed that she had performed at the Theatre du Chatelet in Paris. This postcard was published by Royer. The firm was located in Nancy, France. The photographer of De Dionne’s photo seen on this card was J. Oricelly (Paris). SOLD
FLAPPER SECRETARY AT TYPEWRITER : VINTAGE FRENCH RISQUE RPPC : SEXY 1920s PIN-UP
This original real photo postcard (RPPC) features a risqué French flapper secretary in a provocative pose atop her wooden desk, an old-fashioned typewriter at her fingertips. Dressed in a short, dark dress with a white collar and cuffs, her outfit flutters open to reveal her stockings, garter, and lacy undergarments, making this a bold, flirtatious workplace fantasy from the 1920s or early 1930s. Her wavy bobbed hair, softly curled, frames her face, giving her that quintessential Roaring Twenties allure. Her sultry gaze and playful smirk suggest she’s in on the joke, making eye contact as she teasingly holds a piece of paper while perched suggestively on the desk. A product of its time, this image glorifies the “sexy secretary” trope, something that today would be seen as wildly inappropriate in the #MeToo era. Back then, however, this pin-up style was considered both cheeky and glamorous. (SOLD)
GABY DESLYS: BEAUTIFUL AND TALENTED ACTRESS, DANCER AND SINGER
POSTCARD 3 (SOLD)
POSTCARD 4 (SOLD)
POSTCARD 5 (SOLD)
POSTCARD 6 (SOLD)
POSTCARD 7 (SOLD)
POSTCARD 8 (SOLD)
POSTCARD 9 (SOLD)
POSTCARD 10
Vintage real photo Postcard 1 features a portrait of the multi talented actress, dancer, and singer, Gaby Deslys (1881-1920). Miss Deslys performed at the beginning of the twentieth century in both Europe and the United States. She was extremely popular worldwide. In fact, she was able to earn four thousand dollars a week when performing in the United States. She performed several times on Broadway. She had a dance named after her, “The Gaby Glide” (1911). You can find the sheet music, with Gaby on the cover, elsewhere on ebay. Her love life was the topic of much public gossip. She probably added to the sensationalism surrounding her by posing in a number of risque postcards. She was courted by many wealthy and powerful men, including the King of Portugal. Her life was cut short by the “Spanish” influenza. Postcard 1 is not at all common. It was published by E. A. Schwerdtfeger Company of London and printed in Berlin (no. 0291/1). The company also had an office in New York (opened in 1910). This publishing house printed many different types of real photo postcards but was known for its hand-colored real photo postcards of actresses and fashionable women in exotic costumes. The photographer was the Talbot studio. The creator of Miss Deslys’s hat is also credited (Lewis). This particular real photo postcard stands out because it offers a colorized and very clear view of this beautiful and talented performer. SOLD
Postcard 2 was photographed by Edouard Stebbing. He was active in Paris between 1890 and 1910. Stebbing taught at a University in Paris and invented the stebbing camera, and was known for his work with emulsions. It is reported that he was friends with the artist Monet. He died in 1914 and his wife (Celestine) died five years earlier. Stebbing was a prolific photographer during the Belle Epoque Paris. He appears to have been an expatriate from England. He published many articles in British Photographic journals. Stebbing photographed many theatrical stars. A frequent publisher of these postcards was Monsieur G.Piprot, of “Etoille” or “Star” publishing in Paris. The “Photographic Times and American Photographer” (1883) cited Stebbing as “one of the bright lights of the French Photographic Society. The card has a 1908 postmark. SOLD
Postcard 3 is not common. It was published by Rotary Photo of Great Britain as part of a series (no.11843 A). This postcard portrait was taken by the Foulsham & Banfield studio. Gaby Deslys was certainly a beautiful and talented performer. SOLD
Postcard 4 was published by Rapid Photo of Great Britain as part of a series (no.4245). The company was active between 1901 and 1910. The firm specialized in taking theatrical portraits and was located in London. This postcard portrait was taken by the Bassano studio. SOLD
Postcard 5 was published by Raphael Tuck & Sons of Great Britain as part of the Celebrities of the Stage series (no.T745). The company produced a variety of postcards including an extensive catalog of celebrity (stage and screen) portrait postcards. The firm began publishing this Deslys postcard in 1903. Miss Deslys was photographed by Dover Street Studio for the portrait seen on this postcard. (SOLD)
Postcard 6 was published by J. Beagles of Great Britain as part of a series (no.70H). This real photo postcard is uncommon. This risque vintage real photo postcard features Deslys wearing a provocative costume for her time. She is flashing an infectious smile. Note her corset assisted wasp thin waist.
Postcard 7 was published by Societe Industrielle de Photograpie (SIP) of Rueil, France, and is part of a series (no.1537).The photographer was Edouard Stebbing who was active in Paris between 1890 and 1910. Stebbing taught at a University in Paris and invented the stebbing camera, and was known for his work with emulsions. It is reported that he was friends with the artist Monet. He died in 1914 and his wife (Celestine) died five years earlier. Stebbing was a prolific photographer during the Belle Epoque Paris. He appears to have been an expatriate from England. He published many articles in British Photographic journals. Stebbing photographed many theatrical stars. This real photo postcard is uncommon. (SOLD)
Postcard 8 is an uncommon vintage real photo postcard. It was published by Davidson Brothers of Great Britain. Davidson Brothers was located in both London and New York City. The firm operated between 1901 and 1911. (SOLD)
Postcard 9 has a portrait taken by esteemed celebrity photographer, Leopold Reutlinger. This real photo postcard is very uncommon. Gaby Deslys was certainly a beautiful and talented performer. (SOLD)
Postcard 10 is not at all common. It was published by Rotary Photo of Great Britain as part of a series (no.11843 C). This postcard portrait was taken by the Foulsham & Banfield studio. SOLD
BEAUTIFUL ANGLO-GERMAN FILM ACTRESS LILLIAN HARVEY
POSTCARD 1 (SOLD)
POSTCARD 2 (SOLD)
POSTCARD 3 (SOLD)
POSTCARD 4
POSTCARD 5 (SOLD)
POSTCARD 6
POSTCARD 7
POSTCARD 8 (SOLD)
POSTCARD 9
POSTCARD 10
POSTCARD 11 (SOLD)
POSTCARD 12 (SOLD)
Real photo postcard #1 features Anglo-German actress and singer, Lillian Harvey (1906-1968). Her acting base was in Germany. Harvey was born in Hornsey, England to an English mother and a German father. During World War I her family was “trapped” in Magdeburg, Germany and Harvey was sent to live with her Swiss aunt. After the war she finished school in Berlin and than studied voice and dance at the Berlin State Opera. In 1924 she earned a role as a revue dancer in Vienna. This was followed by her first movie role which was in an Austrian film named “The Curse”. Thereafter, she starred in multiple silent films. Her first leading role was in “The Passion” (1925). Because of her voice training, Harvey was able to make the transition into “talkies”. She and actor Willy Fritsch became the “dream couple” of German movies. The pair acted together in eleven movies. In the 1930’s Harvey’s films appeared in both German and English and she became popular outside of Germany. She went to Hollywood and made four movies for the Fox Film Corporation (this postcard is from that period). In 1935, Harvey returned to Germany. She appeared in several more films and soon she was under the watchful eye of the Gestapo. Harvey had many Jewish friends in the film industry and she was supportive of them. By 1939, Miss Harvey was forced to leave Germany, leaving behind valuable real estate holdings. She went to France where, in 1940, she made two movies for director Jean Boyer. In 1943 she was stripped of her German citizenship because she had performed for French troops. When southern France was occupied by the Nazis in 1942, she emigrated to the United States. During the war she did some theatre acting and also worked as a homeside volunteer nurse. After the war, Harvey relocated to Paris. She went on a world tour as a singer and in 1949 made appearances in West Germany. She spent her retirement on the French Riviera (Antibes) where she had a souvenir shop and raised snails for escargot. Harvey was married one time. Her four year marriage to theater director Hartvig Valeur-Larsen ended in divorce. Eventually she settled down with her female partner Else Pitty Wirth (1907-2007). Interestingly, the two women are buried together in Antibes. The imdb gives Harvey 54 acting credits between 1925 and 1940. Interestingly, Lillian Harvey’s name is mentioned in Quentin Tarantino’s film “Inglorious Bastards” (2009). One of her songs is played on a phonograph and in addition one of the characters in the film mentions liking Harvey’s performance in a film and Joseph Goebbels becomes angry and insists her name never be mentioned in his presence. Click on the link below to hear the Lillian Harvey/Willy Fritsch duet used in the Tarantino movie. The 1936 song is titled “Ich Wollt Ich War Ein Huhn” (I Wish I Was A Chicken). Now would be a good time to discuss this postcard portrait of Miss Harvey. She is looking quite decorated in this photograph. She is wearing a garland of leaves in her hair, a very ornate necklace, a number of large bracelets, two giant rings, and a jeweled clasp on her dress near her cleavage. Note her very notable eye lashes. She is wearing a somewhat provocative dress and it is clear that the aim of the photographer is to emphasize Miss Harvey’s sexiness. The photographer and Miss Harvey succeeded in accomplishing this goal. The postcard was published by the German firm Ross Verlag and was part of a series (no. 8679/1). The postcard credits Fox films. SOLD
The second postcard (postcard 2) features Miss Harvey in a risque costume. She is showing a “lot of leg” which is quite provocative for her time. It is likely that this image captures her in one of her film roles. The postcard was published by Argenta, which was located in Munich, Bavaria. SOLD
The third postcard (postcard 3) presents Miss Harvey is a sexy pose. Note her dark gloves and large hoop earrings. The postcard was published by Ross Verlag and is part of a series (no. 4288/1). Note the advertising logo for the German film company UFA, located on the bottom right hand corner of the image. (SOLD)
The fourth postcard (postcard 4) showcases Lillian Harvey’s beautiful smile. Miss Harvey’s not quite plunging neckline was clearly aimed to add a bit of a risque element to the photograph. This postcard was published by Ross Verlag (Berlin) and is part of a series (no. 1019/2). This portrait was taken by the talented photographer, Alex Binder. The photographer of this terrific image was Alexander Binder (1888-1929). He had the largest photo studio in Europe during the late 1920’s and the 1930’s. Many of his entertainment star portraits appear on Ross Verlag postards. It is thought that Binder was of Swiss origin. He was of the Jewish faith. He studied engineering but did not complete his studies. From 1908 to 1910 he studied photography at a school in Munich, Germany. After the completion of his photography studies, he went to Berlin and in 1913 opened his first photography studio. Before long, he became one of the premier photographers in Berlin. He primarily focussed on fashion and celebrity photography. Since Berlin was the capital of the European film industry, Binder photographed all the stars of the European film industry including, Lilian Harvey, Conrad Veidt, and Lya De Putti. Many of his images were used in popular film portrait postcards. His photographs could be seen in postcards published by Ross Verlag and Photochemie. Binder died in 1929 but new photo cards bearing his signature continued to be published until 1937.
Buy this original Real Photo Postcard (includes shipping within the US) #2490
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The fifth real photo postcard (postcard 5) features Miss Harvey wearing a bathing suit and sitting in a beach chair. Her shoes and stockings don’t seem very appropriate for the beach so it is a good thing that she is actually in a photographer’s studio and sitting in front of a beach backdrop. Obviously, the mission of the photographer was not to convince viewers that Miss Harvey was at the beach. The intent of photographer Alexander Binder was to present Lilian Harvey in a provocative and sexy pose. Mr. Binder certainly succeeded in accomplishing his goal. This photo postcard was published by Ross Verlag. (SOLD)
Postcard 6 featuring Miss Harvey, is published by Ross Verlag. The postcard is part of a series (no. 3543/4). She looks fantastic wearing her print dress and plaid long scarf. I’m not convinced the dress and scarf are matching, but her beauty overcomes any mismatch. As in Postcard #3, the logo for the German film company UFA, can be seen on the lower right hand corner of the image. This photo postcard is from the 1930’s and is in very good condition (see scans).
Buy this original Real Photo Postcard (includes shipping within the US) #2488
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Postcard #7 features Lillian Harvey leaning forward as she looks into a hanging bird cage. The photographer likely chose this pose to inject some sexuality into the image. The pose reveals a small amount of the actress’s cleavage. She is wearing a relatively low-cut dress for this time period. Print on the reverse of the postcard reveals that the photograph of Miss Harvey comes from the film “Congress Dances” (1931). Her costar in the film was Willy Fritsch. The postcard was published by Ross Verlag and is part of a series (no. 6738/1). On the right hand bottom corner of the postcard is the logo for “UFA”, a German film company. This postcard is in excellent condition.
Buy this original Real Photo Postcard (includes shipping within the US) #2520
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Postcard 8 was photographed by Alexander Binder and published by Ross Verlag as part of a series (no.1019/4). Ballerini & Fratini (Florence, Italy) are credited on the reverse of this postcard. (SOLD)
Postcard 9 offers a pretty portrait of Lilian Harvey that was published by Ross Verlag as part of a series (no.5016/2). Note the logo for UFA, the German film company, in the bottom right hand corner of the image. This vintage postcard is in very good conditon (see scans).
Postcard 10 is meant to be risque. Harvey is wearing a provocative dress and it is clear that the aim of the photographer is to emphasize Miss Harvey’s sexiness. The photographer and Miss Harvey succeeded in accomplishing this goal. This card has the logo of Fox Films. She made four films for the company beginning 1931. Lillian Harvey was a popular postcard model and there are many postcard images of her in existence. However, this particular card is very uncommon and one of the more suggestive photographs of Miss Harvey published on a postcard. This postcard portrait was published by Ross Verlag (Germany) as part of a series (No.8000/1). SOLD
Postcard 11 was published by the German firm Ross Verlag and was part of a series (no. 1393/4). Eichberg Films is credited on the bottom right hand corner of the image. The company was located in Germany. Richard Eichberg was a moderately successful actor who became a director/producr in 1915. (SOLD)
Postcard 12 was published by the German firm Ross Verlag and was part of a series (no. 8679/1). She is posed in a bit of a provocative pose and is smoking a pipe. This postcard portrait was photographed by H. Gartner and published by Ross Verlag as part of a series (no.1529/1). Eichberg Films is credited on this postcard. Richard Eichberg (1888-1952) began his career as an actor but became a succssful film director and producer in the German film industry. He directed 87 films and produced 77 films. (SOLD)
Buy this Real Photo Vintage Postcard (includes shipping within the US) #5112
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POSTCARD 13
POSTCARD 14 (SOLD)
POSTCARD 15 (SOLD)
POSTCARD 16 (SOLD)
Postcard 13 was published by Ross Verlag and features Miss Harvey posed in a provocative manner. This postcard has a French stamp and was postmarked in 1929 in Paris, France. (SOLD)
Postcard 14 was published by the German firm Ross Verlag and was part of a series (no. 6096/1). UFA Films is credited on the bottom right hand corner of the image. The company was located in Germany. SOLD
Postcard 15 shows Lillian Harvey wearing a ballerina costume and it is clear that the aim of the photographer is to emphasize Miss Harvey’s sexuality. The photographer and Miss Harvey succeeded in accomplishing this goal. The postcard was published by the Austrian firm Iris Verlag and was part of a series (no.764). Iris Verlag in Vienna was the most important Austrian publisher of film star postcards. The photographer of this portrait was E. Weil & Co. SOLD
Postcard 16 was published by Ross Verlag. It was part of a series (no.2033/1). The postcard has the logo of “Fanamet” in the lower right hand corner of the image. “Fanamet Films” was an Austrian film distribution company. The logo for “First National Pictures” is located on the bottom left hand corner of the image. First National Pictures was an American motion picture production and distribution company. The company was founded in 1917 as a theater chain. It then began distributing movies and in 1924 it began producing films. In 1929 the company was absorbed by Warner Brothers. (SOLD)
TOPLESS WOMAN SERVING TEA : RISQUE VINTAGE POSTCARD : BOUDOIR GLAMOUR : 1920’s
This rare risque real photo postcard captures a staged and playful tableau likely from the 1920s or 1930s. The photograph features a woman in a provocative pose, standing against a backdrop with decorative elements. Her attire is minimal—she wears a halter-style garment fashioned from a patterned scarf or similar material, leaving her torso exposed. She also dons stockings secured with garters, along with a string of pearls that adds a touch of elegance to her otherwise suggestive presentation. Her curly hairstyle is typical of the early 20th century. The woman holds a tray containing a striped tea set, consisting of a teapot, cups, and saucers, which she presents as if serving tea. On the small table to her left, there is a whimsical figurine, perhaps a pierrot or clown. This object adds a playful and slightly surreal touch to the scene. The art on the wall behind her appears to be a fabric panel with a floral design, adding a domestic and slightly bohemian atmosphere to the setting. The woman’s facial expression is subtle, with a faint smile that exudes confidence and a hint of amusement. Her pose, along with the setting, suggests that this postcard was intended as a risqué but artistic depiction, typical of many such images produced for collectors or admirers of “boudoir” photography during this era. The publisher of this postcard is unidentified, other than the initials “NP”. Preliminary research did not reveal the actual name of the publishing company. SOLD
PRETTY WOMAN WEARING A NEGLIGEE : RISQUE : J. MANDEL : PC PARIS : RPPC
This vintage real photo features a pretty young woman wearing a negligee and holding a small bouquet of flowers. The woman is perched on an ornately carved wooden stool with upholstered fabric. She is in a graceful, slightly coy pose, looking off to her left, avoiding direct eye contact with the camera. She has short, wavy hair, characteristic of the 1920s or early 1930s style, giving her a modern and sophisticated look for the era. Her expression is flirtatious yet demure, exuding a mix of elegance and allure. She is wearing a light, sleeveless garment resembling a chemise or slip, commonly associated with boudoir or risqué photography of the time. The outfit is detailed with delicate embroidery and small ribbon accents, enhancing its feminine charm. Her night clothes are accessorized with a simple yet sparkling necklace and earrings. This postcard was published by Alfred Noyer (Paris). The model’s photograph was taken by J. Mandel. Mandel was a noted Parisian studio or publisher that specialized in photographic postcards during the early 20th century. Many of his works were part of the “boudoir” genre, featuring women posed in intimate or suggestive settings. SOLD
PRETTY WOMAN HITCHIKING : RISQUE : “KNEE-DING A RIDE”: GIL ELVGREN : ARCADE CARD
This arcade card features a pretty woman hitchiking. She has lifted her skirt and is flashing a beautiful smile in hopes of catching a ride. This card is risque. The artist of this pin-up is the celebrated Gil Elvgren. The card was published by Mutoscope. SOLD
NUDE WOMAN : COVERING UP : NONPLUSSED : VINTAGE RPPC
This risque vintage real photo postcard features a nude pretty young woman smiling at the camera. Her image on this card is provocative. She covers the sexually charged areas but the postcard remains alluring. Although she is covering herself, she does not seem terribly embarrassed about her state of undress. SOLD
THE CABINET CARD GALLERY 